Par GALBRAITH BARRY. C'est le deuxième volume des treize normes arrangée pour guitare solo par Barry Galbraith. Faciliter l'expérience d'apprentissage, tous les symboles de la corde, doigté gauche et tablature sont inclus. Il y a aussi un CD compagnon enregistré par John Purse. Jim Hall, dans son examen du premier volume (Just Jazz Guitar magazine, août 2002), a déclaré: ' le livre commence simplement et clairement et se déplace vers la fascinante de complexité et de maturité.... un voyage d'expérience de la vie musicale. Si vous ne prenez pas elle, je le ferai. ' Approprié pour l'intermédiaire à avancé guitariste. / Niveau : Intermédiaire à Avancé / Jazz - Solos / Tablatures / Guitare Tablatures

La pièce d'Oscar Wilde The Importance of Being Earnest n'a pas besoin d’être présentée. Interrogé sur le sujet de sa pièce, Wilde répondit que nous devrions traiter les choses futiles de la vie très sérieusement et les choses sérieuses avec une futilité à la fois sincère et étudiée. Écrite en 1894, sa dernière pièce est d’une construction parfaite et l’approche audacieuse de Gerald Barry dans son opéra dépasse triomphalement toutes les attentes. Barry s’exprime ainsi : La charpente osseuse de la pièce est indestructible. Ma version la passe aux rayons X. Commande du Los Angeles Philharmonic et du Barbican Center de Londres, la première mondiale scénique de The Importance of Being Earnest, le cinquième opéra de Barry, a lieu le 17 mars à l’opéra national de Lorraine de Nancy sous le titre L'Importance d’être constant. La production, qui comprend cinq représentations, est dirigée par Tito Munoz et mise en scène par Sam Brown. Les décors et costumes sont d'AnneMarie Woods et la chorégraphie de Lorena Randi. Barry a construit le livret sur le texte de Wilde réduit à deux-tiers (tout en gardant les références tournant autour de la nourriture). Il construit les mots à contre-rythme, les projetant dans une lumière encore plus crue, en augmentant leur ironie sombre et impitoyable. Les références musicales vont de Beethoven à Schoenberg, traitées avec un vrai panache et un regard espiègle, tour à tour éclatant, surprenant et charmant pour l'auditoire. Lady Bracknell est chantée par une basse et la fameuse scène entre les deux jeunes filles Gwendolyn et Cecily, qui pensent avoir donné leur parole au même homme, est dirigée par des mégaphones et accompagnée de bris de porcelaine.

Learn jazz Guitar from one of the masters! Barry Galbraith was one of the best jazz guitarists of the 1950's. He was also a talented music reader who would write out his own arrangements of standards for his students.Both his playing and his writing are very straightforward. This book takes thirteen of Barry Galbraith's rough hand-written arrangements and adds chord symbols left-hand fingering andtablature. The companion audio was recorded by John Purse. Also included in the book are quotes about Galbraith from many other famous musicians a 7-page article by his son Don Galbraith an obituary by George Russelland numerous pictures of Barry Galbraith at different times in his life. Audio tracks are included to download online.

for Voice, Horn and Piano. Par BARRY GERALD. The intense and surreal musical narrative so apparent in Gerald Barry’s hugely successful opera The Importance of Being Earnest returns in a new guise for his latest vocal work Jabberwocky. Setting Lewis Carroll’s famous poem, Barry uses the text twice – first in French with expressive legato phrases and then more forcefully in German./ Répertoire / Chant (Soprano ou Ténor), Cor en Fa et Piano

Par GALBRAITH BARRY. Play along with Barry! Contains fifteen 2-part inventions that demonstrates the rich, melodic genius of Bach in his most economical form. Contains position markings, where applicable, to smooth out difficult passages. The recording has Barry playing both parts with total stereo separation so you can fill in the missing part. Or, listen to both tracks in their entirety. / Rép International / Recueil / Guitare

For Flute, Clarinet In B Flat, And Piano. Par BARRY GERALD. This short piece in three sections includes several of Barry hallmarks - fierce ostinato passages and contrasting strongly accented instrumental sections. Take note of the composer's instruction: 'Hammer all notes with great gusto'!/ Répertoire / Flûte Traversière, Clarinette et Piano

selection for fanfare band. Par BARRY JOHN / DE MEIJ JOHAN (Arr.). Dans cette sélection de mélodies célèbres James Bond, l?arrangeur Johan de Meij a repris les thèmes suivants, dans l?ordre de leur apparition : All Time High (de Octopussy, le dernier rôle de Roger Moore comme agent secret 007), James Bond Theme (du film Dr. No), For your eyes only et Goldfinger (du film du même avec Sean Connery dans le rôle principale). C?est sans doute John Barry (1933 ? 2011) qui a été le principal compositeur de musique pour les films Bond. Il a á son actif, outre la musique de Goldfinger, de Octopussy et de bien d?autres encore, les thèmes de Thunderball, From Russia with Love, Moonraker et Diamonds are Forever. Il a écrit de plus, la musique d?autres films célèbres tels que The Deep, Midnight Cowboy, Born Free et Out of Africa./ Répertoire / Fanfare Band

Learn advanced concepts for blues guitar soloing with Canned Heat lead guitarist Barry Levenson. He continues his guitar method with analysis of key concepts and techniques demonstrating these with his own tunes and style to help you find an outlet for self-expression. Includes a CD of specially recorded backing tracks so you can play along! Experienced studio and blues player Barry Levenson invites you round for a guitar lesson with transcriptions of his own solos (with backing tracks) on the CD and advice and dissection in the book. He's an inventive soulful and diverse blues lead player primarily in the West Side Chicago mould of Otis Rush and Buddy Guy and his analysis of his own solo work is expert. Bar-by-bar breakdowns nestle alongside tone info and the author's awareness of the heritage of his licks makes for an insightful read for the budding blues soloist - Guitarist - November 2007

Flatpicking Guitar has taken an interesting journey since its inception first with Maybelle Carter then Don Reno Doc Watson and Clarence White. Younger players who began by listening to the original masters have melded thoseinfluences with other styles including blues swing classical and even various world music styles.When first listening to Doc Watson and Clarence White Barry Solomon was particularly attracted to their use of swing andjazz licks and phrasing and their choices of songs straight from the Tin Pan Alley and Great American Songbook.Tunes like Limehouse Blues All of Me and Honeysuckle Rose were exciting challenges toexplore after becoming comfortable with bluegrass and fiddle tunes. Barry always thought that bluegrass and jazz were a wonderful combination and the most gratifying challenge has been to create arrangements that meld both stylesin a tasteful and exciting manner.Titles presented in Volume 2 include: The Way You Look Tonight All of Me Oh Baby and Limehouse Blues. Accompanying audio tuition is included.

for solo piano. Par BARRY GERALD. The term Au Milieu - in the centre - is used in ballet to describe exercises performed away from the bar. Abandon, balance, virtuosity, vulnerability and danger are its elements. It is a tribute to those who have conquered and died at the keyboard. © Gerald Barry/ Répertoire / Piano

More Than Hymns is a new two-volume collection of anthems for mixed voice choirs featuring extended arrangements of existing hymn tunes, together with original anthem-style settings of the texts of several well known hymns. Of the sixteen works in this first volume, six are published here for the first time, including new arrangements by composers of today: Malcolm Archer, Rogers Covey-Crump, John Joubert, Barry Rose and Gavin Williams. The texts cover many seasons of the church's year - Advent, Epiphany, Passiontide, Easter, Ascension, as well as celebratory occasions such as festival services and weddings. / Chant Et Piano