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Alfred Reed: A Festival Prelude: Orchestra: Score
Orchestra
Hal Leonard
From one of the most widely played composers of wind band music comes this orche...
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From one of the most widely played composers of wind band music comes this orchestral setting of a classic work. With distinctive memorable themes and superb orchestration your students will enjoy every moment of this symphonic masterwork.
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Richard Rodney Bennett: Partita: Orchestra: Study Score
Orchestra
[Sheet music]
Novello & Co Ltd.
'I responded to this exciting but rather daunting commission by writing a very l...
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'I responded to this exciting but rather daunting commission by writing a very lively and I hope very accessible piece which I decided before I started composing should be full of tunes. I wrote it in memory of my dear friend Sheila MacCrindle who died in 1993... although this Partita is in her memory it never occurred to me to make it gloomy or dirge-like; that is not how I remember her.' Richard Rodney Bennett.Partita for Orchestra by Richard Rodney Bennett was commissioned by British Telecommunications plc in co-operation with the Association of British Orchestras to be performed byseventeen different orchestras between October 1995 and July 1996.Duration: c.17 mins.
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Magnus Lindberg: Corrente No.2: Orchestra: Score
Orchestra
[Score]
Chester
Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orche...
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Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orchestra under the direction of Andrew Davis The Barbican Hall November 1992.Quoting Lindberg: 'After having written a Piano Concerto in 1991preceded by three works for different orchestral effectives (Kinetics Marea and Joy) I felt that I had come to an end with a certain musical expression and also compositional technique. All these works were based upon anextended chaconne principle with chord chains cycling around undergoing constant transformation and being articulated in a very gestural way. The musical paradox and evidently also the challenge was the discrepancy between abrick-like method expressed in a world of gestures (with all difficulties involved in conceiving music out of phrases) aiming at a continuity in terms of progression and development.After the Piano Concerto in the autumn of1991 I strongly felt that I couldn't continue in that direction anymore. I started to work on a project called Corrente for 16 players as a study for the full orchestra version entitled Corrente II.In order to bring theharmonic and rhythmic world closer to each other I abandoned the chaconne principle and based the harmony on different scale aggregates. By combining these scales and by filtering or by enhancing them with additional pitchesbased on more acoustically oriented views of the scales by considering them as partials of virtual fundamentals I was able to work in a rich harmonic world without actually having to do harmonic transformations and progressions.The rhythmic material was based on pattern figures with a rather kaleidoscopic approach of repetition and variation.By combining these pattern figures and scales aggregates I wanted to give the musical expression a 'narrative'sense of streams and directions moving around in different orchestral constellations.Corrente II for symphony orchestra is based on the same material as the piece for chamber orchestra. As the timbral palette and the mass
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Edward Elgar: Pomp And Circumstance March No.1 - Score/Parts: Orchestra: Score
Orchestra
[Sheet music]
Goodmusic Publishing
Of Elgar's five Pomp and Circumstance Marches the first in D is the best known ...
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Of Elgar's five Pomp and Circumstance Marches the first in D is the best known as it includes Land of Hope and Glory. The origin of the title of these marches is a speech in Shakespeare's 'Othello':O now for ever/ Farewell the tranquil mind! farewell content!/ Farewell the plumed troops and the big wars/ That makes ambition virtue!/ O farewell!/ Farewell the neighing steed and the shrill trump / The spirit-stirring drum th' ear-piercing fife / The royal banner and all quality / Pride pomp and circumstance of glorious war!This arrangement has been made to make it more accessible to the average orchestra; the instruments marked with an asterisk in the orchestrationlist above may be omitted if necessary.Duration: 6 minutes OrchestrationPiccolo 2 Flutes 2 Oboes 2 Clarinets in A or Bb Bass clarinet* 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Snare drum Triangle Bass drum Cymbals) Strings (Violin 1 Violin 2 Viola Cello Bass) (* = instruments optional)
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Johann Ludwig Krebs: Concerto in F Major: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelsted...
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German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
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Olivier Messiaen: Eclairs sur L'Au-Dela Vol.1: Orchestra: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Volume 1-Olivier Messiaen (1908-1992) is known for his unique composition style....
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Volume 1-Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his Éclairs Sur L'Au-Delà for Orchestra is no exception to the composer's popular distinctive style. Composed between 1987-1991 Éclairs Sur L'Au-Delà was one of the composer's last works with the premiere occuring six months after his death. The work includes Messiaen's popular compositional techniques such as his modes of limited transposition and the use of birdsong.Messiaen's piece for orchestra is divided in to eleven movements and a typical performance lasts about one hour. Éclairs Sur L'Au-Delà is essential to all advanced orchestras seeking to expand and vary their repertoire.
