from The 12th Room for Solo Piano (2015). Ezio Bosso?s Sonata No. 1 in G minor is a fundamental stage in the journey through his music. It was created while the musician was in that ?unpleasant? room (that of his illness) which sometimes became dark and, when he came out of it, remained inside him and conditioned his body ? his ?twelfth room?. But precisely because, in Ezio?s words, ?every problem is an opportunity?, those dark moments were converted into light, his suffering translated into music, into a three-stroke sonata for piano solo full of intensity and emotion, the same emotions that Ezio conveyed in the concerts of the 2016 tour, the only one that saw him as a soloist, or a ?pianist when necessary?, as he liked to refer to himself.

Humoresque makes use of syncopation and staccato to create a light-hearted mood with a slightly slower middle section for contrast before a return to the initial theme and a rocketing finish.Twentieth century British composerAlec Rowley was also an Organist pianist and dedicated teacher. Many of his compositions are miniatures and works appropriate for amateur musicians though he also gained renown through his large-scale works performed at thePromenade Concerts and elsewhere.

Jouni Kaipainen's String Quartet No. 6 'The Terror Run' Op. 92. Commissioned by the BBC Radio for the Proms concerts 2010. Dedicated to the Meta4 Quartet. Parts available: WH31197A Programme note: My former experience in writing string quartets has made me used to the idea that a piece of mine in this genre lasts close to half an hour and consists of several movements with different characters. This time the commission clearly stated a duration of 12 minutes and this naturally brought about lots of thinking and orientating. Eventually I luckily found out that I actually can alter mybasic “string quartet philosophy” so that such a short piece became an existing option. In the music itself there is nothing very much to explain. The quartet is for the most part quite lively flowing music in fast tempi. In the very beginning there is something haunting in the atmosphere but soon joyful for the most part delicately light at times maybe also “dance-like” characters take over.  But in terms of dramaturgy   the music has a tendency to grow more weighty and harsh and these quasi-violent elements gradually threaten the sunny unproblematic flow. Closer to the end we come to a point where nothing is easy anymore. This brings about a slow section of quite different nature and after that the former hilarious swing tries to make a comeback – but does not really succeed. The run goes on but the overtones are now more shadowy and the mood on the scary side. The subtitle comes from the novel The Camomile Lawn (1984) by Mary Wesley of which Ken Taylor made a wonderful TV series adaptation for Channel 4 (1992) where a marvellous casting of great actors supports the colourful beautiful and delightful story. In this novel young Sophie (gorgeously played by the 10-year-old Rebecca Hall) has eagerly waited for her older cousins to arrive to her aunt’s house at the

Written for the Choir of St Mary's Episcopal Cathedral Edinburgh The Presence sets lines from Psalms 18 27 36 112 and 119. It was inspired by A. E. Borthwick's painting of the same title which hangs in St Mary's and the texts chosen are mainly concerned with light. The performance directions used - 'luminous' 'resonant' 'dark' 'ethereal' - express the setting's intense atmosphere and almost visual sense of space and lustre. While suitable for services and concerts throughout the year The Presence is especially appropriate for performance during Advent.

Au cours de dix ans, le légendaire jeunes compositeurs de bande John O'Reilly et Mark Williams a composé et arrangé plus de 100 oeuvres de création qui sont en corrélation avec des pages spécifiques dans leur méthode de bande très réussie, Accent sur ??le rendement. Alfred Music est maintenant fière de faire ces arrangements disponibles dans un format de livre qui comprend 22 un régime complet de chaque collection. / Basson

Au cours de dix ans, le légendaire jeunes compositeurs de bande John O'Reilly et Mark Williams a composé et arrangé plus de 100 oeuvres de création qui sont en corrélation avec des pages spécifiques dans leur méthode de bande très réussie, Accent sur ??le rendement. Alfred Music est maintenant fière de faire ces arrangements disponibles dans un format de livre qui comprend 22 un régime complet de chaque collection. / Clarinette Alto

Au cours de dix ans, le légendaire jeunes compositeurs de bande John O'Reilly et Mark Williams a composé et arrangé plus de 100 oeuvres de création qui sont en corrélation avec des pages spécifiques dans leur méthode de bande très réussie, Accent sur ??le rendement. Alfred Music est maintenant fière de faire ces arrangements disponibles dans un format de livre qui comprend 22 un régime complet de chaque collection. / Baryton

Au cours de dix ans, le légendaire jeunes compositeurs de bande John O'Reilly et Mark Williams a composé et arrangé plus de 100 oeuvres de création qui sont en corrélation avec des pages spécifiques dans leur méthode de bande très réussie, Accent sur ??le rendement. Alfred Music est maintenant fière de faire ces arrangements disponibles dans un format de livre qui comprend 22 un régime complet de chaque collection. / Scores

Cent classiques adaptés pour le pianiste de niveau intermédiaire, avec des oeuvres allant de Mozart à Albeniz.
/ Classique / Arrangeurs : Manhire, Wilson / Palmer, Lynn / Partition / Cartonné / Plat de carton /