The clarinet compared with the flute oboe and bassoon is a modern instrument and therefore little or no music written before the time of Mozart exists for it. This is a misfortune for it means that a golden age of music which included Handel and Bach and a host of lesser but admirable composers has hitherto been a closed book to clarinetists.This delightful little work is a free arrangement of movements taken from two of Tartini?s sonatas for Violin arranged for Clarinet and String Orchestra by Gordon Jacob. This is the version for Clarinet with Piano Accompaniment. The solo clarinet part is also included on a separate insert.

Für Oboe (Klarinette), Fagott Und Klavier. Par GERNOT WOLFGANG. Die Komposition verbindet aufs Neue die zwei Lieblingsbereiche des Komponisten: die 'E'-Musik des 20. Jh. sowie den Jazz. Vom Jazz kommen die rhythmischen Elemente, während die die Einflüsse der 'E'-Musik in der kompositorischen Entwicklung sowie in den formalen Aspekten hörbar sind. In harmonischer Hinsischt fühlt sich der in L. A. /USA lebende Komponist von beiden musikalischen Welten gleichermaßen inspiriert. Endlich wurde das Repertoire in der klassischen Poulenc-Trio Besetzung um ein zeitgemäßes Werk erweitert./ Répertoire / Musique de Chambre

Clarinet Play-Along Pack-This luscious quintet is scored for piano oboe clarinet horn and bassoon. Mozart's magnificent orchestration of the winds with piano creates a warm and glowing texture of sound and each instrument emerges at times for a prominent position. Cast in three movements: Largo/Allegro moderato Larghetto and Rondo/Allegretto. Truly one of the great works in this format and wonderful fun to practice and perform. Includes the complete clarinet solo part printed on high-quality ivory paper and a CD containing a complete performance of the quintet with soloist then performed again minus the soloist. Performed by Aldo Simonelli clarinet Accompaniment: Harriet Wingreen piano NewArt Wind Quintet: Mel Kaplan oboe Tina DiDario bassoon Murray Panitz flute

Arrangement and Orchestration by Andrea Cappellari. Full score and 25 parts: 1) C Instr.(Flute) / 1) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 2) C Instr.(Flute Violin Oboe) / 2) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 3) C Instr.(Violin) / 3) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 4)r.(Violin) / 4) Bb Instr.(Alto Sax.) / 5) C Instr.(Violin) / 5) Eb Instr.(Alto Sax.) / 6) C Instr.(Violin Viola) / 6) Bb Instr.(Clarinet) / 6) Eb Instr.(Alto Sax.) / 7) C Instr.(Violin Viola) / 7) Bb Instr.(Clarinet) / 7) Eb Instr.(Alto Sax.) / GuiPiano 1 / Piano 2 / Piano 2 (Easy version) / Bass Cello Bassoon / Bass (Easy version) / Hi-hat Bass drum / Guiro Snare drum / Bongos /Four hands Piano ad libitum. Performance possible also without Piano

Arrangement and Orchestration by Andrea Cappellari. Full score and 21 parts: 1) C Instr. (Flute Violin Oboe) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet SopranoTrumpet) / 4) C Instr. (Violin) / 4) Eb Instr. (Alto Sax.) / 5) C. Instr. (Violin Viola) / 5) Bb Instr. (Clarinet) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Bb Instr. (Clarinet) / 6) Eb Instr. (Alto Sax.) / Glockenspiel / Guitaro 1 / Piano 2 / Bass Cello Bassoon / Timpani / Percussions / Four Hands Piano ad libitum. Performance possibile also without Piano.CarolOf The Bell: Full score and 24 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax.) / 2)tr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Instr. (Violin Viola) / 4) Bb Instr. (Clarinet) / 5) C Instr. (Violin Viola) / 5) Eb In

Arrangement and Orchestration by Andrea Cappellari. Full score and 25 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax.) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Flute Violin Oboe) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Insiolin Viola) / 4) Bb Instr. (Clarinet Soprano Sax.) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola) / 7) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 7nstr. (Alto Sax.) / 8) C Instr. (Violin Viola) / 8) Bb Instr. (Clarinet) / 8) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 /Bass Cello Bassoon / Timpani / Basco / Cymbals Bass drum / Four Hands Piano ad libitum. Performance possibile alsot Piano.

Arrangement and Orchestration by Andrea Cappellari. Full score and 20 parts: 1) C Instr. (Flute Violin Oboe) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet SopranoTrumpet) / 4) C Instr. (Violin) / 4) Eb Instr. (Alto Sax) / 5) C Instr. (Violin) / 5) Bb Instr. (Clarinet) / 5) Eb Instr. (Alto Sax) / 6) C Instr. (Violin Viola) / 6) Bb Instrum. (Clarinet) / 6) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bello Bassoon / Triangle Snare drum / Cymbal Bass drum / Four hands Piano ad libitum. Performance possible also without Piano

Arrangement and Orchestration by Andrea Cappellari. Full score and 24 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet Soprano Sax.) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax.) / 4) C Instr. (Violin Viola) / 4) Bb I(Clarinet) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Flute Violin Oboe) / 7) Bb Instr. (Clarinet Soprano Sax.) / 7) Eb Instr. (Alto Sax.) / 8) C Instr. (Violin ) / 8) Bb Instr. (Clarinet Soprano Sax.) / 8) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Snare drum /Bass drum / Four Hands Piano ad libitum. Performance possibile also without Piano.

A3 score and parts edition of Poulenc's Sextuor (Sextet) scored for Piano Flute Oboe Clarinet Bassoon and Horn.

Niels Viggo Bentzon's Quintett in one movement for Flute Oboe Clarinet Bassoon and Piano. Composed in 1942.This is a manuscript edition score.

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano

Master Solos book/CD packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famousperforming artists and educators (see below) and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers ? different for each instrument ? and a pianoaccompaniment book. The accompanying CDs are uniquely designed to serve in practice and performance situations and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first trackfeatures the solo performance with piano accompaniment providing tempo and musical style and the second track is the piano accompaniment only designed for rehearsal. The recorded accompaniment can also be used inperformances. Flute by Gary Sigurdson Oboe by Don Jaeger Bassoon by Leonard Sharrow Bb Clarinet by Ramon Kireilis Eb Alto Saxophone by Larry Teal Bb Trumpet/Cornet by Robert Getchell Horn by Louis Stout Trombone byBuddy Baker Baritone Horn by Larry Campbell Tuba by Daniel Perantoni Percussion by Peter Magadini. All books edited by Linda Rutherford.