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Gabriel Fauré: Masques et Bergamasques op. 112: Orchestra: Part
Orchestra
Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commis...
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Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell?arte. The four-movement orchestral suite Op.112 consisting of Ouverture Menuet Gavotte and Pastorale combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré?s last composition for orchestra the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer now older and more experienced reworked and improved his earliermusic.This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works Volume IV/2.First Urtext edition Based on Gabriel Fauré The Complete WorksScore and orchestral parts in a large format (25.5 x 32.5 cm) available for sale
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Concerto Giocondo E Severo Op. 132: Orchestra: Score
Orchestra
Wilhelm Hansen
Concerto giocondo e severo (Cheerful and Serious Concerto) Op. 132 for Orchestra...
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Concerto giocondo e severo (Cheerful and Serious Concerto) Op. 132 for Orchestra by Vagn Holmobe (1977). Programme note Concerto giocondo e severo was composed in 1977 and first performed in the following year on 18th April by the Aarhus Symphony Orchestra during a vist to Gothenburg with Jorma Panula conducting. This work is scored for a much larger orchestra than the other conertos (including a large percussion section) but the orchestration is relatively transparent. It is only occasionally that everybody is on the pitch at the same time. The concerto is in onemovement but is divided into a succession of different tempi and sections that contrast with each other in character. A fortissimo chord from the whole orchestra starts the the slow somewhat tentative introduction. But another fortissimo outbreak is required before strings and the woodwinds together prononunce the beginning of the first rapid section. Knud Ketting
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Gabriel Fauré: Masques et Bergamasques op. 112: Orchestra: Part
Orchestra
Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commis...
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Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell?arte. The four-movement orchestral suite Op.112 consisting of Ouverture Menuet Gavotte and Pastorale combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré?s last composition for orchestra the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer now older and more experienced reworked and improved his earliermusic.This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works Volume IV/2.First Urtext edition Based on Gabriel Fauré The Complete WorksScore and orchestral parts in a large format (25.5 x 32.5 cm) available for sale
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Gabriel Fauré: Masques et Bergamasques op. 112: Orchestra: Part
Orchestra
Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commis...
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Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell?arte. The four-movement orchestral suite Op.112 consisting of Ouverture Menuet Gavotte and Pastorale combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré?s last composition for orchestra the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer now older and more experienced reworked and improved his earliermusic.This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works Volume IV/2.First Urtext edition Based on Gabriel Fauré The Complete WorksScore and orchestral parts in a large format (25.5 x 32.5 cm) available for sale
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Gabriel Fauré: Masques et Bergamasques op. 112: Orchestra: Parts
Orchestra
[Set of Parts]
Barenreiter
Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commis...
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Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell?arte. The four-movement orchestral suite Op.112 consisting of Ouverture Menuet Gavotte and Pastorale combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré?s last composition for orchestra the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer now older and more experienced reworked and improved his earliermusic.This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works Volume IV/2.First Urtext edition Based on Gabriel Fauré The Complete WorksScore and orchestral parts in a large format (25.5 x 32.5 cm) available for sale
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Rolf Wallin: Act: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Chester
ACT has been described as both a musical onslaught and also a playful tour de fo...
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ACT has been described as both a musical onslaught and also a playful tour de force an impressive and skilful work for full Orchestra. When Wallinâs Clarinet Concerto was performed by the ClevelandOrchestra in 2002 the composer was so buoyed by the warm reaction of audience and musicians that he was inspired to create this work for Orchestra to summon all its forces as one entity in forward motion together. Of the genesisof this piece Wallin wrote that âThe foundation of mankindâs success is our ability to cooperate. For me one of the most amazing examples of human collaboration is the symphony Orchestra'. RolfWallin is a renowned Nordic composer whose work encompasses elements of classical training jazz early music and avant garde rock while incorporating a wide range of techniques and expressions.
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Peng-Peng Gong: Metropolitan Overture - Full Score: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Full Score-Peng-Peng Gong's Metropolitan Overture was a joint commission of the ...
