Ce volume comporte des 46 miniatures du Godowsky pour quatre mains où l'étudiant en position five-finger joue le ' primo 'et l'enseignant joue un accompagnement intéressant et parfois difficile dans le ' secondo '. Magnifiquement écrit, Rachmaninoff utilisé ces miniatures avec ses propres élèves. Complet avec commentaire savante et une analyse détaillée, ce beau livre devrait être fait partie de bibliothèque d'un professeur de piano. Mots d'éloges sur les Miniatures de Godowsky: ' les Miniatures ont ravi sincèrement me et méritent en raison de leurs qualités excellentes pour devenir très populaire. '-Sergei Rachnaninoff ' ces morceaux de charme présentent une réelle nouveauté pour lesquels les enseignants ne manquera pas d'être reconnaissants.'-Percy Grainger / Piano 4 Mains

Le premier volume de la star allemande de YouTube, Patrik Pietschmann, comprend 10 musiques de film instrumentales : des productions cinématographiques excellentes telles que Star Wars - The Mandalorian, The Avengers de Marvel et le classique moderne du genre de pirates He's A Pirate, ainsi que les succès de streaming The Witcher et Game Of Thrones. Un vrai plaisir pour les pianistes expérimentés et les mordus du cinéma. Si vous ne vous débrouillez pas tout seul/e avec les partitions, vous trouverez des vidéos de piano pour tous les morceaux sur la chaîne YouTube de Pietschmann.
Cornfield Chase
Toss A Coin To Your Witcher
The Mandalorian
He's a Pirate
Game of Thrones
A Dark Knight
Into the Unknown
Now We Are Free
The Avengers
Time / Partitions variété - pop - rock / Musique films - comédies musicales / / SCHOTT

Ariette pour le clavecin ou pianoforte avec quatorze variationsEdition : Berlin, Hummel, Amsterdam, Grand magasin de musique, 1782.Excellente gravure, très lisible, pour ces 14 variations de C.F.C. Fasch, de très bonne facture. Excellente oeuvre pour les classes de clavecin ou de pianoforte. / Clavecin, Piano Ou Piano-Forte / 20 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

Embark on a voyage of discovery with this stunning collection of 14 original Latin Preludes from the creator of Microjazz inspired by the musical styles and rhythms of Latin America.Soak up the vibrant Brazilian carnival atmosphere with the Samba and the Bossa Nova step into the clubs and dancehalls of Cuba to take in the pulsating rhythms of the Mambo and the sultry Rumba and unwind to the relaxed sound of the Caribbean Beguine in these characteristically innovative Latin-America- inspired compositions by Christopher Norton. Ideal for intermediate to advanced-level keyboard players these pieces are perfect for the concert platform as well as providingexcellent teaching material.An accompanying CD features newly-recorded stylish demonstration performances by Iain Farrington.

The names of the composers included here read like a ?Who is Who? of the heyday of Bohemian musicians and composers from the 18th and beginning of the 19th century. They include F. Benda J. Stamitz J. L. Dussek and J. B.Vanhal in their time names that were known throughout Europe and who predominantly worked at noteworthy courts in different countries. Today their music is largely overshadowed by that of Haydn Mozart and Beethoven. Yet theBohemians particularly excelled as far as the Violin sonata was concerned. Our two volume edition will provide the curious (and indeed already quite advanced) violinist with a colourful bouquet of worthwhile discoveries.

The Lemonade Kid is a rootin'-tootin' Wild West musical telling of a town being tamed against all odds by a plucky bargirl and the only man brave enough not to carry a gun. Eight great new songs including a hoe-down dance. Anexcellent fun way of getting across a very serious message. Suitable for Key Stage 2 (7-11 years). The Pupil's Book contains the script and songwords. The separate Teacher's Book (GA11330) contains the piano score and productionnotes and CD of demonstration and backing tracks. Edited by Alison Hedger You will require a license to perform this work at your school/youth theatre; please click here for more information and our application form.

