American Company
(34 results)
No shipping to countries within the European Union.
|
European Companies
(82 results) |
|
|
|
| Requiem in C minor (Requiem en ut mineur) Choral SATB SATB, Orchestra [Study Score / Miniature] Carus Verlag
By Luigi Cherubini (1760-1842). Edited by Wolfgang Hochstein. For SATB Choir, 2 ...(+)
By Luigi Cherubini (1760-1842). Edited by Wolfgang Hochstein. For SATB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, Tamtam, 2 Violins, 2 Violas, Cello, Contrabass. Full score available separately - see item CA.4008600. Genres: Requiem; Use / Occasion: Mourning, Death. Study score. Language: Latin. 184 pages. Duration 50 min. Published by Carus Verlag
$24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem (The Fifth) String Orchestra [Score] - Intermediate Alfred Publishing
(As performed by Trans-Siberian Orchestra). By Ludwig van Beethoven, W.A. Mozart...(+)
(As performed by Trans-Siberian Orchestra). By Ludwig van Beethoven, W.A. Mozart and Paul O'Neill [Trans-Siberian Orchestra]. Arranged by Bob Phillips. Orchestra. Score; String Orchestra. Pop Concert String Orchestra. Light Concert; Pop/Rock. Grade 3.5. 24 pages. Published by Alfred Music Publishing
$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem (The Fifth) String Orchestra [Score and Parts] - Intermediate Alfred Publishing
(As performed by Trans-Siberian Orchestra). By Ludwig van Beethoven, W.A. Mozart...(+)
(As performed by Trans-Siberian Orchestra). By Ludwig van Beethoven, W.A. Mozart and Paul O'Neill [Trans-Siberian Orchestra]. Arranged by Bob Phillips. Orchestra. Part(s); Score; String Orchestra. Pop Concert String Orchestra. Light Concert; Pop/Rock. Grade 3.5. 140 pages. Published by Alfred Music Publishing
$64.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem Orchestra [Study Score / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Requiem c-Moll -Missa pro defunctis- - Intermediate Barenreiter
Mixed choir-SATB, orchestra (Mixed choir (SATB), Orchestra) - Level 3 SKU: BA...(+)
Mixed choir-SATB, orchestra (Mixed choir (SATB), Orchestra) - Level 3 SKU: BA.BA08961 Missa pro defunctis. Composed by Luigi Cherubini. Edited by Hans Schellevis. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Baerenreiter Verlag #BA08961_00. Published by Baerenreiter Verlag (BA.BA08961). ISBN 9790006559237. 31 x 24.3 cm inches. Key: C minor. Text Language: Latin. Preface: Schellevis, Hans. Cherubini owes his fame as a church composer primarily to the “Requiem in C minor†of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.
This Urtext edition takes into account not only the autograph score with “spartitino†(additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$94.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem in C minor Choral SATB Carus Verlag
Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 t...(+)
Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, tamtam, 2 violins, 2 violas, cello, contrabass SKU: CA.4008619 Composed by Luigi Cherubini. Edited by Wolfgang Hochstein. Complete orchestral parts. Innovative practice aids, Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1819. Duration 50 minutes. Carus Verlag #CV 40.086/19. Published by Carus Verlag (CA.4008619). ISBN 9790007097141. Key: C minor. Language: Latin. Cherubini's Requiem in C minor for mixed choir (without vocal soloists) and orchestra, which is presented here in a critical new edition, is among the most significant contributions to this genre in the 19th century. It was composed in Paris in 1816 and within a short time it became well known. Musicians such as Beethoven, Schumann and Brahms held it in high esteem because of the work's superior compositional construction, orchestration, mastery of form and the balance in proportion between text and music. Score and parts available separately - see item CA.4008600. $357.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Luigi Cherubini: Requiem Mass In C Minor (Vocal Score) Choral SATB SATB, Piano Music Sales
SATB Choir and Piano SKU: HL.14018437 Composed by Luigi Cherubini. Music ...(+)
SATB Choir and Piano SKU: HL.14018437 Composed by Luigi Cherubini. Music Sales America. Sacred. Part. Music Sales #NOV950631. Published by Music Sales (HL.14018437). The Requiem Mass in C Minor, Cherubini's first, was commissioned for the anniversary of the execution of Louis XVI by the restored French monarchy. The Requiem was highly admired by the public and critics as well as by Mendelssohn, Berlioz and Beethoven. Cherubini sets a solemn tone right from the beginning by using the lower Strings and winds only to accompany the Voices and continues to display his inventiveness with great effectiveness throughout the work. The thunder and lightning of the Dies Irae, the prayerful pianissimo sections of the Agnus Dei accompanied by ostinato, the complete lack of soloists are all remarkable elements of this historically importantwork.Luigi Cherubini was a composer, conductor, teacher, administrator and music publisher who, though born in Italy, dominated the musical world of Paris for nearly five decades. His composing life can be divided very roughly into to phases: the operatic phase during the French Revolutionary period and the equally successful religious music phase at the beginning of the Restoration afterwards. His directorship of the Paris Conservatoire strengthened its position at the peak of musical education on the Continent. $13.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem Mass in C Minor Choral SATB SATB [Sheet music] Alfred Publishing
By Luigi Cherubini. For Orch. (SATB). Choral Extended Work. Masterwork. 104 pag...(+)
By Luigi Cherubini. For Orch. (SATB). Choral Extended Work. Masterwork. 104 pages. Published by Alfred Publishing.