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Full Score-Peng-Peng Gong's Metropolitan Overture was a joint commission of the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra. The premiere concert on May 22 2016 was both to open the five-year artistic collaboration between the two orchestras and also to welcome the grand opening of the Shanghai Disneyland. The work is a jubilant merge of Shanghai folk-music and Disney-style scores making it an excellent concert opener or encore. Instrumentation: 2+1.3.3.3: 4.3.3.1: Timp.Perc(5): Str Duration: c. 6 minutes
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Charles E. Ives: Postlude In F Orchestra Sc&Ptcritical Edition: Orchestra: Score
Orchestra
[Sheet music]
Schirmer
Score and Parts-Charles Ives' Postlude In F for Orchestra. Score and parts.The P...
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Score and Parts-Charles Ives' Postlude In F for Orchestra. Score and parts.The Postlude in F composed in 1895 is Charles Ives' earliest known work for large Orchestra. It is based on anearlier Organ piece which Ives performed at the Baptist Church in Danbury Conneticut on May 11 1890 (at the age of fifteen; on the cover page of the full score Ives mistakenly gave 1892 for the year of the Organcomposition). The version for Orchestra was probably produced as an orchestration assignment for a class of Horatio Parker Ives' teacher at Yale College. Ives recalled that the 'New Haven Orchestra' - that is the New Haven Symphony Orchestra organised by Parker in 1895- read through the work in 1896. The Postlude in F which was also preperation for work on the First Symphony (its first movement also completed in1895) contains some suprisingly mature and beautiful writing especially in the magical closing pages. - Kenneth D. Singleton.
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Robert Xavier RodrÝguez: A Colorful Symphony: Orchestra: Score
Orchestra
Schirmer
Score-'A Colorful Symphony' is based on a chapter from Norton Juster's popular b...
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Score-'A Colorful Symphony' is based on a chapter from Norton Juster's popular book for children 'The Phantom Tollbooth' in which a little boy enters a magic land where an orchestra and its conductor play the colours into the worldeach day. Rodriguez's setting for Narrator and Orchestra has become a musical classic in its own right and is regularly performed by major Orchestras.
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Gabriel Fauré: Masques et Bergamasques op. 112: Orchestra: Score
Orchestra
Barenreiter
Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commis...
(+)
Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell?arte. The four-movement orchestral suite Op.112 consisting of Ouverture Menuet Gavotte and Pastorale combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré?s last composition for orchestra the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer now older and more experienced reworked and improved his earliermusic.This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works Volume IV/2.First Urtext edition Based on Gabriel Fauré The Complete WorksScore and orchestral parts in a large format (25.5 x 32.5 cm) available for sale
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Ron Kean: American Mass: Orchestra: Parts
Orchestra
Pavane Publishing
Now available for SSA voices this marvelous work was released a few years ago t...
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Now available for SSA voices this marvelous work was released a few years ago to great acclaim and remains popular. Fully orchestrated in 4 distinctive movements this “missa brevis” tastefully weaves American folksongs spirituals and hymns into a liturgical fabric. May be performed with piano chamber orchestra or full orchestra.
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Rimsky-korsakov N. - Principles Of Orchestration
Orchestra
[Book]
Dover Publications
Nikolay Rimsky-Korsakov. The fundamental principles of modern orchestration, the...
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Nikolay Rimsky-Korsakov. The fundamental principles of modern orchestration, the study of tonal resonance and orchestral combination.
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Tidsrum / Spaces Of Time: Orchestra: Score
Orchestra
Wilhelm Hansen
Per Nørgård's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dati...
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Per Nørgård's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dating from 1991. Programme Note Spaces of time is a 20-minute long one-movement orchestral piece “with piano” signifying that the piano not only as in my other orchestra works is part of the ensemble but also in a major passage attracts almost all attention. This passage is only one of the ´spaces of time´- spaces which give the work its title and represent individual musical perspectives. Relations of tempo and scale characterize such a space (besides the mentioned“piano-concerto” or other intrumental features) and in this way associate with say a small room - with close-ups of the musical objects - or perhaps to an infinitely great space - a cosmic one where all is far away and vibrating. One motive marked mainly by ascending stepwise movement unifies the spaces but the very varied scales may let the outines of the motive change between say 1/4-tone steps 1/2-tone steps diatonic and other scale steps up to such ambient steps that each one comprises almost a third of the total orchestral range. Very often 2 scales are woven together in a way that lets the “hidden tone” inside a major step in one of the scaels become a part of the other scale. By dynamic means one scale may be highlighted as a “figure” the other one as a “ground” in one passage - and vice versa. In this way a 12-tone chromatic scale may as well contain a Japanese 5-tone scale as a European 7-tone scale. In the final “space” the tones literally take leave of the listeners - by streaming down - as water sucked down into the ground by gravity - into the bass octaves and - into silence. Spaces of time was comissioned by “Suntory Hall” in 1990-91 (artistic director Toro Takemitsu) in October 1991 with Aki Takahashi (piano)
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Per Nørgård: Symphony No. 2 In One Movement: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from ...
