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Flute or Violin
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Adagio BWV 974 from Concerto in D Minor after Marcello for flute or violin and guitar
Adagio BWV 974 from Concerto in D Minor after Marcello for flute or violin and guitar
$5.95
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Flute and Guitar
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BACH–MARCELLO
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Klas Krantz
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Amadeus Music
Adagio BWV 974 from Concerto in D Minor after Marcello for easy flute or violin and guitar
Adagio BWV 974 from Concerto in D Minor after Marcello for easy flute or violin and guitar
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Violin, Guitar (duet)
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BACH–MARCELLO
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Klas Krantz
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Amadeus Music
Bourree Suite 2 BWV 1067 for flute or violin and piano
Bourree Suite 2 BWV 1067 for flute or violin and piano
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Flute and Piano
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Johann Sebastian Bach
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Klas Krantz
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Amadeus Music
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin, Viola and Orchestra
Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...
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There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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Vamoosh Christmas Violin: Violin: Instrumental Album
2 Violins (duet)
Vamoosh Music
Vamoosh Christmas Violin. Vamoosh Christmas for young Violinists. 12 well known ...
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Vamoosh Christmas Violin. Vamoosh Christmas for young Violinists. 12 well known Christmas items arranged for Violin duo with optional accompanying backing-track or piano. Books are compatible with Vamoosh Christmas for Viola, Cello, Double Bass, Flute and Recorder so you can join friends for a Christmas feast of music making. Backing-tracks are available on many online platforms such as Spotify, iTunes, GooglePlay and YouTube. Search for Vamoosh Christmas Backing-tracks.
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Classical Music For Children
Flute and Piano
-
Beginner
Schott
The volume 'Klassik für Kinder' provides young flute players with a selection o...
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The volume 'Klassik für Kinder' provides young flute players with a selection of 26 easy works for lessons and concerts. The selected pieces range from the Baroque era via the Classical period to the Romantic era. Apart from original pieces, the editors have deliberately included easy arrangements of well-known masterpieces as well in order to facilitate access to the classical concert literature.The pitch range found in the pieces (not higher than E6) can be easily mastered by pupils from the second year of tuition. The collection is particularly suitable to work on various aspects of interpretation and musical performance.The enclosed CD contains all pieces as a complete version (for listening) and as pure piano accompaniment (for playing along).The 'Klassik für Kinder' series is also available for violin, clarinet, piano, guitar, and most recently for violoncello as well. / Flûte Et Piano
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Howard Shore: Lord of the Rings Instrumental Solos for Strings: Violin:
Violin
[Sheet music + CD]
-
Easy
Alfred Publishing
This book is part of a string series arranged for violin viola and cello. The a...
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This book is part of a string series arranged for violin viola and cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student and a carefully crafted removeable part complete with bowings articulations and keys well suited for the level 2-3 player. A fully orchestrated accompaniment CD is included. Each song on the CD includes a DEMO track which features a live string performance followed by the PLAY-ALONG track by itself. This book is also part of a Lord Of The Ringsinstrumental series written for flute clarinet alto sax tenor sax trumpet horn in F and trombone.
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Georg Philipp Telemann: Methodical Sonatas Volume I: Flute or Violin: Score and
Flute, Basso continuo
G. Henle
for Flute or Violin and Basso Continuo-Published in 1728 Telemann’s sona...
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for Flute or Violin and Basso Continuo-Published in 1728 Telemann’s sonatas are ‘methodical’ according to the meaning of the word at the time of their publication as in addition to the plain melody line given to the soloist in the first movements they alsoprovide an ornamented variant each time. This is instructive and very enjoyable music for today’s flautists and violinists.Henle’s luxurious new publication offers a solo and basso-continuo part in which the twoinstrumental lines are aligned for orientation plus another part that gives only an unrealised (but figured) bass line. The Henle edition also includes a full score with a stylistically appropriate continuo realisation.
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Marc-Antoine Charpentier: Lift Up Your Voice: 3-Part Choir: Vocal Score
Choral 3-part
[Vocal Score]
Shawnee Press
From Lecons des Tenebres by Marc-Antoine Charpentier (1634-1704)This simple Baro...