$10.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Johannes Brahms 1 Sinfonie C-moll Op 68 Orchestra Schott
Orchestra SKU: HL.49016259 Einfuhrung und Analyse. Composed by Joh...(+)
Orchestra SKU: HL.49016259 Einfuhrung und Analyse. Composed by Johannes Brahms. Edited by Giselher Schubert. This edition: Paperback/Soft Cover. Sheet music. Serie Musik. Siehe Rubrik Bucher/Multimedia. Classical. Study Score. Op. 68. 256 pages. Schott Music #SP 8107. Published by Schott Music (HL.49016259). ISBN 9783795781071. 5.0x7.5x0.538 inches. German. Als Johannes Brahms im Jahre 1876 seine 1. Sinfonie der Offentlichkeit vorstellte, war dies ein lang erwartetes Ereignis. Zwar war der Komponist schon eine geraume Zeit beruhmt und hatte sich in fast allen musikalischen Gattungen hervorgetan: er hatte Klaviersonaten, Lieder, Konzerte sowie Orchester- und Chorwerke (u.a. das Deutsche Requiem) vorgelegt und mit drei Streichquartetten Beitrage zu einer Gattung geliefert, die seit Beethovens spaten Quartetten als kunstvollste und intimste musikalische Gattung uberhaupt galt. Nur eine Sinfonie hatte er noch nicht komponiert, denn er gehorte zu den Komponisten, denen die Schwierigkeit bewusst war, mit einem sinfonischen Werk gegenuber dem Beethovenschen Erbe bestehen zu konnen.Giselher Schubert schildert diese Umstande in diesem Buch und verdeutlicht, dass ein selbstkritischer Komponist, wie es Brahms ausgepragt war, sich so lange Zeit schwer tun musste, bis er glaubte, den Erwartungen von Freunden und Fachleuten entsprechen zu konnen. Er beschreibt neben der Entstehungsgeschichte dieser Sinfonie, der schon bald der Beiname die Zehnte (Beethovens) gegeben wurde, die Quellenlage, gibt kommentierend die Reaktionen auf die ersten Auffuhrungen wieder und stellt Betrachtungen an zu einer Analyse des Werkes. Anregungen zur weiteren Beschaftigung mit dieser Sinfonie geben in einer Auswahl Literaturverzeichnis und eine Diskographie. Anhand der vollstandig wiedergegebenen Partitur kann der Leser den Notentext beim Horen verfolgen und die analytischen Kommentare nachvollziehen. $16.95 - See more - Buy online | | |
| How Lovely is Thy Dwelling Place Choral 3-part SAB Carl Fischer
Choral SAB chorus, piano SKU: CF.CM9731 From Requiem, Op 45. Compo...(+)
Choral SAB chorus, piano SKU: CF.CM9731 From Requiem, Op 45. Composed by Johannes Brahms. Arranged by Russell L. Robinson. 20 pages. Duration 5:30. Carl Fischer Music #CM9731. Published by Carl Fischer Music (CF.CM9731). ISBN 9781491161111. UPC: 680160919703. Key: C major. English. Johannes Brahms, born May 7, 1833 in Hamburg, Germany and died April 3, 1897 in Vienna where he lived most of his life. Brahms is one of the most famous composers of the Romantic period (1830-1920) although his music has many elements of the Classical period (1750 to 1830) as he followed many of the practices of Classical composers Haydn, Mozart and Beethoven. In addition to being a composer, he was also well-known as a pianist and conductor. Brahms began writing the Requiem (also known as the German Requiem, Opus 45) soon after his mother died in February 1865 which caused him great grief. In April of that year, he completed the first, second and fourth movements and completed the rest of the seven movements in May of 1868. How Lovely is Thy Dwelling Place (Wie Lieblich sind Deine Wohnungen) was the fourth movement of his seven movement work. Originally written for SATB voices in E-flat major, this seamlessly similar arrangement for SAB voices, now in C major, affords all voices comfortable ranges. Although, it is approximately 5 minutes and 30 seconds in length, it is perceived to be much shorter because of the contrasting stylistic sections within the work. How Lovely is Thy Dwelling Place is one of the most beautiful choral pieces by Brahms, perhaps in the entire Romantic period. Although Brahms wrote the original piano reduction, in this edition, it has been made more accessible for pianists with a wide range of skills. Pay close attention to the dynamic markings throughout the piece, making them apparent to the voices, conductor, and audience. I hope you enjoy singing this beautiful and timeless piece by Johannes Brahms! Russell Robinson, Arranger  . Johannes Brahms, born May 7, 1833 in Hamburg, Germany and died April 3, 1897 in Vienna where he lived most of his life. Brahms is one of the most famous composers of the Romantic period (1830-1920) although his music has many elements of the Classical period (1750 to 1830) as he followed many of the practices of Classical composers Haydn, Mozart and Beethoven. In addition to being a composer, he was also well-known as a pianist and conductor. Brahms began writing the Requiem (also known as the German Requiem, Opus 45) soon after his mother died in February 1865 which caused him great grief. In April of that year, he completed the first, second and fourth movements and completed the rest of the seven movements in May of 1868. How Lovely is Thy Dwelling Place (Wie Lieblich sind Deine Wohnungen) was the fourth movement of his seven movement work. Originally written for SATB voices in E-flat major, this seamlessly similar arrangement for SAB voices, now in C major, affords all voices comfortable ranges. Although, it is approximately 5 minutes and 30 seconds in length, it is perceived to be much shorter because of the contrasting stylistic sections within the work. How Lovely is Thy Dwelling Place is one of the most beautiful choral pieces by Brahms, perhaps in the entire Romantic period. Although Brahms wrote the original piano reduction, in this edition, it has been made more accessible for pianists with a wide range of skills. Pay close attention to the dynamic markings throughout the piece, making them apparent to the voices, conductor, and audience.I hope you enjoy singing this beautiful and timeless piece by Johannes Brahms!Russell Robinson, Arranger    . $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Silcher: The Complete Organ Compositions [collection] Carus Verlag
Composed by Friedrich Silcher. Edited by Jon Laukvik. This edition: Paperbound. ...(+)
Composed by Friedrich Silcher. Edited by Jon Laukvik. This edition: Paperbound. German title: Samtliche Orgelstucke. Free organ music, Lent and Passiontide, First Communion. Collection. 32 pages. Published by Carus Verlag
$20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Samtliche Orgelwerke Band IV Organ Breitkopf & Härtel
By Dietrich Buxtehude. This edition: paperback. Edition Breitkopf. 92 pages. Pub...(+)
By Dietrich Buxtehude. This edition: paperback. Edition Breitkopf. 92 pages. Published by Breitkopf and Haertel (German import).
