SKU: HL.48188222
Delarue Mardrus Am Stram Gram Pj296 Chant De Grillon L'automne 3 Part.
SKU: LM.GD1511
ISBN 9790231709261.
Une sauterelle - La Danse de mademoiselle Cigale - La Chenille - La Fourmi - Le Grillon - Le Moustique - Le Papillon.
SKU: LM.28504D
ISBN 9790231701623.
BACH C.P.E. : Menuetto - BACH W.F. : Allegro - BACH J.S. : Prelude BWV 926 - BARTOK B. : Chanson du solstice d'hiver (For children Vol.1 n. 38) - Chanson taquine (For children Vol.2 n. 18) - Gamme pentatonique (Mikrokosmos III) - Jeux (Mikrokosmos IIl) - Romance (For children Vol.2 n. 19) - BEETHOVEN L.Van : Bagatelle - BORTKIEWICZ S. : L'Espagnole -CLEMENTI M. : Sonatine Op.36 n. 3 (3e Mouvt.) - DUSSEK J.L. : Allegro - Rondo (Sonate Op.20 n. 1) - GAYRHOS E. : Fantaisie Op.18 n. 2 - GRETCHANINOFF A. : A bicyclette - Une vieille romance - GRIEG E. : Danse des Elfes - HAYDN F.J. : Finale (Sonate Hob.XVI/I2) - Presto (Sonate Hob.XVI/26) - HELLER S. : Avalanche - KELEMEN M. : Le grillon accorde son violon - MAYKAPAR S. : Berceuse - Petit conte - Valse - MOZART L. : Bourree - MOZART W.A. : Rondeau a la francaise - NIEMANN W. : Avec un bouquet - d'anniversaire Op.46 n. 6 - PIEPER M. : Bluesnalzer - Bounce - PROKOFIEFF S. : La Pluie et l'Arc-en-ciel - Repentirs - REINHOLD O. : Un conte - SCARLATTI D. : Gigue - SCHUBERT F. : Danse allemande - Valse - SCHUMANN R. : Chanson du moissonneur - STIEHL H. : La Petite Sieur malade - TCHAIKOVSKI P.I. : Valse - TURK D.G. : Allegro - Presto - VOICULESCU D. : Fable.
SKU: LM.GD655
ISBN 9790231705607.
Venez nous entendre - L'Eau qui court - Valse savoyarde - Santa Lucia - Dors mon petit negrillon - Village en fete.
SKU: HG.PE-821-20
Nur in Chorstarke, ab 20 Stuck.
SKU: BR.EB-8424
You will need a copy of BG 1002 for each player to perform the version for variable instrumentation (BG 1004).
ISBN 9790004185254. 9 x 12 inches.
World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109.
SKU: LM.C05355
SKU: HL.50602119
ISBN 9781540064462. UPC: 888680966522. 9.0x12.0x0.668 inches.
VINCENZO BELLINI I Capuleti e i Montecchi È serbata a questo acciaro • Il pirata Nel furor delle tempeste • I puritani A te, o cara • GEORGES BIZET Carmen La fleur que tu m'avais jetée • FRANCESCO CILEA L'Arlesiana È la solita storia del pastore... • GAETANO DONIZETTI Don Pasquale Com'è gentil • L'elisir d'amore Quanto è bella • Una furtiva lagrima • La favorita Favorita del re! - Spirto gentil • La fille du régiment Ah ! mes amis - Pour mon âme • Lucia di Lammermoor Tombe degli avi miei - Fra poco a me ricovero • Tu che a Dio spiegasti l'ali • UMBERTO GIORDANO Fedora Amor ti vieta • CHARLES GOUNOD Faust Salut ! demeure chaste et pure • GEORGE FRIDERIC HANDEL Alcina È un folle, è un vile affetto • EDOUARD LALO Le roi d'Ys Puisqu'on ne peut - Vainement, ma bien aimée • JULES MASSENET Manon C'est vrai...- En fermant les yeux o Je suis seul ! - Ah ! fuyez, douce image • Werther Toute mon âme - Pourquoi me réveiller • WOLFGANG AMADEUS MOZART Così fan tutte Un'aura amorosa • Don Giovanni Dalla sua pace • Il mio tesoro • Die Zauberflöte Dies Bildnis ist bezaubernd schön • GIACOMO PUCCINI La bohème Che gelida manina • La fanciulla del West Ch'ella mi creda • Gianni Schicchi Avete torto! - Firenze è comeun albero fiorito • Madama Butterfly Amore o grillo o Addio, fiorito asil • Manon Lescaut Donna non vidi mai • Tosca Recondita armonia • Turandot Nessun dorma! • GIOACHINO ROSSINI Il barbiere di Siviglia Ecco ridente in cielo o ente in cielo • La Cenerentola Sì, ritrovarla io giuro • Guglielmo Tell O muto asil del pianto • PYOTR IL'YICH TCHAIKOVSKY Eugene Onegin Kuda, kuda, kuda vy udalilis • GIUSEPPE VERDI Un ballo in maschera Di' tu se fedele • Rigoletto Questa o quella • Ella mi fu rapita! - Parmi veder le lagrime • La donna è mobile • La traviata Lunge da lei - Dei miei bollenti spiriti.
SKU: LO.15-3465H
ISBN 9780787755324.
Josquin's tongue-in-cheek day in the life of a cricket offers a unique programming opportunity. Mostly homophonic throughout, with several effective call-and-response moments, this delightful arrangement may be sung a cappella or with the provided piano part. Italian and English texts are included, as is a pronunciation guide.
SKU: HL.49000062
ISBN 9790001003902. 9.0x12.0x0.023 inches.
In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer Alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.
SKU: BR.EB-9074
ISBN 9790004179499. 9 x 12 inches.
World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109World premiere: VIII version for violoncello Tokyo: October 14, 1989.