In the second half of his life Moeran greatly extended his sensibilities and his musical palate to include more energetic and vigorous rhythms harmonic colours and tonalities. In the Sonata for ViolonCello and Piano the listener will find grandeur in the first movement and an intricate rondo in the finale. It is a piece by a composer who has taken an expansive step beyond his immediate surroundings and first influences.E J Moeran was a 20th century British composer of Anglo-Irish background who spent his early years in Norfolk and influences of folksong and programmatic elements can be easily heard in this composer’s main body of work. Moeran tended toward thesmaller ensembles in his compositions which gave an appropriate frame for his lyric gifts.

Transcrit et édité par Pejtsik Árpád Instrument: Violoncello and Piano Série: Music for Beginners Genre: Pedagogical performance pieces Pages: 76 pp Date du parution: Mai 1994

Sicilienne for Violoncello and Piano op. 78-This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré?s middle creative period and was first published simultaneously in France and England in 1898 reflecting Fauré?s increasinginternational popularity. The character piece with its memorable expressive melody became increasingly popular after Fauré had included it in the Suite from his incidental music of Pelléas et Mélisande (in a version fororchestra) that was also premiered in 1898.

Werke aus dem 17-18. Jahrhundert für Violoncello gesetzt-Cello transcriptions from the 17th and 18th Centuries arranged by Ferenc Brodszky.

The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. He was a favourite of Queen Victoria and also made several trips to Scotland inspiring some of his best-known and most evocative works. Mendelssohn’s Cello Sonata No.2 in D Major (Op. 58) was composed in 1843 for Cello and Piano. It is scored in four movements: AllegroAssai Vivace - Allegretto Scherzando - Adagio - Molto Allegro E Vivace. It is heavily influenced by Bach borrowing elements of both structure and melody from some of Bach’s works. This Urtext edition ispublished by Henle Verlag.

Publié par Lengyel Endre, Pejtsik Árpád Instrument: Violoncello and Piano Série: Music for Beginners Genre: Pedagogical performance pieces Langue: Hungarian, English, German Pages: 64 pp Date du parution: Octobre 1973

Version for Violoncello-Schumann Adagio & Allegro Op70 Cello Version (Herttrich) Pf/Vlc Urt Pb

Ten dreams, ten work pieces inspired by different places around the world, introducing the violoncello player to a variety of contemporary techniques, with the imaginative notation offered by David Graham. For solo violoncello and piano.

Sallinen's Sonata For Cello And Piano Op.86 was commissioned by the Naantali Music Festival Finland in 2004. It was first performed by Arto Noras and Rolf Gothoni at Naantali Church on 10th June 2005 as part of the festival. The piece is structured across four movements a Barcarola a Serenata a Scherzo and an Epilogue.