$44.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Postkartenserie Klassik [postcard] Carus Verlag
By Various. German title: Klassik. Postcard. 100 pages. Published by Carus Verla...(+)
By Various. German title: Klassik. Postcard. 100 pages. Published by Carus Verlag . postcard.
$13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Eine kleine Nachtmusik Piano solo [Sheet music] - Easy Schott
(60 Classical Masterpieces in Easy Piano Arrangements). By Various. Edited by Ha...(+)
(60 Classical Masterpieces in Easy Piano Arrangements). By Various. Edited by Hans-Günter Heumann. Piano Collection. Softcover. 184 pages. Schott Music #ED20764. Published by Schott Music
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Orchesterstudien Flote, Heft 1: Bach, Haydn u.a. Flute Hofmeister Musikverlag
Flute SKU: HF.7805 Edited by Bartuzat. Arranged by Bartuzat and List. She...(+)
Flute SKU: HF.7805 Edited by Bartuzat. Arranged by Bartuzat and List. Sheet music. Friedrich Hofmeister Musikverlag #7805. Published by Friedrich Hofmeister Musikverlag (HF.7805). ISBN 9790203458043. 9 x 12 inches. Weihnachts-Oratorium (J.S.Bach), Matthaus-Passion (J.S.Bach),J ohannes-Passion (J.S.Bach), Messe in h-Moll (J.S.Bach), Magnificat in D-Dur (J.S.Bach), Kantate Nr. 100, Nr. 209 (J.S.Bach), Cacilien-Ode (G.F.Handel), L'Allegro (G.F.Handel), Orpheus und Eruydike (Ch.W.Gluck), Iphigenie auf Tauris (Ch.W.Gluck), Iphigenie in Aulis (Ch.W.Gluck), Symphonien 1-4, 6, 16 (J.Haydn), Die Zauberflote (W.A.Mozart), Die Entfuhrung aus dem Serail (W.A.Mozart), Cosi fan tutte (W.A.Mozart), Don Giovanni (W.A.Mozart), Klavierkonzert d-Moll, c-Moll (W.A.Mozart), Symphonien 1-9 (L.v.Beethoven), Missa solemnis (L.v.Beethoven), Fidelio (L.v.Beethoven), Ouverture Leonore Nr. 2, Nr. 3 (L.v.Beethoven), Die Stumme von Portici (D.F.E.Auber), Preziosa (C.M.v.Weber), Oberon (C.M.v.Weber), Der Freischutz (C.M.v.Weber), Aufforderung zum Tanz (C.M.v.Weber), Die Hugenotten (G.Meyerbeer), Wilhelm Tell (G.Rossini), Der Barbier von Sevilla (G.Rossini), Die Regimentstochter (G.Donizetti),Lucia di Lammermoor (G.Donizetti),Bravour-Variationen (A.Adam),Rom. Karneval, op. 9 (H.Berlioz),Fantast. Symphonie, op. 14 (H.Berlioz),Ein Sommernachtstraum, op. 61 (F.Mendelssohn Bartholdy), Symphonie Nr. 3, Nr. 4 (F.Mendelssohn Bartholdy), Symphnoie Nr. 1, op. 38 (R.Schumann), Der Totentanz (F.Liszt), Eine Faust-Symphonie (F.Liszt), Ungar. Rhapsodie Nr. 1, Nr. 4, Nr. 6 (F.Liszt), Polonaise Nr. 2 (F.Liszt), Mignon (A.Thomas), Rigoletto (G.Verdi), Othello (G.Verdi), Falstaff (G.Verdi), Aida (G.Verdi), Ein Maskenball (G.Verdi), Die sizilian. Vesper (G.Verdi), Symphonie Nr. 1-4 (J.Brahms), Serenade Nr. 1, op. 11 (J.Brahms), Ungar. Tanze Nr. 1-3 (J.Brahms), Variationen uber ein Thema von J.Haydn, op. 56a (J.Brahms), Violinkonzert op. 77 (J.Brahms), Trag. Ouverture, op. 81 (J.Brahms), Klavierkonzert Nr.1, Nr. 2 (J.Brahms), Ein Deutsches Requiem, op. 45 (J.Brahms). $39.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cello Repertoire Level 7 Cello - Intermediate The Frederick Harris Music Company
Cello - Late Intermediate SKU: FH.VC7 Cello Series, 2013 Edition. ...(+)
Cello - Late Intermediate SKU: FH.VC7 Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC7. Published by The Frederick Harris Music Company (FH.VC7). ISBN 978-1-55440-543-5. This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique. Level 7: Il barbiere di Siviglia: Overture - Rossini, Gioachino Carmen: Prelude to act 1 - Bizet, Georges Coriolan Overture, op. 62 - Beethoven, Ludwig van Symphony No. 94 (Surprise), Hob. I:94: I,IV - Haydn, Franz Joseph Ruslan and Ludmilla: Overture - Glinka, Mikhail Peer Gynt Suite No. 1, op. 46: I,III,IV - Grieg, Edvard Level 8: Incidental Music to A Midsummer Night's Dream, op. 61: I - Mendelssohn, Felix Symphony No. 8, op. 88: I,IV - Dvorak, Antonin The Nutcracker, op. 71: Russian Dance, Waltz of the Flowers, Pas de deux - Tchaikovsky, Pyotr Il'yich Symphony No. 8 (Unfinished), D 759: I,II - Schubert, Franz Die Zauberfloete, K 620: Overture - Mozart, Wolfgang Amadeus Symphony No. 40, K 550: I,IV - Mozart, Wolfgang Amadeus Level 9: Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig van Symphony No. 8, op. 93: III - Beethoven, Ludwig van Serenade for Strings, op. 22: III,IV,V - Dvorak, Antonin Piano Concerto No. 2, op. 83: III - Brahms, Johannes Serenade for Strings, op. 48: I,II,III,IV - Tchaikovsky, Pyotr Il'yich Symphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, Felix Symphony No. 3, op. 90: III,IV - Brahms, Johannes Symphony No. 35 (Haffner), K 385: I,IV - Mozart, Wolfgang Le nozze di Figaro, K 492: Overture - Mozart, Wolfgang Amadeus Level 10: Group 1: Variations on an Original Theme (Enigma), op. 36: Variation 12 - Elgar, Edvard Dichter und Bauer: Overture - Suppe, Franz von Messa da Requiem: III - Verdi, Giuseppe Guillame Tell: Overture - Rossini, Gioachino Group 2: Symphonie fantastique: II,III,V - Berlioz, Hector Symphony No. 4, op. 36: I,II,IV - Tchaikovsky, Pyotr Il'yich Symphony No. 5, op. 67: I,II,III - Beethoven, Ludwig van Symphony No. 4, op. 98: I,II,III,IV - Brahms, Johannes Symphony No. 6 (Pathetique), op. 74: I,II - Tchaikovsky, Pyotr Il'yich Symphony No. 2, op. 73: I,II,IV - Brahms, Johannes Associate: Group 1: Symphony No. 5, op. 100: I,II,III,IV - Prokofiev, Sergei La mer: I,II - Debussy, Claude The Bartered Bride: Overture - Smetana, Bed_ich Symphony No. 5, op. 47: I,II,III - Shostakovich, Dmitri Group 2: Matthaus-Passion, BWV: Komm, suesses Kreutz - Bach, Johann Sebastian Don Juan, op. 20 - Strauss, Richard Ein Heldenleben, op. 40 - Strauss, Richard Verklaerte Nach1, op. 4 - Schoenberg, Arnold. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Desert March... Für Klavier Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14430 Composed by Gyula Csapó. EMB Contemporary Musi...(+)
Piano SKU: BT.EMBZ14430 Composed by Gyula Csapó. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2005. 36 pages. Editio Musica Budapest #EMBZ14430. Published by Editio Musica Budapest (BT.EMBZ14430). A Desert March is a protest march and a requiem for European musical culture. This seemingly endless march carries with it subdued or disfigured Western art music quotations (Brahms, Schubert, Beethoven, Bartók, Janácek, Satie). Iconic items such as Beethoven?s Ode to Joy (now the hymn of the European Union) and the United States national anthem appear in numerous, often distorted forms as if molten metal ransacked by the military machine of the relentless march. Yet this monumental work strives for a state of calm and ultimate balance. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Major Choral Works CD Sheet Music
SKU: SU.00220637 Composed by Franz Joseph Haydn, Ludwig van Beethoven, an...(+)
SKU: SU.00220637 Composed by Franz Joseph Haydn, Ludwig van Beethoven, and Wolfgang Amadeus Mozart. Vocal/Choral, Sacred Choral, Vocal/Choral, Sacred Large Choral Works, Vocal/Choral, Secular Choral. USB (PDF Scores). CD Sheet Music #00220637. Published by CD Sheet Music (SU.00220637). This CD Sheet Musicâ„¢ collection on USB Flash Drive makes available vocal scores for 41 choral works by three masters from the 18th and early 19th centuries. HAYDEN: The Creation, The Seasons, The Seven Last Words of Christ (German & English), Te Deum, Masses (Mass in Time of War, Lord Nelson Mass, Paukenmesse) MOZART: Requiem, Coronation Mass, Mass in C minor, Ave Verum Corpus, Regina Coeli BEETHOVAN: Missa Solemnes, Choral Fantasy, Ruins of Athens, Ode to Joy (Symphony No. 9) Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2,200+ pages
$19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Quartet, Op. 19/6 Flute Quartet: Flute, Violin, Viola, Cello [Score and Parts] Rosewood Publications
By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and...(+)
By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and Strings. Enjoyable, fun for the flute. Classical. Set of parts
$15.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Fantasie f-Moll KV 594 Moseler Verlag
Chamber orchestra SKU: M2.MOS-10015-10 Composed by Wolfgang Amadeus Mozar...(+)
Chamber orchestra SKU: M2.MOS-10015-10 Composed by Wolfgang Amadeus Mozart. Set of wind parts. Möseler Verlag #MOS 10015-10. Published by Möseler Verlag (M2.MOS-10015-10). ISBN 9790203735694. Ein Stuck fur ein Orgelwerk in einer Uhr lautet eine undatierte handschriftliche Eintragung Mozarts (zwischen Dezember 1790 und 5. Januar 1791) in sein Verzeichnuss aller meiner Werke, etwas spater finden wir unter dem 3. Marz 1791 Ein OrgelStucke fur eine Uhr. Gemeint sind die beiden ublicherweise als Fantasie bezeichneten Werke in f-Moll, KV 594 und KV 608, die Mozart mit grosser Wahrscheinlichkeit fur eine mit einem Uhrwerk verbundene mechanische Orgel - also einen Orgel-Automaten - im Mausoleum Laudons der Mullerschen Kunstgalerie geschrieben