For Violin Solo. Par BACH JOHANN SEBASTIAN. Monument der solistischen Violinmusik, Prüfstein für jeden Geiger mit Anspruch - diese Superlative werden den „Sei Solo', besser bekannt als „Sonaten und Partiten für Violine solo' von Johann Sebastian Bach, beigegeben. Bach schafft vielerlei Beziehungen auf vielerlei Ebenen, teils klar erkennbar, teils subtil: ein Kosmos der Formenvielfalt und des Violinspiels, von der einstimmigen Linie bis zum kontrapunktischen Satz. Dem nachzuspüren, Zusammenhänge zu erkennen vor dem Hintergrund der biographischen, musikhistorischen und kompositorischen Voraussetzungen, ist Zweck dieses Buches. Zugleich liefert Bernhard Moosbauer Hilfestellungen für eine fundierte, aus dem kompositorischen Verständnis der Soli gespeiste Interpretation für Violinisten gleich welcher Couleur. - Einführung in die Musikgeschichte und Struktur der berühmten Solowerke - Beschreibung und Einordnung aller Sätze in die Gesamtanlage - Für professionelle und nichtprofessionelle Geiger sowie für alle Musikinteressierten Bernhard Moosbauer studierte Schulmusik, Komposition, Musikwissenschaft und Barockvioline in Stuttgart, Tübingen und Straßburg. Er widmet sich hauptsächlich der Kammermusik des Barock und spielt außerdem in diversen Ensembles und Orchestern mit Originalinstrumenten im süddeutschen Raum. Seine Forschungsschwerpunkte sind die Instrumentalmusik des 17. und 18. Jahrhunderts und die Sinfonik der Wiener Klassiker. Er ist mit Editionen von Werken Corellis, Vivaldis, Bibers und Händels sowie mit Fachartikeln und Buchpublikationen hervorgetreten. Bei Bärenreiter erschien seine Monographie zu Vivaldis „Vier Jahreszeiten' (BVK 1583)./ Répertoire / Violon

Carl Heinrich Paul Stoeving (1861-1948) was a highly regarded musician and pedagogue. Born in Leipzig he studied at the conservatory there before touring all across Europe Russia and the United States as a virtuoso concert violinist. In 1896 he settled in London taking up a role as Professor of Violin at the London Guildhall School of Music. He later taught at Trinity College London and the New York School of Music and Art among others. He composed several solo performance pieces for Violin but it is his authoritative historical and educational writings on the instrument that he is best remembered for today. What Violinists Ought To Know wasfirst published in 1912. It remains an indispensable volume for any Violin player.

Aerobics & Warm Ups for Fiddlers & Violinists is not for the sophisticated violinist with years of classical training. It has been created especially for the more casual player who is sincerely interested in getting maximumbenefit from a minimum of effort. Aerobics & Warm Ups for Fiddlers & Violinists helps to fill this need for technical studies applicable to both the worlds of classical violin and fiddling. I first tested these scales andexercises on myself for six months faithfully using them for about 20 minutes as warm ups to my daily practice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as Icharted my metronomic progress on a calendar. I remember thinking 'I will never be able to play faster than this.' But then a couple of weeks later I would indeed climb a notch higher! Through the years I have used theseexercises in countless fiddle workshops and with private students. The letters of thanks and positive feedback from students who were thrilled with improved fiddle technique have brought me great satisfaction. I sincerely believethat these exercises when faithfully practiced will help violinists improve their playing skills. The exercises will help develop and strengthen muscles used for finger dexterity clarity of notes tone bowing arm control intonation double stops and a flexible bowing arm wrist. Companion free Audio Tracks available online.

Guide du professeur-French violinist and conductor Jean-Pierre Wallez (b. 1939) studied at the Paris Conservatoire where he won many prizes. As a prolific violinist himself  Petit Violon Voyage Au Pays Des Comptines is well-informed. Wallez was the first solo violinist of the Orchestre de Paris. His later career saw him conduct and teach. His Petit Violon Voyage Au Pays Des Comptines includes illustrations suitable for children and well-known children's rhymes whilst addressing elements including hand positions holding the bow articulation and music theory amongst other aspects. Forall young beginner violinists Wallez's Petit Violon Voyage Au Pays Des Comptines ensures progressive and inspired learning of the Violin.

16 Beautiful Movie Songs and Melodies. The internationally acclaimed violinist David Garrett combines his virtuoso playing with modern sounds and with sales of his recordings in the millions at home in Germany and abroad, he is one of the greatest in his field. With ?Alive My Soundtrack? this exceptional violinist draws on his successes and takes us along on a journey through his musical life, combining a wealth of different styles of music in the most wonderful way, without forgetting his classical roots. It is this very diverse approach that makes ?Alive My Soundtrack? so personal and lively.As in the previous BEST OF VIOLIN collection, the accompanying sheet music edition contains 16 transcriptions for violinsolo with piano accompaniment, which are musically inspiring and technically demanding. In collaboration with Franck van der Heijden and John Haywood, David has succeeded in creating a remarkably eclectic mixture of classical, rock and pop music.

