Pour tous les saxophones-Quarante-huit Études by Marcel Mule (1901-2001) is a set of 48 exercises for all Saxophones by Franz Ferling and enlarged with twelve new studies by Mule. Made for intermediate/advanced players this is a rich material to develop style and virtuosity. Ferling’s book “48 studies” was lacking exercises on some tonalities. Marcel Mule therefore added those missing pieces dealing with the following enharmonic tones: C flat major A flat minor G flat major C sharp major A sharp minor and D sharp minor. He took great care of keeping the original style of Ferling’sstudies to obtain an harmonious set throughout this book. Marcel Mule (1901-2001) is one of the greatest French Saxophonist renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on embouchure the emission the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as Dix-huit Exercices ou Études Exercices Journaliers d’après Terschack or 30 Grands Exercices ou Études d’après Soussmann (in two books) among others.

Pour tous saxophones et tous niveaux-Written by Jean-Marie Londeix  Exercices D'Intonation is a set of three series of exercises for all Saxophones at all levels. Some explanations and directives on the positioning and how to get a flexible embouchure are given before the first series. This volume is very progressive and each series which is divided into a certain number of exercises correspond to a level. - Series 1 - beginners: five exercises - Series 2 - intermediate: six exercises - Series 3 – upper intermediate/advanced: four exercises  The Saxophone being monodic this volume also offers the possibility to get atwo-part harmony by using an electronic Organ. The text is written in French English and German.

Three Pieces Inspired By Douanier Rousseau s Paintings-The Japanese Saxophonist and composer Ryo Noda born in 1948 has placed his musical trajectory under the concept of East Meets West: a crossing of influences illustrated by Murasaki No Fuchi for Saxophone duo in which the shakuhachi can be substituted for one of the Saxophones (AL 25 893). How could he have not felt certain elective affinities between his creation and that of Douanier Rousseau (1844-1910) whose jungle landscapes are the expression of a dreamlike exoticism? Inspired by three of the naïf master's paintings Yume – The Dream for solo Saxophone lets the listener first succumb to the incantation ofThe Snake Charmer (1907): the threnody imitating the flute imbued with mysterious sensuality is echoed in the surrounding Nature just like the pale moonlight reflecting on the surface of the lake. In War (1894) the charred trees and crimson clouds surround the goddess Bellone whose cavalcade is evoked by the 'slap' technique and the devastation by the Saxophone's harsh portamenti. The Dream (1910) shows us this woman nude in the middle of the jungle the state of Nature before the Fall the incarnation of archaic innocence.

Commonly referred to as 'The Saxophone Bible ' this volume is the trusted training method for aspiring and serious musicians. From how to play your first note to mastering advanced concert pieces it offers exercises and advice for every stage of learning making it both an excellent guide for dedicated students and an indispensable tool for instructors. Paul DeVille's guide covers everything students need to learn to develop mastery of the Saxophone. He explains the components of the instrument itself how to make your own reeds tuning tone production fingering breath control and playing low and high ranges. Numerous exercises providereinforcement in playing scales intervals slurred and detached notes arpeggios cadenzas and other musical passages. In addition to several operatic melodies and duets for two Saxophones a dozen solos include works by Schubert Brahms Donizetti and other composers. No saxophonist's musical library is complete without this comprehensive guide now available in a sturdy and inexpensive edition. Reprint of the Carl Fisher New York edition.

La série Saxophone Play-Along vous aidera à jouer vos chansons préférées rapidement et facilement. Il suffit de suivre la musique enregistrée sur le CD pour entendre comment le violon doit sonner, puis jouer en utilisant la piste d'accompagnement séparée. Avec la mélodie et les paroles dans le recueil, vous pouvez également choisir de chanter en même temps. Les diagrammes d'accords sont fournis. Versions pour saxophones en Bb et Eb. Le CD audio est lisibles sur n'importe quel lecteur CD. Pour les utilisateurs d'ordinateurs PC et Mac, le CD est améliorée de sorte que vous pouvez régler l'enregistrement à n'importe quel tempo sans changer la tonalité!Titres : Baker Street [Rafferty, Gerry] - Deacon Blues [Steely Dan] - Jazzman [King, Carole] - Smooth Operator [Sade] - The Heart Of Rock And Roll [Huey Lewis and the News] - Turn The Page [Seger, Bob] - Who Can It Be Now? [Men At Work] - Young Americans [Bowie, David] / Saxophone

This an essential pack for school Saxophone groups since any combination - from three Saxophones (2 altos and a tenor) to a full Saxophone choir can use these iteresting and challenging pieces. Includes optional Soprano or Clarinet part; Baritone sax; easy Alto Sax; easy Tenor Sax; and Keyboard. Grade: 2 - 4