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From Lecons des Tenebres by Marc-Antoine Charpentier (1634-1704)This simple Baroque choral is perfect for a developing choir of young voices. Charpentier originally wrote this joyous masterwork for 3-Part Mixedvoices with an accompaniment of continuo and two flutes or violins. Patrick Liebergen has provided a keyboard part that reinforces the vocal parts and revised the flute parts to be optional for flutes or violins (parts includedin the choral). “Lift Up Your Voice” is a concert opener and is well suited for contest or festival use.
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Thea Musgrave: Towards The Blue: Ensemble: Score
Clarinet Quintet: Clarinet, String Quartet
[Sheet music]
Novello & Co Ltd.
For Clarinet solo with wind quartet and string quartet. Score OnlyFirst perform...
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For Clarinet solo with wind quartet and string quartet. Score OnlyFirst performed by Michael Collins Clarinet London Winds and the Endellion String Quartet on 27th January 2011 at the Wigmore Hall London.Scoring:Solo ClarinetFluteOboeBassoonFrench Horn2 ViolinsViolaCelloDuration:circa 13 minutes'During a visit to the exhibition of Francis Bacon at the Tate Gallery in December 2008my eye fell on Figure in a Landscape 1945 which resonated in me powerfully. It is a sceneof devastation and despair and also it seemed to me of latent anger and hostility... butabove it all a serene blue sky beckons. So perhaps even in the darkest moments there is aglimmer of hope - the possibility of change.This idea became the starting point for this work - Towards the Blue - a mini concerto forclarinet who eventually becomes the leader of the group.The work starts without the clarinet and all is desolate yet fiercely argumentative discordant and uncomfortable. Suddenly the offstage clarinet is heard and the players insurprise are quietened. However when the clarinet enters and approaches with a lyricalmusical motif some of the players respond others resist. Gradually the clarinetpersuades the dissident voices to join him in a spirit of co-operation and harmony.A brief memory of the opening desolation casts a momentary shadow which is quicklydispelled by the coda marked Gioioso.'Thea Musgrave (May 13th 2010)Parts available for hire separately
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It Took A Lamb: SATB: Vocal Score
Choral SATB
[Vocal Score]
Integrity Music
A Choral Collection-Created by Geron Davis this collection will serve many need...
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A Choral Collection-Created by Geron Davis this collection will serve many needs in your local church with its songs of praise and worship of adoration and humility of the Lamb's suffering and death for our sins and of thanksgiving for God'sgoodness and mercy. Songs include:Jesus You Are Welcome We Serve A Mighty God/Mighty God We Serve We've Come to Worship We Sing Worthy King of Kings Lord of Lords All of the Glory Let the Words of My Mouth PerfectPeace Nothing Less Than Holiness When Anyone Looks at Me Holy is the Lamb Lamb of God I Worship You It Took a Lamb Thank you Lord. Orchestration includes score and parts for Flute 1-2 Oboe English Horn (Clarinet sub) Trumpet 1-4 Horn 1-4 (Alto Sax sub) Alto Sax Tenor Sax Trombone 1-2 (Tenor Sax sub/Baritone T.C. sub) Violin 1-2 Viola (Clarinet sub) Cello Bass (Bass Clarinet sub) Percussion String Synthesizer Rhythm. Instrumentationvaries. SATB Cassette Accompaniment Trax (Split and Stereo) CD Accompaniment Trax (Split and Stereo) Orchestration Preview Pack (CD) CD 10-Pack are also available.
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Joachim Johow: Circus Time: Violin: Instrumental Work
Violin
-
Intermediate
De Haske Publications
14 showstoppers for violin play-along performance-L?orchestre du cirque attaque ...
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14 showstoppers for violin play-along performance-L?orchestre du cirque attaque la marche qui annonce l?apparition des artistes - le public attend impatiemment?Entre la marche d?ouverture et le finale grands et petits savourent un programme haut en couleurs : acrobates audacieux clowns comiques danseuses orientales jongleurs et charmeurs de serpents présentent tour à tour leur numéro.Circus Time existe également pour flûte clarinette et alto saxophone (dans la même tonalité). Ce choix offre de nombreuses options : les musiciens peuvent jouer tour à tour ou former un véritable orchestre de cirque ou même - avec des décors et des accessoires - monter une vraie représentation de cirque. Les possibilités sontillimitées !Le compact-disc ci-joint contient les versions intégrales des morceaux ainsi que les versions d?accompagnement. Les symboles d?accords (sons réels) figurant au-dessus de la portée facilitent l?accompagnement à la guitare et/ou au piano. Les parties d?accompagnement de piano optionel sont rassemblées dans un recueil vendu séparément (référence :DHP_x001F_1125344-401).Que le spectacle commence !
