Gustavo Beytelmann has taken some of the most beautiful tango music ever written and created his own arrangements for solo piano. His collection shows how varied the genre is, from the ragtime-like lilt of El esquinazo to the romantic waltz La loca de amor by Pablo José Vázquez and the energetic El entrerriano by Rosendo Menizabal, as well as a new arrangement of Carlos Gardel's immortal El dia que me quieras. Beytelmann shows too how technically varied these works can be. Each of the pieces features specific performance techniques such as accents, tempo changes, balance and attack and he advises Spend some time concentrating on these elements and you will find the works even more enjoyable. These immensely rewarding pieces are equally suited to the concert stage as to the piano lesson. Gustavo Beytelmann has made a significant contribution to the evolution of the Tango, through his numerous recordings, performances and through his teaching. Born in Argentina, he began his professional career writing music for the cinema, working as pianist and arranger for the record industry and performing with various jazz ensembles. After moving to Paris, Astor Piazzolla invited him to participate in his European tour. He has continued to perform and compose across Europe and the Americas. From 1993 onwards he intensified his work as a composer. www.gustavobeytelmann.com Arolas Eduardo: Comme il faut Gardel Carlos: Cuesta abajo Gardel Carlos: El dia que me quieras Mendizábal Rosendo: El entrerriano Villoldo Angel: El esquinazo Arolas Eduardo: El marne Villoldo Angel: El portenito Vázquez Pablo José: La loca de amor Greco Vicente: Ojos negros Santa Cruz Domingo: Union civica Title: Solo Tango Solo Piano Scored for: for piano Arranger: Beytelmann Gustavo Degree of difficulty: 3-4 ISBN: 978-3-7024-6788-3 ISMN: 979-0-008-08139-2 Order number: UE34679

Its an unforgettable experience to go on stage for the first time and win applause with your playing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can earn real success: easy arrangements of favorite works by Esterházy, Purcell, Händel, Haydn, Mozart, Beethoven, Weber, Schubert, Mendelssohn, Schumann, Tchaikovsky and Grieg. The CD enclosed with the publication includes recordings of the piano accompaniment for each piece and a full performance by noted Hungarian musicians. So the disc makes practice at home easier and gives assistance with performance style as well. The publication offers numerous pieces of advice to young flutists, including: how to get ready for a concert, how to control stage fright, and how to be confident on stage. In addition, several charming illustrations by Edit Szalma are included. / Flûte Et Piano

Fragment I-IV was composed between 1959 and 1961. I premiered the piece myself on February 12 1962 at a concert where Fragment V for violin and piano and Fragment VI for six orchestra groups were also performed. The four piano pieces contain the first audible results of my preoccupation with the fractal “infinity series” discovered in 1959. “Fractal” designates the property of for example visual form patterns that appear in a process of infinite “microscoping” where the figures reappear for the spectator in constantly enlarged segments of the original fractal form. In much the same way thescore-reader as well as the listener can follow how in for example Fragment III the six notes of the first measure reappear in a much slower figure an octave lower in the left hand (that only manages to get through these six notes in the course of the entire movement) analogous to the zooming-in on a visual fractal form. Each Fragment has its own defining appearance: Fragment I consists of two staccato melodies (with built-in rests) that are tied to a distinct third melody. Fragment II stammers and stutters its way through various shorter note values that are almost identical to boot (for instance they include isolated triplet notes that come immediately before or after notes of another equally short duration). Great demands are thus made on the pianist’s scrupulous attention to the details of this fine-grained universe of rhythms! Of the four pieces Fragment III offers the most directly accessible demonstration of this composition technique – as mentioned above its opening measure fractally projects itself six times as slowly and an octave lower in the left hand through the rest of the movement. Fragment IV is a kind of shadow that reproduces – in a vague “dreaming” manner – all the melodic notes from Fragment III but

For this centenary publication Professor Peter Dickinson who knew Berkeley and his work for many years has brought together for the first time the complete solo piano output including hitherto unpublished pieces. He hasexmained sources and corrected previously published versions as well as completing the set of 'Three Dances' which the composer left only partly arranged for piano from his unknown ballet score of 1932. Pianists at last have theopportunity for an overview of truly outstanding contribution to piano literature. Includes detailed editorial notes.

Par . Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composers ? J. S. Bach, Beethoven, Brahms, Mendelssohn, Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others ? are represented by several pieces each, some newly adapted for the piano. Composers and works not usually featured in beginner\'s books include pieces by Borodin, Gluck, Rameau, and Tallis. Well-known classics include Bach\'s Brandenburg Concerto No. 3, Debussy\'s Claire de Lune, Moussorgsky\'s Pictures at an Exhibition, Satie\'s Gymnopedie No. 1, Schumann\'s Child Falling Asleep, and \'Spring\' from Vivaldi\'s Four Seasons. Several orchestral pieces have been newly adapted for the piano, including \'Dance of the Swan\' from Swan Lake, \'Elephant\' from Carnival of the Animals, \'Largo\' from Xerxes, and \'Waltz of the Flowers\' from The Nutcracker. / Date parution : 2022-11-12/ Recueil / Piano

7 Easy/Intermediate Pieces for Flute and Piano. Par . Cette édition présente une collection de morceaux célèbres de deux siècles d?histoire de la musique. Bien que techniquement très accessibles, ces arrangements pour flûte traversière et piano sont musicalement exigeants. Les playbacks vous permettent de les travailler systématiquement à trois tempos différents avec un accompagnement professionnel. Chaque playback fait d?abord entendre la version de concert d?un morceau (flûte et piano). Mais vous y trouverez également un accompagnement de piano pour travailler à un tempo lent puis un autre à un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d?origine avec l?accompagnement de piano. Toutes les versions ont été enregistrées en live. / Date parution : 2021-11-03/ Recueil / Flûte Traversière et Piano