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Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from 1970. Programme Note: After the first performance of my chamber orchestra work VOYAGE INTO THE GOLDEN SCREEN (1969) I was very preoccupied with ‘voyaging on’ in the infinity series I had brought to fruition in the second movement of the work: instead of about 1000 notes of the series I wanted to use about 4000 in order to create the potential for further exploration of the many layers and interval combinations of the infinity series. Instead of the pristine progression of the notes and its orchestration in‘Voyage’ I now wanted to intervene: to create melodies lead up to climaxes darken enlighten etc. but all with respect for the continuous flow and the preservation of the special timeless objectivity characteristic of the infinity series. One can perhaps experience the many recurrences of motifs in tempo layers from fast to very slow as a successor to the fractal computer graphics of the eighties. At any rate this ‘Symphony no. 2 in one movement’ (which was the result) became the precursor of the other works of the seventies including my 50-minute long chorally integrated Third Symphony (from 1973-75) which is also based on the infinity series but in addition has incorporated the upper and lower harmonic series and rhythms with ‘Golden’ duration proportions. The Second Symphony lasts about 25 minutes and was given its first performance on13th April 1970 by the Aarhus City Orchestra conducted by Per Dreier. Per Nørgård August 1992
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Franz Lehár: Franz Lehar: Gold Und Silber: Orchestra: Score and Parts
Orchestra
Bosworth
piano conductor score and parts-This flamboyant waltz by Franz Lehar is composed...
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piano conductor score and parts-This flamboyant waltz by Franz Lehar is composed for full Orchestra including Saxophone Accordion and Percussion. The orchestral set comes with a Piano reduction of the orchestral parts. Gold und Silber is a warm light-hearted entertaining piece ideal for a secondary school Orchestra. The duration of this piece is approximately 7 minutes.
25.99 GBP - Sold by Musicroom UK
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Einojuhani Rautavaara: Book Of Visions: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
The 35-minute orchestral suite Book of Visions was co-commissioned by the Orch...
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The 35-minute orchestral suite Book of Visions was co-commissioned by the Orchestre National de Belgique NHK Symphony Orchestra and Royal Scottish National Orchestra and received its premiere in Brussels on 15 April 2005 conducted by Mikko Franck.The work consists of four orchestral tales of night fire love and fate. Each aims to extract the essence of the phenomenon not in a descriptive way but rather as perceived by the composer metaphysically an approach akin to that of his series of âAngelâ works. Although no exact narrative is intended the final tale inevitably suggests autobiographical elements as its composition was violently interruptedby a near-fatal heart attack in January 2004.
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Kongen Af Himmelby - Demo: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopia...
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Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopiaville-Demo is commissioned by Finn Schumacker for The Odense Symphony Orchestra. Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied up in a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focus is on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to me to start making orchestral excerpts from my operas that are meant to be played before the premiere (and after please); I call them 'operatrailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and more appetizer-ish. The Utopiaville-Demo is a fast-and-furious cinemascope 3D THX-demo for my chamber opera 'The King ofUtopiaville' which is sort of a mix between a reversed revolutionary opera (reversed because it's about a revolutionthat flops) and a rhythm'n blues theatre concert. The opera takes place on the remote tropical island of Honga-Tonga where a mayor form Europe is taking a much needed holiday as far away as possible from his home town Utopiaville. The mayor desperately needs to get away:He has overstepped his authority blatantly and broken every rule of law he felt like in order to create a modern liberalistic society where sanitation medicare hospitals schools the police and all other public institutions are sold to private investors and then leased back by the public - that way noone will ever have to pay taxes because everything finances itself the mayor says and in order to keep reality at a safe distance he drinks massive amounts of insanely expensive french claret all in the best interest of the inhabitants of Utopiaville of course.Honga Tonga can't get any further away from Waikiki Beach: It looks something like the 1933 version of
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Luís Tinoco: Tracing the Memory: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Orchestra (double winds).Published in 2005.2(1st+picc).2.2.2(2nd+cbn) / 2.2....