Concertino in a minor op. 21 in Hungarian Style for Violin and Piano-With this one-movement Concertino Oskar Rieding turns to already advanced students of the violin. Aside from playing in third position it also requires a considerable degree of dexterity and mastery of bowing. The Hungarian style??? mentioned in the title alludes to the fact that Prussian-born Rieding gave more than three decades of service at Budapest???s National Theatre. Its marked rhythms recall Hungarian folk music and will appeal to more spirited young violinists. The Slovenian Rieding specialist Maru?a Zupan i contributes an interesting preface on the little-known composer to this Urtext edition: the markings in the solo part are provided by the experienced violinistEvelyne Gr?b-Trauer.

The fourth volume of the Violinissimo series features the most important studies for the early years of violin lessons. Violin Studies contains selections from the standard works by Kayser, Dont, Wohlfahrt, Kreutzer and many others. This anthology is ideal for use in music lessons or for violinists who wish to develop their technique. / Violon

Maurice Hauchard (1870-1957) was a French violinist and composer. As a minor composer often in the shadow of his contemporary Maurice Ravel much of Hauchard's music is not widely known. However his Methodical Study of Positions for Violin remains popular to improve violinist's technique. As an excellent versatile musician Hauchard loved his art and remains one of the greatest contributors to music education. The fourth volume of Methodical Study of Positions addresses the sixth and seventh positions in detail through exercises which enable progression using intervals scales arpeggios chromaticism and varying rhythms. All violinists should seek to purchase this Hauchard study series to ensure technical progression to a high level.

Contemporary Violin Studies. Par KNOX GARTH. 'Often in a humoristic manner and always with musical expression in focus, these eight pieces are perfect for every violinist to practice playing techniques and to enhance the enthusiasm to experiment and the joy of playing.' (Carolin Widmann) 'This collection of concert studies for violin explores what are often referred to as “extended techniques”. These are for the most part techniques which are already present in classical music in a secondary role, but which have now, through continuous development, come to occupy a musical place of primary importance. Each of the studies concentrates on a single technique, investigating how it works technically, and exploring its musical possibilities. They are called “Spaces” because as well as being concert pieces, they are intended to open up spaces for exploration, discussion and improvisation around these techniques. They are also intended to be enjoyable to play, to work on and to listen to. Far from being an esoteric handbook of complex techniques reserved for contemporary music specialists, these “Spaces” are designed to help all violinists to explore, in a playful and imaginative way, the possibilities of their instrument and to discover some sounds and techniques that will have very tangible positive effects on their playing of all styles of music. We can all extend our techniques by opening up the space around them and taking them to their limits. The Violin Spaces are dedicated to Diamanda Dramm, whose talent, enthusiasm, suggestions and feedback were an enormous help to me in the construction of these ”Spaces”.' (Garth Knox) / Niveau : 5 / Etude / Violon

11 Christmas classics-Violin Jazz On A Winter's Night features 11 Christmas classics arranged for violinists at an intermediate level (Grades 4-7) by Nikki Iles.The pieces in this collection cover a wide range of styles from swing to contemporary and draw influence from some of the greatest jazz musicians of all time including Frank Sinatra Bill Evans Vince Mendoza and Diana Krall.While paying homage to American Christmas jazz Violin Jazz On A Winter's Night also reflects a European tradition and includes stylish swinging arrangements of time-honoured classics such as In The Bleak Mid-Winter.Rhythm embellishment grooves and solos are all carefully notated and the expertise of the arranger a celebrated jazz musician and composer guarantees an authentic jazz sound.This book comes complete with a CD of full performances and backing tracks recorded by violinist Ros Stephen and Nikki Iles to help with interpretation and feel.

Selected from the 2016-2019 syllabus-This album contains nine pieces from ABRSM?s 2016?2019 Grade 5 Violin syllabus. Key features:   three pieces from each of Lists A B and C appealing and varied repertoire carefully edited and clearly presented throughout helpful information about the pieces and the exam All of the pieces on the Grade 5 syllabus have been recorded by former ABRSM scholarsBenjamin Baker and Katie Stillman young concert artist Magdalena Loth-Hill and jazz violinist Christian Garrick. The duo recordings and playalong practice tracks are available on CD ? as part of the ViolinExam Pieces with CD package ? or as downloads from www.abrsm.org/audioshop.   About the series: A selection of nine pieces from the ABRSM Violin syllabus at Grades 1 to 8 covering lists A B

New methods to practice and improve shifting positionsWith brief descriptions in three languages (Cz/Ger/Eng)Advanced level of difficultyThese exercises are intended for violinists who have a basic knowledge of shifting positions and how to play double stops. At first fixed positions and shifting are practised separately from one another in one and two part combinations. In the second volume these two techniques are combined and consolidated.The aim of these studies or études is to improve left-hand techniques enabling the student to execute shifting positions with greater confidence. Gola?s Violin Technique should accompany the violinist throughout his career.The authorZden kGola (*1929) studied at the Brunn Janá ek Academy and was subsequently Professor of Violin at the Music Conservatory in Ostrava. In 1966 he emigrated to Sweden where he made a name for himself as orchestral musician concert master and soloist as well as pedagogue. He is the author of numerous educational works.Also availableVolume 2: BA 9551

Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].

Selections from the Student Repertoire-Solos For Young Violinists Violin Part And Piano Accompaniment. This edition volume three was compiled and edited by violinist Barbara Barber.