This an essential pack for school Saxophone groups since any combination - from three Saxophones (2 altos and a tenor) to a full Saxophone choir can use these iteresting and challenging pieces. Includes optional Soprano or Clarinet part; Baritone sax; easy Alto Sax; easy Tenor Sax; and Keyboard. Grade: 2 - 4

Mauricio Sotelo’s Muros de dolor...I (2005) speaks of the pain and sorrow of the soul. The strong and expressive character is achieved via a precisely calculated succession of “micro-intervals” and an expanded palette of “micro-qualities” of the tone. Mauricio Sotelo wrote Muros de dolor…I for saxophonist Marcus Weiss, who supported him significantly in the composition of the work with his knowledge of the saxophone’s capabilities and his experience as an interpreter. A fingering chart for eighth tones for tenor saxophone is contained in UE33034. / Partitions classique / Bois / Saxophone / UNIVERSAL EDITION

Saxophone High Tones by Eugene Rousseau offers a systematic approach to range extension for all saxophones.

Tous saxophones-French saxophonist Jean-Marie Londeix (b. 1932) graduated from the Paris Conservatoire with a First Prize and a Prize of Honour. As a fantastic all-around musician he has a vast experience which makes his study books including De La Justesse D'Intonation for all Saxophones very well-informed. His career has taken him all over the world and many composers have written works specially for him. As an accomplished teacher of other famous saxophonists he has deduced where the gaps in studies for the instrument are composing six significant books of the kind. Londeix's De La JustesseD'Intonation addresses intonation within the context of intervals of octaves fifths fourths and major and minor thirds. For all aspiring saxophonists  De La Justesse D'Intonation compiled by renowned contemporary saxophonist Jean-Marie Londeix is an essential guide and aid to progression of intonation on the instrument.

Daily Exercises - Tägliche Übungen-Daily Exercises after Terschack for all Saxophones by Marcel Mule (1901-2001) is a set of twenty six exercises each one lasting a page and a half. Initially composed by the flautist Adolph Terschak these Daily Exercises after Terschack would fit the skills of advanced-intermediate and advanced players with keys from 5 flats to 7 sharps. Marcel Mule (1901-2001) is one of the greatest French Saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission themastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as '18 Exercises or Studies' 'Varied Studies in all keys' or '30 Great Exercises or Studies after Soussmann' (in two books) among others.

Voici 19 facile-intermediate arrangements de mélodies familiers en classique, folklorique et styles de jazz. Chaque morceau est présenté comme un trio, mais ces arrangements ingénieux travail tout aussi bien que les solos ou duos - avec ou sans accompagnement. Vous pouvez même inviter les autres instrumentistes à jouer le long en utilisant les flûte, clarinette, violon et laiton éditions dans le livre 2 de cette série. Cette série très souple de livres instrumentales coordonnées a été conçue pour donner aux jeunes la chance de jouer ensemble dans diverses combinaisons de chiffres et d'instruments. * Parfait pour un, deux ou trois saxophones - avec ou sans accompagnement * peut aussi servir en respectant les dispositions dans les éditions du livre 2 de cette série pour Flute, clarinette, violon ou de laiton * livre d'accompagnement Piano avec les symboles de corde de guitare disponibles * idéal pour usage individuel ou en classe / Saxophone

for saxophone in Eb or Bb-Another brilliant piece from James Rae. A fun way to practice using the side C key. Comes with accompaniments for both E flat and B flat Saxophones.

Cinq parties peuvent être retenues dans cette pièce pleine d'humour, de fluidité et de vélocité : de la supériorité du goût chez l'homme par rapport à celui de l'animal - de l'augmentation de la soif selon les circonstances - de l'influence de la gourmandise sur le bonheur - du bouilli réservé à ceux qui ne savent pas manger - de l'apologie de la volaille par ses nombreuses manières de l'apprêter,Le choix du dispositif alternant 3 saxophones, la voix et la bande magnétique, annoncent un mode de composition à la fois ludique, énumératif et évolutif qui met en évidence la forme morcelée, La multiplicité et la taille des instruments, la rapidité des changements et la virtuosité, annoncent également un caractère s'adaptant à une forme théâtrale mais qui ne cesse jamais d'être pleinement musicale dans ses coïncidences du son et de ses mots joués, Ce jeu continu des couleurs va se terminer dans une coda, C'est en effet seulement vers la fin que se trouve un semblant d'unité : comme une mayonnaise qui aurait enfin prise et monte résolument dans la forme musicale pure, / Saxophone