hat. Wer unter diesen so harmlos wirkenden Titeln eine ebenso harmlose, hubsche und unterhaltende Musik erwartet, wird schon durch die Tonart der beiden in Mozarts letztem Lebensjahr entstandenen Musiken uberrascht sein - vielmehr noch durch ihre konzentrierte Form und Ausdruckstiefe. Stucke fur ein mechanisches Orgelwerk zu schreiben war durchaus eine Aufgabe, der sich viele der grossen Meister des 18. Jahrhunderts unterzogen. Wir haben kostliche Miniaturen fur eine Flotenuhr von Handel, Haydn, Beethoven u.a., die heute in der Regel auf einer Orgel wiedergegeben werden. Umso verwunderlicher ist es, dass Mozart mit diesen beiden Kompositionen eine ganz andere Musik geschaffen hat: gross dimensioniert schon in der Ausdehnung, die der Lange eines Sinfoniesatzes entspricht, erst recht aber in ihrer inhaltlichen Ausarbeitung! Vom dusteren Adagio am Beginn der Fantasie KV 594 uber das triumphierend auffahrende Allegro bis zum ersterbenden Ende wird der Horer gleichermassen wie in der entgegengesetzt aufgebauten Fantasie KV 608 von dem mit dramatisch-heroischem Impetus anpackenden Themenkopf uber das durch 2 Fugen von allerhochster Meisterschaft umrahmten innig beruhrenden Andante bis zum letzten Ton in Atem gehalten. War es die vermutete Bestimmung der Kompositionen als Trauermusik oder Mozarts Beschaftigung mit Handel und Bach, die so ungewohnlich ergreifende Musik entstehen liess? Unuberhorbar ist jedenfalls ihre Nahe zu seinen letzten grossen Kirchenmusiken, der Messe c-Moll und dem Requiem! Wolfgang Helbich in seinem Vorwort zu den beiden Fantasien fur eine Uhr. $13.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Neue Harfenlehre. Geschichte - Spielart - Musik in vier Banden Harp Hofmeister Musikverlag
Harp SKU: HF.FH-1063 Band 3: Einfuhrung in das Orchesterspiel (Orchest...(+)
Harp SKU: HF.FH-1063 Band 3: Einfuhrung in das Orchesterspiel (Orchesterstudien). Composed by Hans-Joachim Zingel. Sheet music. Friedrich Hofmeister Musikverlag #FH 1063. Published by Friedrich Hofmeister Musikverlag (HF.FH-1063). ISBN 9790203410638. 8.3 x 11.7 inches. Notenbeispiele aus: 1. Orfeo (Monteverdi); 2. Kantate (Zachow); 3. Julius Caesar (Handel); 4. Orpheus (Gluck); 5. Die Geschopfe des Prometheus (Beethoven); 6. Die weisse Dame (Boieldieu); 7. Der Nordstern (Meyerbeer); 8. Otello (Rossini); 9. Don Pasquale (Donizetti); 10. Norma (Bellini); 11. Wenn ich Konig war (Adam); 12. Fausts Verdammnis (Berlioz); 13. Symphonie phantastique (Berlioz); 14. Aufforderung zum Tanz (Berlioz); 15. Jota aragonesa (Glinka); 16. Athalia (Mendelssohn-Bartholdy); 17. Die lustigen Weiber von Windsor (Nicolai); 18. Das Paradies und die Peri (Schumann); 19. Des Sangers Fluch (Schumann); 20. Szenen aus Faus (Schumann); 21. Orpheus (Liszt); 22. Die Legende von der heiligen Elisabeth (Liszt); 23. Des Preludes (Liszt); 24. Dante-Symphonie (Liszt); 25. Mignon (Thomas); 26. Martha (Flotow); 27. Rienzi, der Letzte der Tribunen (Wagner); 28. Der fliegende Hollander (Wagner); 29. Tannhauser oder Der Sangerkrieg auf Wartburg (Wagner); 30. Lohengrin (Wagner); 31. Tristan und Isolde (Wagner); 32. Das Rheingold (Wagner); 33. Die Walkure (Wagner); 34. Siegfried (Wagner); 35. Gotterdammerung (Wagner); 36. Ein Maskenball (Verdi); 37. Stabat mater (Verdi); 38. Der Troubadour (Verdi); 39. Aida (Verdi); 40. Die Macht des Schicksals (Verdi); 41. Don Carlos (Verdi); 42. Margarethe (Gounod); 43. Ballettmusik (Gounod); 44. Hoffmanns Erzahlungen (Offenbach); 45. Symphonie Nr. I (Franck); 46. Namouna (Lalo); 47. Vysehrad (Smetana); 48. Symphonie Nr. VIII (Bruckner); 49. An der schonen blauen Donau (Strauss); 50. Fruhlingsstimmen-Walzer (Strauss); 51. Kaiserwalzer (Strauss); 52. Gesange fur Frauenchor (Brahms); 53. Ein deutsches Requiem (Brahms); 54. Nanie (Brahms); 55. Furst Igor (Borodin); 56. Coppelia-Suite (Delibes); 57. L'Arlesienne-Suite I (Bizet); 58. Carmen (Bizet); 59. L'Arlesienne-Suite II (Bizet); 60. Die Perlenfischer (Bizet); 61. Schwanensee (Tschaikowski); 62. Nussknacker-Suite (Tschaikowski); 63. Dornroschen (Tschaikowski); 64. Manfred-Symphonie (Tschaikowski); 65. Eugen Onegin (Tschaikowski); 66. Espana (Chabrier); 67. Boris Godunow (Mussorgski / Rimski-Korssakow); 68. Sonnenwendnacht (Rimski-Korssakow); 69. Russische Ostern (Rimski-Korssakow); 70. Mlada (Rimski-Korssakow); 71. Scheherezade (Rimski-Korssakow); 72. Zar Saltan (Rimski-Korssakow). $65.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Quartet, Op. 19/4 Flute Quartet: Flute, Violin, Viola, Cello [Score and Parts] Rosewood Publications