72 Classic Songs-This collection of Just Great Songs features a massive 72 classic pop and rock songs from over the years that are essential parts of any musician's repertoire. Arranged for Piano Vocal and Guitar you'll besinging and strumming all of these brilliant songs with ease. The 72 tunes included here are guaranteed to get your vocal cords warmed up and your fingers itching to play with their simple melodies funstrumming and relatable lyrics. Songs like Razorlight's America When You Were Young by The Killers and The Bucket by Kings Of Leon will take you back to that awesome period when Guitar-based rock wasreinvigorated at the turn of the millennium while Wonderwall Yellow and Primal Scream's Country Girl will make you yearn for the exciting britpop era again. If on the otherhand you have more of a predilection for pop then you'll be excellently served as well with Lily Allen's Smile Corinne Bailey Rae's Put Your Records On and KT Tunstall's Suddenly I See.Similarly if you prefer the older classics you'll be able to learn Jeff Buckley's Hallelujah The Clash's Should I Stay Or Should I Go and Walk On The Wild Side by the immortal Lou Reed. Whatevergenre you're into or whether you love the new tunes or the old songs it doesn't matter as all of these are Just Great Songs. All arranged for Piano Vocal and Guitar with standard notation Guitar chord boxesand symbols with full lyrics you'll never be stuck for something to learn or play. Featuring 72 of the biggest and best songs from the pop and rock genres taken from recent years as well as some classicselections for good measure this sheet music songbook is a collection that'll be well worthy of your music stand. The songs in this book aren't contentious and there isn't any filler they're Just Great

Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold I wish to do it to reflect the character of Mad:selle Rose, Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it excellently. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozart‘s great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). FIRST MOVEMENT The first movement of the C major Sonata K 309 is a model teaching sonata form structure. With sonata forms, as with Bach fugues, no formal dogmas underlie the process of composition, but each sonata varies anew a basic principle. For Mozart, this entailed strict adherence to certain fundamental patterns without his creative freedom. In his sonata movements in major keys, for example he favoured a distinct second subject in the dominant as most contemporary composers did. Haydn, on the other hand, reveled in experiment at this point. A brief analysis may help to demonstrate Mozart's standard sonata allegro form and the first movement of it is an ideal example for such an investigation. The first subject is a distinctive, marcato opening followed by a five-bar response. The falling fourth and rising sixth of the opening is one of Mozart's favourite motifs, his common melodic device. He often uses it in the minor as well as the major, and many of his themes start with this motif (e.g. the second movement of the A major Sonata K 331, the Adagio in B minor K 540, and subjects in the Symphonies K 114, 124, 319/II and 551/II). The seven measures of the main theme are repeated, slightly varied. Measures 15 to 21 conclude the first subject group with an answering phrase (3+3 bars). The transition consists of new material and then, in measure 35 (after two measures of preparation comes a second cantabile theme, in the dominant (G major) comprising 2x4 bars, which is also repeated and proceeds to a spirited closing theme (concluding group) using passage-work (m. 43) and incorporating a delightful diminuation of measures 35 36 in measure 45. The exposition ends with a codetta of five bars. The development presents the opening motif first in g minor, and then the various ideas of the first subject are worked out. With this procedure Mozart is keeping much more closely to textbook principles than he usually does. Two further statements of the opening motif lead back to the recapitulation in measure 94. The second subject, now in the tonic, has surprisingly changed place with its accompaniment. The opening is recalled again in an effectively assertive coda. SECOND MOVEMENT The second movement of this sonata is an introspective Andante un poco adagio. In a letter Mozart stated his desire to make this Andante match the character of the young pianist Rosa Cannabich for whom he wrote it: ...she is a sweet, pretty girl, just like the andante. For her age she is sensible and level-headed; she is serious, and doesn't talk too much, though what she says is pleasing and sympathetic. THIRD MOVEMENT An elegant and smoothly flowing Rondo of unusually large proportions concludes this Sonata. Paul and Eva Badura-Skoda

An indispensable collection of nearly 1000 multi-denominational hymns perfect for church musicians or hobbyists.Songs include: Abide with Me; All Hail the Power of Jesus' Name; Amazing Grace; Battle Hymn of the Republic; Be Thou My Vision; Christ the Lord Is Risen Today; Come Thou Fount of Every Blessing; Crown Him with Many Crowns; Fairest Lord Jesus; Faith of Our Fathers; For the Beauty of the Earth; Guide Me O Thou Great Jehovah; How Firm a Foundation; It Is Well with My Soul; Jesus Keep Me Near the Cross; Lead On O King Eternal; Love Divine All Loves Excelling; A Mighty Fortress Is Our God; My Hope Is Built on Nothing Less; O Come All Ye Faithful; Ofor a Thousand Tongues to Sing; O Sacred Head Now Wounded; O Worship the King; The Old Rugged Cross; Praise to the Lord the Almighty; Rejoice the Lord Is King; Take My Life and Let It Be; There Is Power in the Blood; To God Be the Glory; What a Friend We Have in Jesus; and hundreds more!