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Tom Shelton: Pie Jesu: Unison Voices: Vocal Score
Choral Unison
[Vocal Score]
Hinshaw Music Inc.
Middle school teacher and composer Tom Shelton has scored this liturgical text f...
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Middle school teacher and composer Tom Shelton has scored this liturgical text for unison voices with piano and oboe (or flute or violin). It is a great work to introduce your children to the principles of Latin diction. If you are a church musician try it during Lent/Holy week.
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Groove Connection Flute (DICKBAUER KLAUS)
Flute
[Sheet music + CD]
Universal Edition
Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. Klaus ...
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Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. Klaus Dickbauer makes scales and blues scales for flute fun - his modern approach to elementary technique is an invaluable and highly effective training tool for developing improvisation skills. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - The perfect tools for building first improvisation skills on the flute. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/grooveconnection/ Etude / Flûte Traversière
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W Kittridge: Tenting On The Old Camp Ground: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
With Guitar Or Piano Oboe Flute Or Violin-Tenting On The Old Camp Ground by Wal...
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With Guitar Or Piano Oboe Flute Or Violin-Tenting On The Old Camp Ground by Walter Kittridge for SATB chorus and Piano or Guitar with optional Oboe Flute or Violin. Edited by Gregg Smith with Guitar accompaniment by David Starobin.
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Orchanics 2: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 2 contains:-Marching through Mud (Richard Ling); When I was a lad (from HMS Pinafore); Ghost Ride (Richard Ling); Largo (Dvorak); Battle Zone (Richard Ling); Persian March (J Strauss II); Lazy Horse (Richard Ling); Good King Wenceslas.
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Groove Connection Violin (DICKBAUER KLAUS)
Violin
[Sheet music + CD]
Universal Edition
Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. In the...
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Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - the perfect tools for building first improvisation skills on the violin. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/groove-connection/ Recueil / Violon
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Ed Lojeski: Missa Americana: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
Combining the classical Mass form with American musical styles Missa Americana ...
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Combining the classical Mass form with American musical styles Missa Americana joins together both old and new. This innovative combination allows the work to be performed in both church and concert settings. IncorporatingEnglish and traditional Latin texts Missa Americana is set for mixed choir and soprano and tenor soli with orchestral or organ accompaniment. Movements: Introit and Kyrie Gloria Credo Offertory (text from Psalm 138) Sanctus and Benedictus Agnus Dei (based on American hymn tune). Publications available: SATB Score Organ Score and Orchestra (score and parts for 2 Flutes Piccolo 2 Oboes English Horn 2 Bb Clarinets Bb Bass Clarinet 2Bassoons 4 F Horns 3 Bb Trumpets 2 Trombones Bass Trombone Tuba Timpani Percussion (3 players) Harp Celesta (Piano) Violin Viola Cello and Bass). Total Performance Time: Approx. 26 minutes
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50 More Classic Melodies
Organ
Kevin Mayhew
/ Orgue
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Benjamin Harlan: Gloria Deo: SATB: Vocal Score
Choral SATB
[Vocal Score]
Brookfield Press
A Service of Lessons and Carols-From majestically triumphant to quietly worshipf...
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A Service of Lessons and Carols-From majestically triumphant to quietly worshipful Gloria Deo weaves rich carol arrangements with scripture lessons for a moving Christmas worship experience. This appealing and accessible work will heighten your churchand community's celebration of the Incarnation with a blend of classic Christmas favorites and new textsAvailable separately: SATB Instrumental Pak-Full Orchestra (score and parts for Flute Oboe Trumpet 1 & 2 Horn Trombone Tuba Violin 1 & 2 Viola Cello String Bass and Percussion) Instrumental Pak-Chamber Orchestra (score and parts for Flute Oboe Violin 1 & 2 Viola Cello String Bass and Percussion) Preview CD ChoirTrax CD CD10-Pak and Preview Pak. Performance Length: Approx. 40 minutes
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Brant Adams Joseph M. Martin: The Weeping Tree: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
SATB-From the writers of Song of the Shadows and Harvest of Sorrows comes this p...
