SKU: KN.KEN10354

UPC: 822795103540.

This exciting new collection contains 8 grade 3-4 pieces for instrumental solo with piano accompaniment. Free MP3 downloads of the piano accompaniment are available at kendormusic.com. Many of the titles have been published as single pieces and are listed on several state contest lists.

Contents:
Gavotte (Lemoine); Intermezzo And Farandole (Bizet); Proclamation (Halferty); Notturno (Hofmann); Greensleeves; Romanze (Hofmann); Maple Leaf Rag (Joplin); Pavanne (Faure).

SKU: KN.KEN10353

UPC: 822795103533.

This exciting new collection contains 8 grade 3-4 pieces for instrumental solo with piano accompaniment. Free MP3 downloads of the piano accompaniment are available at kendormusic.com. Many of the titles have been published as single pieces and are listed on several state contest lists.

Contents:
Mozart Sonatina; Essay In Blue (Edmondson); Harlequinade (Niehaus); Seaside Images (Niehaus); Sonata No. 11 (Haydn); Notturno (Hofmann); Air For Alto (Frackenpohl); The Entertainer (Joplin).

SKU: HL.49015581

ISBN 9790001124218. UPC: 073999352047. 8.0x11.75x0.188 inches.

In his later years Fortner wrote a number of compositions for specific, usually private, occasions, most to texts by major German poets. These songs from his estate are here published as a collection for the first time. The dedications are very personal and intimate, in keeping with the private realm of the compositions. The transparent, delicate piano writing, reminiscent of some of Webern's setting, is indicative of Fortner's commanding mature style * economical yet relaxed and mellow. Reiselied (Hofmannsthal) * Andenken (Eichendorff) * Ballade des ausseren Lebens (Hofmannsthal) * Unterwelt (Heine) * In my craft or sullen art (Thomas) * Bitte (Lenau) * Eine kleine Bitte (Lenau) * Neujahrsgruss (Morike) * Wunschelrute (Eichendorff).

SKU: BR.PB-5354

Bach's manuscript leaves several questions unanswered.

ISBN 9790004211533. 9 x 12 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

Bach's manuscript leaves several questions unanswered.

SKU: BR.OB-5354-19

Bach's manuscript leaves several questions unanswered.

ISBN 9790004337851. 10 x 12.5 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

SKU: BR.OB-5354-16

Bach's manuscript leaves several questions unanswered.

ISBN 9790004337844. 10 x 12.5 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

SKU: HL.49001386

ISBN 9790001015851.

SKU: CA.3124402

ISBN 9790007187873. Language: German/English.

Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score available separately - see item CA.3124400.

SKU: CA.3124420

ISBN 9790007211363. Language: German/English.

Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and part available separately - see item CA.3124400.

SKU: CA.3124409

ISBN 9790007211271. Language: German/English.

Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and parts available separately - see item CA.3124400.

SKU: CA.3124417

ISBN 9790007211349. Language: German/English.

Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and part available separately - see item CA.3124400.