Conçu pour tous les jeunes pianistes en herbe, Le Voyage magique est un guide essentiel et bien présenté dans le monde de la musique pour piano. Le pianiste Leon Bates a fait le tour du monde, se produisant avec de nombreux orchestres symphoniques et sa collaboration de longue date avec la pianiste Janet Vogt pour aider les pianistes en herbe s'est toujours avérée populaire. Excellente collection comprenant des airs populaires reconnaissables et spécialement choisis, ce livre illustré avec CD d'accompagnement plaira à tous les jeunes débutants. / Méthodes et pédagogie / Piano et instrument à clavier / Piano / LEDUC

En 1826, âgé de 15 ans Franz Liszt a écrit son premier cycle d'études qu'il voulait vraiment être considéré comme un grand étude consistant en 12 exercices différents, comme une Etude en douze exercices. Chacun de ces exercices, cependant, est une étude indépendante portant sur un certain problème technique. Bien qu'ils sont devenus un modèle d'études grand de Liszt ('Grandes Etudes') plus tard, ces premières oeuvres étaient encore loin d'exigences techniques de leurs grands frères et soeurs. Ils conviennent surtout dans les enseignements avancés comme une excellente alternative aux études plus exigeants de Czerny. / Piano

25, le troisième album tant attendu d?Adèle connait déjà un succès planétaire et a été arrangé ici pour pianistes débutants. Les symboles d'accords des chansons sont également compris. Toutes les chansons de l?album sont comprises dans cette superbe édition, dont la déjà très célèbre Hello.

Depuis la sortie de son tout premier album ?21? en 2011, Adèle ne cesse de nous impressionner avec ses paroles personnelles et sa voix puissantes. Après avoir annoncé vouloir arrêter sa carrière musicale, Adèle a fini par retrouver l?inspiration et a enregistré 25 pour le plus grand bonheur de ses fans.

L?album s?est rapidement hissé au premier rang des hits parades du mondes entier ! Ces arrangements simplifiés de toutes les chansons de ?25? permettent aux pianistes débutants de tout âge d?apprendre ces titres magnifiques rapidement.

Cette méthode instrumentale propose toutes les partitions complètes des titres l?album, dont le single Hello, les sublimes When We Were Young, Million Years Ago ou encore le très entrainant Send My Love (To Your New Lover).

Cet album présente des ballades époustouflantes si caractéristiques d?Adèle, ainsi que des thèmes lyriques plus matures et des twists contemporains qui reflètent l?immense talent de l?artiste. Cette excellente méthode instrumentale est idéale pour apprendre à jouer des chansons pop modernes au piano.

Les mélodies poignantes sont sublimes au piano et les arrangements proposés ici sont parfaits pour les pianistes débutants fans d?Adèle. Apprenez dès à présent à jouer les chansons de ?25? tout en vous amusant ! / Variétés /

Conçu pour tous les jeunes pianistes en herbe, Le Voyage magique est un guide essentiel et bien présenté dans le monde de la musique pour piano. Le pianiste Leon Bates a fait le tour du monde, se produisant avec de nombreux orchestres symphoniques et sa collaboration de longue date avec la pianiste Janet Vogt pour aider les pianistes en herbe s'est toujours avérée populaire. Excellente collection comprenant des airs populaires reconnaissables et spécialement choisis, ce livre illustré avec CD d'accompagnement plaira à tous les jeunes débutants. Ce volume 2A Explorateur Théorie, est la suite du volume 1 avec portées Découvreur Théorie. Les élèves approfondissent leurs connaissances en Théorie de la musique afin de pouvoir l'appliquer au piano. Dans ce volume : cartographie musicale (premières notions d?analyse d?une ?uvre), notions de toucher au clavier : staccato et legato, anacrouses, intervalles mélodiques et harmoniques, reprises et codas, tempi. / Méthodes et pédagogie / Piano et instrument à clavier / Piano / LEDUC