50 Pièces d'orgue de l'Angleterre pour le culte (légère à modérée ensemble), comprennent des oeuvres de Henry Purcell, Samuel Wesley et William Croft. Recueillis par Colin Mawby. / Orgue

This series of national organ music collections showcases music from England France Germany and Italy. Each book contains 50 representative pieces especially suitable for Service use. The collections are compiled by ColinMawby.Alla Marcia in C - AdamsAlla Marcia in B flat - AdamsAndante Pastorale - AdamsPrelude - AdamsAdagio - BennettAndantino - BestHanover - BestO praise the Lord - Best‘Vers’ in G major -Blow‘Vers’ in G minor - Blow‘Vers’ in C major - BlowCarillon - BrewerAllegro Comodo - BridgeAllegro Marziale - BridgeVoluntary - CosynVoluntary in A minor - CroftVoluntary in D major -CroftVoluntary in D minor - CroftCantique - ElgarA Short Prelude in Four Parts - GibbonsA Trumpet Minuet - HollinsPrelude in G - HopkinsPrelude in E flat - HopkinsPrelude in A - HopkinsMinuetPurcellTrumpet Tune in D - PurcellTrumpet Tune in C - PurcellVoluntary in C - PurcellVoluntary on the Old 100th Pt.1 - PurcellVoluntary on the Old 100th Pt.2 - PurcellAndante Grazioso - SmartEveningPrayer - SmartAdagio - StainerAndante - StainerVoluntary in A minor - StanleyVoluntary in E minor - StanleyVoluntary in G - StanleyVoluntary in G minor - StanleyCaithness - StewartPrelude in E minor- WalmisleyVoluntary in A minor - WeelkesSecond Voluntary in A Minor - WeelkesVoluntary in C - WesleyVoluntary in C minor - WesleyVoluntary in F major - WesleyVoluntary in E minor - WesleyVoluntary in D- WesleyLargo - WesleyPassacaglia - WestVoluntary - WestRomanza in A minor - Wolstenholme

In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composer’s chosen sources: ‘O God my strength and fortitude’ from Ravencroft’s Psalter (1621) ‘O for a heart to praise’ from Este’s Whole Book of Psalms (1592) ‘O God of Truth’ from the Scottish Psalter (1635) and Orlando Gibbons’s Song 22 ‘Love of the Father’. These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s worksfor unison Voice and church music in particular his two settings of the Magnificat and Nunc Dimittis have remained active in the Anglican repertoire.

Composed for performance at degree ceremonies at the University of Portsmouth this work captures the joy and excitement of such occasions partly through the incorporation of a quote from Thomas Ravenscroft's round 'To Portsmouth'.

An anthology from four centuries in ten volumes. Edited by Robin Langley. / Orgue