Par BARBIERI F.. Solfeggi parlati e cantati ad uso dei Conservatori e Istituti musicali, 70 Solfeggi parlati con l'uso del Setticlavio e 12 cantati a 1 voce/ Solfège/Formation Musicale / Opéra Théorique ou Didactique

A guide to Applying afro-cuban grooves to funk rock and jazz for bass and drums. CLAVE and TUMBAO. Traditional bass tumbao examples Cascara paila and bell ride patterns. SONGO. Drumset orchestrations Funfified slap songo tumbaos Songo style jam. GUAGUANCO. Conga patterns on the drumset combining traditional and hybrid bass lines with rumba and funk. AFRO-CUBAN 6/8 6/8 patterns as a vehicle for other rhythmic possibilities and diferent time feels CHA-CHA-CHA. Adaptability to rock Spap cha-cha-cha playing a backbeat. MOZAMBIQUE. Mozambique in rock and funk context. Lincoln Goines is one ofNew York's most respected and recorded bassists. His concept of the bass as a rhythm instrument and his ability to incorporate traditional Latin lines with ideas drawn from percussion patterns can be heard on recordings with well known Latin-jazz artists Dave Valenting Michel Camilo Gato Barbieri Paquito D'Rivera Tania Maria and Eliane Elias. Lincoln is also known for his contemporary jazz-funk playing with John Scofiel Mike Stern and Bob Berg. Bobby Ameen has made a life study of Afro-Cuban rhythms and combines this knowledge with his own powerful drumming style to create a highly original funk/Afro-Cuban amalgam. Robby's ability to complement a Latin rhythm section can be heard on recordings with Ruben Blades Dave Valentin Dizzy Gillespie Kip Hanrahan and Eddie Palmieri among many others. Robby has also worked with Paquito D'Rivera Gato Barbieri Willie Colon and Paul Simon. Includes separate pull-out in Spanish.

Urtextausgabe-Nicolò Paganini’s milestone in violin literature is now not only available in a practical Urtext edition (HN450) but also as a study score. Published in 1820 as his Opus 1 Paganini gave the violin world a timeless masterpiece which no up-and-coming violin virtuoso can ignore. As well as the musical text our edition also contains a must for all interested performers: a detailed commentary by the Paganini expert Renato de Barbieri. With numerousexamples and illustrations for each of the 24 Capricci from the autograph he knowledgeably explains the characteristics of Paganini’s notation and its significance for its interpretation today.

Par ELIA ALESSIO. Commissioned by I Solisti della Scala for the CD ''Octet'', a project conceived by the conductor Andrea Vitello, which includes also the first recording in the performance of I Solisti della Scala of the Octet by Stravinsky and the first world recording of the Octet by Peter Eötvös, the Octet by Alessio Elia is described by the Italian musicologist Guido Barbieri in these terms: ''In the Octet written in 2016 by Alessio Elia, the musical elements, or their strongly contrasted combination, significantly shape the structure of the piece. The utilization of different scales - a technique defined by the composer as ''polysystemism'' - further emphasizes his concept of sound as a phenomenal entity.'' / Date parution : 2022-07-23/ Répertoire / Ensemble de Chambre

(Tenor Sax Feature)-One of Carlos Santana's more memorable compositions is this instrumental hit from 1976. Along with Santana's own recording the version by saxophonist Gato Barbieri also became a hit that same year. The haunting melody and sensual style of the original is authentically recreated in this version for full jazz ensemble that features a tenor sax soloist.

A superb collection of classic rock hits arranged for easy piano by Dan Coates. Complete with guitar chord symbols and full lyrics. Songs include After Midnight Hotel California Maggie May Something About The Way You Look Tonight and Proud Mary.