Evening is a gently flowing Vocal Duet for two medium voices with Piano accompaniment. It makes the perfect recital item or coursework performance but can also be sung simply for enjoyment! The words and musicwere both written by F. Roy Bennett and first published in 1972.F. Roy Bennett was a respected music educator and author of the 20th century who wrote many books of music theory and history that arehighly prized by primary and secondary school music teachers. As a composer he was a gifted writer of words and music for school choirs.

Confrontée au Canta Jondo d'une tradition flamenca subtilement resongée par Patrice, Julia mène sa voix d?or au plus près de l?art ancestral des griots du Sénégal, et retrouve comme par magie la beauté brute du continent Africain, plus que jamais au c?ur du monde musical contemporain.

While encountering the Cante Jondo coming from the Flamenca culture subtly re-thought by Patrice Larose, Julia Sarr brings her golden voice closer to the ancestral art of Senegal storytellers, the `griots`, and magically rediscovers the raw beauty of the african continent, wich lays more than ever in the deep core of contemporary musical world.

Swing swing... l'âge d'or... Harlem nocturne... années 30... jungle fever... des trompettes en sourdine qui miaulent... microsillons, souffles et craquements... rythmes dédoublés, recomposés, revisités... binaires... uptempo grooves... jungles modernes, machiniques, répétitives. Les machines ont-elles une âme ?

Swing swing / The Golden Age / Harlem nocturne / The Thirties / Jungle Fever / Meowing muted trumpets / Long-playing records, breaths and & creaks / Rhythms doubled, recomposed, revisited / Binary / Up tempo Grooves / Jungles modern, machinelike, repetitive / Do machines have a soul?

La musique des huit frères de Faya Dub est un long fleuve majestueux qui roule des eaux vibrantes depuis ses sources lointaines : le reggae, le ska, et le rocksteady. Cette fusion purement instrumentale délivre des thèmes de cuivres profonds qui résonnent le long des larges méandres rythmiques de la reggae music, tout en s?évadant vers d?autres territoires musicaux, afro beat façon Fela, jazz à la manière de Mingus, musiques de l'Est...

Faya Dub is back blazing the trail - true to their founding credo as reggae instrumentalists and underlining with each song the evolution of the music from ska to rock - blended with dance-hall and dub school effects. The group went further to add a variety of traditional musical influences acquired mostly on the road, in their ever-widening tours in Europe...

« Rêve d?Afrique » à la fois ludique et poétique, voguant du blues du delta aux arabesques des traditions orientales, et transcendé par la voix inimitable de la chanteuse Mamani Keita, Yelema propulse la musique malienne dans le vingt et unième siècle.

Dream from Africa' at once both playful and poetic, transcended by the inimitable voice of Mamani Keita, this little gem of intelligence and music conceived by Nicolas Repac propels the music of Mali into the 21st century.

Aucune répétition. Aucun a priori sur la façon, l'esthétique musicale. Ne pas parler mais jouer. Tout enregistrer. Ne compter que sur le mélange de la créativité et du savoir-faire de chacun.

At the origin of this project, the common desire for a simple meeting, for the space of a session, just `to see`. A cappella. To let the soul speak through the human voice. If the instruments entered the playing very quickly, the initial spirit remained, without artifice, unexpectedly. Thus, three voices that are equal, three singular careers, three quite distinct universes with one thing in common, like a nutritive sun, more or less distant : Africa.