50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente de petites pièces pour piano de difficulté progressive de très facile à moyenne, datant de cinq siècles, par ordre chronologique, de la musique baroque, classique, romantique, moderne au jazz, à la pop et à la musique minimale. A la fin de chaque volume se trouvent trois pièces bonus à quatre mains - sous la devise ' Plus de plaisir à deux '. Faciles à apprendre, toutes les pièces offrent un répertoire varié qui constitue un complément idéal à toute méthode de piano et convient à des concerts, leçons, examens et concours. Le volume 1 contient des morceaux dans la gamme pentatonique / dans des gammes pentatoniques changeantes, suivis de morceaux dans l'ambitus d'une octave avec un rythme simple et un jeu d'accords facile. D'autres critères sont la différente articulation, la mélodie à la main gauche, les signes d'octave et les pièces en majeur/mineur jusqu'une armure à un dièse/bémol. Le volume 2 contient des pièces dans l'ambitus étendu de deux octaves et avec un jeu des accords à trois ou quatre voix et des renversements. Les autres critères sont le jeu de pédale, des ornements élémentaires, la polyphonie simple, la différenciation de la mélodie et de l'accompagnement et les pièces en majeur/mineur jusqu'une armure à deux dièses/bémols. Le volume 3 contient des pièces avec un ambitus allant jusqu'à quatre octaves, avec un rythme et une vélocité plus exigeants. D'autres critères sont la différenciation subtile des tons, le jeu expressif, la polyphonie dans une main, la polyphonie avancée et les pièces en majeur/mineur jusqu'une armure à trois dièses/bémols. / Niveau : 2-3 / Classique / Recueil / Piano

This accessible collection includes 47 compositions by Bach Chopin Debussy Haydn Joplin Mozart Schubert and many more luminaries. Pieces include: Air on the G String (Bach) ? Sonata Pathétique (Beethoven) ?Lullaby Op. 49 No. 4 (Brahms) ? Fantasie-Impromptu (Chopin) ? Clair De Lune (Debussy) ? Serenade (Haydn) ? The Entertainer (Joplin) ? Ave Maria (Schubert) ? Piano Concerto No. 1 (Tchaikovsky) ?and more. This book also includes bios and pictures of each featured composer.

50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente de petites pièces pour piano de difficulté progressive de très facile à moyenne, datant de cinq siècles, par ordre chronologique, de la musique baroque, classique, romantique, moderne au jazz, à la pop et à la musique minimale. A la fin de chaque volume se trouvent trois pièces bonus à quatre mains - sous la devise ' Plus de plaisir à deux '. Faciles à apprendre, toutes les pièces offrent un répertoire varié qui constitue un complément idéal à toute méthode de piano et convient à des concerts, leçons, examens et concours. Le volume 1 contient des morceaux dans la gamme pentatonique / dans des gammes pentatoniques changeantes, suivis de morceaux dans l'ambitus d'une octave avec un rythme simple et un jeu d'accords facile. D'autres critères sont la différente articulation, la mélodie à la main gauche, les signes d'octave et les pièces en majeur/mineur jusqu'une armure à un dièse/bémol. Le volume 2 contient des pièces dans l'ambitus étendu de deux octaves et avec un jeu des accords à trois ou quatre voix et des renversements. Les autres critères sont le jeu de pédale, des ornements élémentaires, la polyphonie simple, la différenciation de la mélodie et de l'accompagnement et les pièces en majeur/mineur jusqu'une armure à deux dièses/bémols. Le volume 3 contient des pièces avec un ambitus allant jusqu'à quatre octaves, avec un rythme et une vélocité plus exigeants. D'autres critères sont la différenciation subtile des tons, le jeu expressif, la polyphonie dans une main, la polyphonie avancée et les pièces en majeur/mineur jusqu'une armure à trois dièses/bémols. / Niveau : 2 / Classique / Recueil / Piano

Originally written on request to provide some light-hearted and entertaining repertoire for five pianists who wished to play in an ensemble on one piano. This resulting collection is a complete novelty and is bound to be an unusual and fun experience for players and their audience. It will also provide piano teachers with an answer to the question: What would be completely different for the school concert?

The Classics for the Advancing Pianist series provides motivating, enjoyable literature of substantial quality for developing keyboard artists. The pieces in the series, ordered in a logical progression from volume to volume, help the performer work within his or her abilities while developing playing and listening skills. This standard teaching repertoire will help build technique and musicianship, as well as offer hours of personal enjoyment. / Piano

Par . The Piano Player: Classical Favourites presents 20 of the most popular pieces of classical music, specially arranged for intermediate solo piano. Contents include Eine Kleine Nachtmusik by Mozart, Fantasia on a theme by Thomas Tallis by Vaughan Williams and O mio babbino caro by Puccini. The striking cover features Edward Bawden?s colour linocut Aesop?s Fables: Daw in Borrowed Feathers, 1970, and a 4-page pullout provides the full artwork as a beautiful collectible. The Piano Player series includes six wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork. / Date parution : 2022-09-20/ Recueil / Piano

30 Famous Pieces For Piano. Par BEETHOVEN LUDWIG VAN. In time for Beethoven's anniversary, Schott presents a new collection of his most popular works for piano. The successful author Hans-Günter Heumann has compiled 30 easy to intermediate original works and arrangements: 'Für Elise', 'Moonlight Sonata', 'Ode to Joy' and many more, all in one volume! Complete with fingerings and tempo suggestions, this collection with its modern and easy-to-read layout is ideal for both lessons and all those playing piano as a hobby./ Répertoire / Piano