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SATB-From the writers of Song of the Shadows and Harvest of Sorrows comes this profoundly moving work for Holy Week. The Weeping Tree is a poignant portrait of the cross that uses beloved hymns newly composedmusic thoughtful narration and simple sacred symbols to create a touching testament of grace for choirs of every size. By offering the smaller orchestral accompaniment option along with the shorter performance time TheWeeping Tree is accessible to choirs that have not previously included cantatas in their Lenten and Holy Week services. Includes: The Weeping Tree • Without His Cross • Of Tears and Sorrows • Alas and Did MySavior Bleed • and more. Practical and profoundly affecting! A full line of support products is available to help enable churches of every size to enjoy this outstanding new seasonal offering. Support products include abrilliant orchestration by Brant Adams in traditional format or on the exciting “print-your-own” iPrint CD-ROM or use the outstanding StudioTrax CD. Shorten your learning time by using the Rehearsal Trax CDs. Theinstrumentation for the chamber orchestration is Score and parts for Flute Oboe Clarinet Bassoon Horn Timpani Percussion Piano Violin 1 Violin 2 Viola Cello & Double Bass.
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Georg Philipp Telemann: Methodical Sonatas Volume 2: Flute or Violin:
Flute, Basso continuo
G. Henle
for Flute or Violin and Continuo-?Methodical? was how Telemann?s six sonatas wer...
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for Flute or Violin and Continuo-?Methodical? was how Telemann?s six sonatas were described when they were published in 1732 because they included a second ornamented version of the simple melody line of the solo instrument for the slow opening movements andfor the second movement of the c-minor sonata. This is music that is both instructive and also a delight to play and G. Henle Publishers can highly recommend it to the flautists and violinists of today. This lavishly appointednew edition has separate solo and bass continuo parts that contain the other part in each case for orientation purposes. There is also an additional part featuring only the figured bass line. This edition includes the score whichalso features a historically faithful realisation of the figured bass. The first volume of ?Methodical Sonatas? has already been published (HN 1266); this means that all twelve of Telemann?s sonatas are now available as HenleUrtext editions.
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Otto M. Schwarz: Playing with the Orchestra vol. 1: French Horn Solo:
French horn
Symphonic Dimensions Publishing
The play-along book ?Playing with the Orchestra VOL. I? has been designed for fl...
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The play-along book ?Playing with the Orchestra VOL. I? has been designed for flute, Bb clarinet, oboe, Bb trumpet, F horn, violin and cello. The original symphony orchestra part for each instrument is printed in its own edition. The orchestral recordings were performed by an 80-strong professional orchestra, the Bratislava Symphony Orchestra, conducted by David Hernando Rico. The series includes many successful works by the composer Otto M. Schwarz, such as ?Around the World in 80 Days?, ?Nostradamus?, ?Dragon Fight?, ?The Story of Anne Frank? and most recently ?The White Tower?, compositions that also feature in the Top 40 of the world-wide Classic New Releases on Spotify.
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Cherokee Amazing Grace: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
American Folk Song-This creative work began as an English setting of amazing gra...
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American Folk Song-This creative work began as an English setting of amazing grace by the composer David Huff (HMC1844). Here composer James Green makes extensive use of the original but sets the piece to native American Cherokee and adds flute or violin and a host of optional hand percussion instruments. The piece would be great for the festivities of American music month.
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Serenade In D Major Op. 41 For Flute: Flute or Violin: Instrumental Work
Klavier und Flöte (Violine)
G. Henle
Works by this publisher are not included in the main catalogue.
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Antonio Vivaldi: Die Vier Jahreszeiten (Auszüge): Descant Recorder: Single Sheet
Bosworth
für Sopranblockflöte und Klavier-Born in Venice in 1678 Antonio Vivaldi was a...
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für Sopranblockflöte und Klavier-Born in Venice in 1678 Antonio Vivaldi was amongst the most fanous violinists ans conductors of his day was resident composer at the Conservatorio and influenced many of his musical contemporaries. He wrote operas oratorios fine chamber music concerts concertos for flute or violin and of course The Seasons. The individual pieces of his work may be considered to be the forerunners of 'programme' music. Spring Summer Autumn and Winter are masterpieces of Baroque music and adapt excellently for recorder ensemble. For this piece I have assembled various extracts in a single unified musical form for descant recorder and piano.
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Helen Grime: Seven Pierrot Miniatures (Piano): Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed o...
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For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano
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