By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and...(+)
By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and Strings. Enjoyable, fun for the flute. Classical. Set of parts
$16.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Fantasie f-Moll KV 594 Moseler Verlag
Chamber orchestra SKU: M2.MOS-10015 Orgelstuck fur eine Uhr. Compo...(+)
Chamber orchestra SKU: M2.MOS-10015 Orgelstuck fur eine Uhr. Composed by Wolfgang Amadeus Mozart. Score. Möseler Verlag #MOS 10015. Published by Möseler Verlag (M2.MOS-10015). ISBN 9790203735687. Ein Stuck fur ein Orgelwerk in einer Uhr lautet eine undatierte handschriftliche Eintragung Mozarts (zwischen Dezember 1790 und 5. Januar 1791) in sein Verzeichnuss aller meiner Werke, etwas spater finden wir unter dem 3. Marz 1791 Ein OrgelStucke fur eine Uhr. Gemeint sind die beiden ublicherweise als Fantasie bezeichneten Werke in f-Moll, KV 594 und KV 608, die Mozart mit grosser Wahrscheinlichkeit fur eine mit einem Uhrwerk verbundene mechanische Orgel - also einen Orgel-Automaten - im Mausoleum Laudons der Mullerschen Kunstgalerie geschrieben hat. Wer unter diesen so harmlos wirkenden Titeln eine ebenso harmlose, hubsche und unterhaltende Musik erwartet, wird schon durch die Tonart der beiden in Mozarts letztem Lebensjahr entstandenen Musiken uberrascht sein - vielmehr noch durch ihre konzentrierte Form und Ausdruckstiefe. Stucke fur ein mechanisches Orgelwerk zu schreiben war durchaus eine Aufgabe, der sich viele der grossen Meister des 18. Jahrhunderts unterzogen. Wir haben kostliche Miniaturen fur eine Flotenuhr von Handel, Haydn, Beethoven u.a., die heute in der Regel auf einer Orgel wiedergegeben werden. Umso verwunderlicher ist es, dass Mozart mit diesen beiden Kompositionen eine ganz andere Musik geschaffen hat: gross dimensioniert schon in der Ausdehnung, die der Lange eines Sinfoniesatzes entspricht, erst recht aber in ihrer inhaltlichen Ausarbeitung! Vom dusteren Adagio am Beginn der Fantasie KV 594 uber das triumphierend auffahrende Allegro bis zum ersterbenden Ende wird der Horer gleichermassen wie in der entgegengesetzt aufgebauten Fantasie KV 608 von dem mit dramatisch-heroischem Impetus anpackenden Themenkopf uber das durch 2 Fugen von allerhochster Meisterschaft umrahmten innig beruhrenden Andante bis zum letzten Ton in Atem gehalten. War es die vermutete Bestimmung der Kompositionen als Trauermusik oder Mozarts Beschaftigung mit Handel und Bach, die so ungewohnlich ergreifende Musik entstehen liess? Unuberhorbar ist jedenfalls ihre Nahe zu seinen letzten grossen Kirchenmusiken, der Messe c-Moll und dem Requiem! Wolfgang Helbich in seinem Vorwort zu den beiden Fantasien fur eine Uhr. $16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Studio Ghibli in Classical Music Style Piano solo - Advanced Yamaha
From Baroque Era to 20th Century. Keyboard. Studio Ghibli. Score. Yamaha Mus...(+)
From Baroque Era to 20th
Century. Keyboard. Studio
Ghibli. Score. Yamaha Music
Media #GTP01100148. Published
by Yamaha Music Media
$15.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
Next page 1 31 |
|
| Beethovens Last Night
(pvg) (ORCHESTRA
TRANS-SIBERIAN) Piano, Vocal and Guitar [Sheet music] Alfred Publishing
Par ORCHESTRA TRANS-SIBERIAN. This 22-song piano/vocal/chord album-matching song...(+)
Par ORCHESTRA TRANS-SIBERIAN. This 22-song piano/vocal/chord album-matching songbook contains beautiful artwork and the powerful, emotional, classical/rock opera music that TSO fans rave about. Titles: Overture * Midnight * Fate * What Good This Deafness * Mephistopheles * What is Eternal * The Moment * Vienna * Mozart / Figaro * The Dreams of Candlelight * Requiem (The Fifth) * I'll Keep Your Secrets * The Dark * Fur Elise * After the Fall * A Last Illusion * This Is Who You Are * Beethoven * Mephistopheles' Return * Misery * Who is This Child * A Final Dream. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier
36.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Requiem C Minor Gemischter Chor (SATB) und Orchester Barenreiter
Cherubini owes his fame as a church composer primarily to the 'Requiem in C mino...(+)
Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Alto II
10.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Requiem In C Minor Gemischter Chor und Orchester [Study Score / Miniature] Peters
