Par BACH JOHANN SEBASTIAN. 'Après mon travail de retranscription pour le cor de basset, j’ai décidé de faire une version pour clarinette. Celle-ci peut bien sûr se jouer à la clarinette basse ! Cette transcription a été faite d’après le manuscrit original, ma source étant la version copiée par Anna Magdalena Bach. Les nuances et articulations proposées sont fidèles au manuscrit, autant que possible. Je n’en ai ajouté aucune, afin de donner toute la liberté nécessaire à l’interprétation de cette musique si riche. Les articulations du manuscrit guident les violonistes dans le choix des coups d’archet, à vous de vous en inspirer ou de les modifier à votre guise. Les double-cordes, de même que les accords (joués ‘en arpèges’ par les violonistes), sont reproduites avec des notes en appoggiature ou en arpèges. Je suis conscient que, pour la plupart des clarinettistes, le fait de jouer sur une partition exempte d’indication de tempi, nuances, articulations, respirations, est quelque peu déroutant. C’est justement, selon moi, toute la richesse de cette version proche de l’original. Vous pourrez explorer cette œuvre fabuleuse, affiner votre technique de jeu (certains passages sont particulièrement difficiles) et développer votre propre interprétation. Je vous encourage à écouter des violoncellistes virtuoses interpréter ces fantastiques pièces, vous trouverez l’inspiration et quantité d’idées. J’espère que vous prendrez autant de plaisir que moi à les jouer !' Frédéric Matagne Collection Anachronismes/ Répertoire / Clarinette Basse

In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)

In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)

Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale is again a recitative and dance with a slow coda.The whole work is an immense show of stamina poetry and athleticism for the bassoon set against an orchestra coloured by low wind (alto flute clarinet in A bass clarinet contrabassoon horns).Bassoon part with pianoreduction of the orchestral score.

Three engaging and audience-friendly pieces for two Clarinets and Bass Clarinet or two Clarinets and a Bassoon. If you need something to complement the Mozart trios for the same combination here's your piece!

Systematic Fingering Course Instrument : clarinet Nombre de Pages : 136 With 'Clarinet Fundamentals', Reiner Wehle presents a three-part basic work for studying the clarinet. Volume 2 is a comprehensive fingering method which takes the characteristics of the clarinet-specific fingering technique into account. The successful mastery of the fingering technique and the training of every possible fingering combination are a prerequisite for dexterity and virtuoso playing. Therefore, the volume contains a large number of exercises covering all fingering problems in great detail for the Boehm and Oehler system. Reiner Wehle frequently teaches at master classes, is a sought-after juror at renowned competitions and has been professor at the Music Academy of Lübeck since 1993. Content : Preface - General tips - Systematic fingering course - Loosening-up exercises (Boehm System) - Loosening-up exercises (Oehler System) - Fingering e/b' - Fingering f/c'' - Fingering f#/c#' - Fingering g#/d#'' - Fingering bb/f''' (Oehler System) - Fingering b/f#'' (Boehm System) - Fingerng c#'/g#'' - Fingering eb'/bb'' - Fingering f' (Oehler System) - Fingering f#' (Boehm System) - Fingering ab' - Fingering a' - Fingering bb' - Fingering c''' (Oehler System) - High register - Low c, c#, d, d# (Bass clarinet, Basset horn/Basset clarinet)

Another witty and engaging work from the pen of the inimitable James Rae. Two delightful movements evoking the era of the cinema organ for three clarinets and bass clarinet.

Thomas Simaku’s composition Clarimbasso was first published in 2008. The piece received it’s debut performance in June that year at the York Late Music Festival. Simakudedicated this piece to Maria and Damien Harron.For over a decade Albanian-born British composer Thomas Simaku’s music has been reaching audiences all over Europe and the USA winning a number ofprestigious awards such as the Serocki International Prize AHRC Fellowship DAAD Award as well as an Honourable Mention at the Musical Personalities International Competition. Many notable performances include among others those given by Kreutzer Quartet English Northern Philharmonia European Union Chamber Orchestra the New London Orchestra Amsterdam New Music Ensemble Tokyo Phonosphere Musicale Capricorn Ensemble Norwegian MedievalTrio and the Austrian 'Ticom' Ensemble.Simaku’s style combines avant-gardism and modality in his own way often with a deeply convincing inner strength structural integrity and impressivecharacter.

Par REIMANN ARIBERT. Wolfgang Amadeus Mozart composé à l'origine de son célèbre concerto de piano pour la clarinette basset tons plus profondes. Le célèbre clarinettiste Sabine Meyer a fidèlement effectué des travaux de Mozart depuis longtemps. C'est pour elle que Aribert Reimann a écrit l'actuel ' Arietta ' comme un rappel qui ressortir de façon impressionnante la timbre caractéristique de la cor de basset. Conjointement avec les autre clarinette, oeuvres de Reimann, y compris le morceau de concert ' Cantus ', le premier enregistrement avec Jörg Widmann produite par la WDR est sorti en CD./ Répertoire / Clarinette de Basset en La

Par KOSKELIN OLLI. Energetic and bouncy, Olli Koskelin's Animal II for bass clarinet (2019/2020) is a nine-minute non-stoppable ride. This product is a B4 sized folder, sheet music (performance score) enclosed as loose pages. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Répertoire / Clarinette Basse

per clarinetto basso. Par PEREZZANI PAOLO. Italian / Niveau : Intermédiaire / Date parution : 1905-07-09/ Répertoire / Clarinette Basse

Darkness Visible by George Nicholson for Bass Clarinet and Piano.1st performance: 23rd November 2012 Djanogly Recital Hall Nottingham University given by Sarah Watts (Bass Clarinet) and Antony Clare (Piano).

Etude pour la Clarinette contrebasse pouvant servir la Clarinette basse (for bass clarinet solo)

Sonata for Bass Clarinet and Piano was commissioned by virtuoso former Houston Symphony clarinetist Richard Nunemaker, and takes full advantage of his prodigious technique and the instrument's extraordinary range. Although the sonata is traditional in its structure - with three movements whose tempi are ordered as fast, slow, fast - it is highly original in its musical content.
The first movement draws upon two rather disparate sources for its material - Dizzy Gillespie's bebop standard Salt Peanut , and Frank Zappa's art-rock masterpiece Eric Dolphy Memorial Barbeque , hence the title, Salt Peanut Memorial Barbeque. The second movement uses a technique much, much older, that of the isorhythmic motet. The piano accompaniment has a talea of five rhythmic events serving a color of four pitch events. The clarinet cantillates a monody against this that is comprised primarily of the pitches not displayed in the accompaniment; hence the title Motet - Ancient Incantations. The third movement is a bebob and boogie-woogie tour-de-force for the two instruments, at once paying homage to Eric Dolphy and to one of the great songs of his era, Green Dolphin Street , and hence the title, Green Dolphy Street Boogie. / Partitions classique / Bois / Clarinette / ALEA PUBLISHING