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For Orchestra (double winds).Published in 2005.2(1st+picc).2.2.2(2nd+cbn) / 2.2.1(B).0 / hp.cel.2perc / strCommissioned by the Albany Symphony Orchestra NY.First performance: Albany Symphony Orchestraconducted by David Alan Miller Canfield Casino Saratoga Springs New York 17th February 2005.Score.
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Carlos Surinach: Concerto for String Orchestra (1959): Orchestra: Score
Orchestra
Associated
Score-Carlos Surinach?was a Catalan Spanish-born composer and conductor. He comp...
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Score-Carlos Surinach?was a Catalan Spanish-born composer and conductor. He composed three ballet scores for the esteemed choreographer Martha Graham: ?Embattled Garden? (1958) ?Acrobats of God? (1960) and ?The Owl and the Pussycat? (1978). He also composed for the Joffrey Ballet (?Feast of Ashes?). Surinach also orchestrated part of Isaac Albéniz's Piano suite ?Iberia?.Surinach's renowned Concerto For String Orchestra?was adopted by Val Caniparoli for the ballet ?Death of a Moth?. G. Shirmer presents the study score of the Concerto.
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A Centenary Journey (RUEGG MATHIAS)
Orchestra
Universal Edition
Mathias Rüegg and the Vienna Art Orchestra. Par RUEGG MATHIAS. Celebrating Rüe...
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Mathias Rüegg and the Vienna Art Orchestra. Par RUEGG MATHIAS. Celebrating Rüeggs life as an amazingly prolific jazz arranger and orchestrator, Universal Edition has just released A Centenary Journey, a compilation of the great charts by Rüegg in notated score form. A rarity in published music, these jazz scores unlock the secrets to phenomenal performances, echoing the evolution of jazz itself along the way. Students of the art (of any age) can now follow along with the written page, and see the music behind the experience, to study the process from concept to reality. The score includes an audio CD recording of select compositions, as well, performed by the Vienna Art Orchestra. An excellent overview of the development of jazz from1900 to its present form(s)./ Répertoire / Orchestre
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Poul Ruders: Final Nightshade - An Adagio Of The Night: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...
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Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
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Wendy Barden: Maximizing Student Performance: Orchestra: Reference
Orchestra
Kjos Music Company
Performance Assessment In Orchestra-Performance Assessment in Band by Wendy Bard...
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Performance Assessment In Orchestra-Performance Assessment in Band by Wendy Barden makes assessment easy with 48 pages of practical proven techniques and customizable forms that will help teachers engage and motivate students measure and transform learning and maximize the effectiveness of every rehearsal. The result: skilled energized musicians and better bands and orchestras!
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Morton Gould: Festive Music: Orchestra: Study Score
Orchestra
[Sheet music]
Schirmer
Score-Morton Gould's Festive Music for Orchestra. Study score.Festive Music was ...
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Score-Morton Gould's Festive Music for Orchestra. Study score.Festive Music was commissioned by the Tri-City Symphony Orchestra Charles Gigante conductor and Mrs. Richard von Maur manager for the Orchestra's fiftieth anniversary. The composition was completed in December of 1964 and was first performed on Saturday January 16 1965 with Gould conducting the Tri-City Symphony Orchestra inCentennial Hall on the campus of the Augustana College Rock Island III. Moline III. and Davenport Iowa are the two other cities of the triumverate.The orchestral scoring incorperates an off-stage solo Trumpet part inrecognition of Bix Beiderbecke one of the legendary jazz artists who was born in Davenport.The work is divided into three sections:1. Fanfare (2 minutes)2. Interlude (4 minutes)3. Dance (5 minutes)Totalplaying time: 11 minutes approx.
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Peter Warlock: Capriol Suite: Orchestra: Parts
Orchestra
Goodmusic Publishing
Listing for Trombone Parts 1 and 2 only.Orchestration: 2 Flutes 2 Oboes 2 Clar...
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Listing for Trombone Parts 1 and 2 only.Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Snare drum Strings (Violin 1 Violin 2 Viola Cello Bass)Peter Warlock wrote the Capriol Suite for Piano duet. He also produced a version for string orchestra and both were published in 1926. Two years later in 1928 he made this arrangement for full orchestra. This new edition corrects a few minor errors that were present in the 1928 edition published by Curwen and also shows the trumpets in Bb; they were shown in C originally. The six movements which are based on sixteenth century dance tunesare:- Basse-Danse Pavane Tordion Bransles Pieds-en-l´air Mattachins.
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