Requiem de Cherubini en ut mineur se tient encore aujourd'hui comme l'un des par...(+)
Requiem de Cherubini en ut mineur se tient encore aujourd'hui comme l'un des paramètres standards du Requiem. Ses contemporains placé ce travail à côté du Requiem de Mozart et il fait l'éloge comme étant 'sans égal dans le monde' (robert Schumann). Même Beethoven lui-même (aux funérailles de dont elle a été effectuée, en 1827) a déclaré que, s'il était d'écrire un Requiem, Cherubini seul devrait être son modèle. La présente édition nouvelle est fondée sur la première édition de la partition, publiée par le compositeur sous sa supervision. / Travaux Pour Choeurs
22.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Cherubini L. - Requiem -
Vocal Score Choral SATB [Sheet music] Barenreiter
Cherubini owes his fame as a church composer primarily to the “Requiem in C mi...(+)
Cherubini owes his fame as a church composer primarily to the “Requiem in C minor” of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra. This Urtext edition takes into account not only the autograph score with “spartitino” (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng). • Cherubini’s well-known Requiem in a definitive Urtext edition • Bilingual Foreword (Eng/Ger) • Idiomatic, uncluttered piano reduction Edition no.: BA 8961-90 ISMN: 9790006559244 Editor: Schellevis, Hans Language(s) of work: Latin Language(s) of text: English, German Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: X, 70 S. - 27,0 x 19,0 cm
13.20 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Luigi Cherubini: Requiem
in C Minor: Mixed Choir:
Vocal Score Choral SATB SATB, Piano - Intermediate Barenreiter
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to th...(+)
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).
11.50 GBP - Sold by Musicroom UK | |
| Luigi Cherubini: Requiem
in C Minor: Orchestra:
Part Gemischter Chor (SATB) und Orchester Barenreiter
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to th...(+)
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).
7.00 GBP - Sold by Musicroom UK | |
| Luigi Cherubini: Requiem
in C Minor: Orchestra:
Part Choral SATB SATB, Orchestra [Solo Part] Barenreiter
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to th...(+)
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).
7.00 GBP - Sold by Musicroom UK | |
| Luigi Cherubini: Requiem
in c: SATB: Vocal Score
Choral SATB SATB, Orchestra [Vocal Score] Carus Verlag
c-Moll-Cherubini's Requiem in C minor for SATB and Orchestra.Cherubini’s ...(+)
c-Moll-Cherubini's Requiem in C minor for SATB and Orchestra.Cherubini’s Requiem in C minor for mixed choir (without vocal soloists) and orchestra which is presented here in a critical new edition is among the most significant contributions to this genre in the 19th century. It was composed in Paris in 1816 and within a short time it became well known. Musicians such as Beethoven Schumann and Brahms held it in high esteem because of the work’s superior compositional construction orchestration mastery of form and the balance in proportion between text and music.
12.20 GBP - Sold by Musicroom UK | |
| Luigi Cherubini: Requiem
in C Minor: Orchestra:
Part Gemischter Chor (SATB) und Orchester Barenreiter
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to th...(+)
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).
7.00 GBP - Sold by Musicroom UK | |
| Luigi Cherubini: Requiem
in C Minor: Wind
Ensemble: Part Choral SATB SATB, Orchestra [Part] Barenreiter
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to th...(+)
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).
40.00 GBP - Sold by Musicroom UK | |
| Luigi Cherubini: Requiem
in C Minor: Orchestra:
Score Choral SATB SATB, Orchestra - Intermediate Barenreiter
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to th...(+)
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).
63.50 GBP - Sold by Musicroom UK | |
| Luigi Cherubini: Requiem
in C Minor: Orchestra:
Part Gemischter Chor (SATB) und Orchester Barenreiter
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to th...(+)
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).
7.00 GBP - Sold by Musicroom UK | |
| Luigi Cherubini: Requiem
in C Minor: Orchestra:
Part Gemischter Chor (SATB) und Orchester Barenreiter
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to th...(+)
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).
7.00 GBP - Sold by Musicroom UK | |
| Trans-Siberian Orchestra:
Trans-Siberian Orchestra
Guitar Anthology: Guitar Guitar notes and tablatures Hal Leonard
You've seen their spectacular theatrical stage productions and heard their plati...(+)
You've seen their spectacular theatrical stage productions and heard their platinum-selling albums, now learn the precision guitar licks and thunderous riffs from 13 of TSO's most memorable masterpieces. Written in standard notation and tab, behold the power and magic of the rock opera, where prog rock meets classical music. Includes: Beethoven · Christmas Canon Rock · Christmas Eve/Sarajevo 12/24 · Dreams of Fireflies · First Snow · A Mad Russian's Christmas · The Mountain · Mozart and Madness · Old City Bar · Requiem (The Fifth) · Siberian Sleigh Ride · Toccata-Carpimus Noctem · Wizards in Winter.
19.99 GBP - Sold by Musicroom UK | |
| Classic Fm : Hall Of Fame Piano solo [Sheet music] Faber Music Limited
Vivez l'ultime expérience Classic FM: Temple de la renommée de votre piano à ...(+)
Vivez l'ultime expérience Classic FM: Temple de la renommée de votre piano à ces
les faits saillants du top 100 les plus aimés des Oeuvres classiques! De Gershwin à Elgar,
Chostakovitch à Schubert, mettant en vedette la musique de chambre, concertos, requiem et opéra
- il ya quelque chose pour tout le monde à savourer! Spécialement sélectionnés et agencés pour
L'idéal pour les pianistes de niveau intermédiaire (niveau Grade 3-5), avec d'intéressantes
informations générales sur chaque pièce/ Recueil / Piano
12.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Gold Easy Classic Film
Piano Collection Piano solo [Sheet music] - Easy Chester
une sélection des plus belles musiques de film du monde, arrangé pour Piano fa...(+)
une sélection des plus belles musiques de film du monde, arrangé pour Piano facile. Ces livres utilisent la notation même comme cours de Piano classique de Carol Barratt et sont présentés dans un style nouveau, facile à lire, complet avec doigtés et biographies détaillées compositeur. Convient pour les pianistes entre la norme de Grade 1-3. D'autres livres de la série comprennent : Bach Mozart Chopin Beethoven Baroque classique début romantique / Piano / 64 pages / Partition
19.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Haydn Mozart and
Beethoven: Major Choral
Works: Mixed Choir a
Cappella: Vocal Choral CD [CD-ROM] Hal Leonard
Vocal Score-CD Sheet Music is the revolutionary series of masterworks on CD- or ...(+)
Vocal Score-CD Sheet Music is the revolutionary series of masterworks on CD- or DVD-ROM that transforms a PC or MAC computer into a virtual music library. Now you can quickly locate view and print the great works of the classical repertoire. Compared to traditional printed sheet music or music downloads it is incredibly inexpensive. Original sources are out-of-copyright standard editions from publishers such as Breitkopf and Härtel C.F. Peters G. Schirmer Carl Fischer G. Ricordi Durand and many others. The discs also include biographical and analytical information from Grove's Dictionary of Music and Musicians 1911 Edition. 41 works including Haydn's Creation The Seasons Mozart'sRequiem Mass in C Minor Coronation Mass Beethoven's Choral Fantasy Mass in C Major and Ninth Symphony. 2200 pages of music!
16.99 GBP - Sold by Musicroom UK | |
| Peaceful Classical Piano
Solos: Piano Solo:
Instrumental Album Piano solo - Intermediate Hal Leonard
Peaceful Classical Piano Solos. Relax at the piano with this exceptional collect...(+)
Peaceful Classical Piano Solos. Relax at the piano with this exceptional collection of satisfying and profoundly beautiful pieces to play. Includes pieces from some of the greatest classical composers of all time: Bach, Beach, Beethoven, Chopin, Coleridge-Taylor, Debussy, Mozart, Schumann and many more.
Some pieces have been transposed and simplified for ease of playing.
12.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Orchester Probespiel
Violoncello: Cello:
Instrumental Album Cello Schott
Klangbeispiele wichtiger Passagen aus der Opern- und Konzertliteratur-Excerpts f...(+)
Klangbeispiele wichtiger Passagen aus der Opern- und Konzertliteratur-Excerpts from the operatic and concert repertoire Tuttistellen: L.v. Beethoven: Sinfonie Nr. 5 c-Moll op. 67 2. SatzL.v. Beethoven: Sinfonie Nr. 8 F-Dur op. 93 3. Satz (Trio)L.v. Beethoven: Sinfonie Nr. 9 d-Moll op. 125 4. SatzL.v. Beethoven: Coriolan op. 62 OuvertüreL.v. Beethoven: Egmont op. 84 OuvertüreG. Bizet: Carmen 1. Akt FinaleJ. Brahms: Sinfonie Nr. 2 D-Dur op. 73 1. SatzA. Bruckner: Sinfonie Nr. 7 E-Dur 1. SatzP. Hindemith: Sinfonie 'Mathis der Maler' 3. Satz: Versuchung des heiligen AntoniusP. Hindemith: Sinfonische Metamorphosen nach Weber 2. Satz: Turandot ScherzoG. Mahler:Sinfonie Nr. 4 G-Dur 1. SatzW.A. Mozart: Die Hochzeit des Figaro OuvertüreB. Smetana: Die verkaufte Braut OuvertüreR. Strauss: Don Juan op. 20I. Strawinsky: Symphonie en Ut 1. SatzP.I. Tschaikowsky: Eugen Onegin 1. Akt Nr. 8P.I. Tschaikowsky: Sinfonie Nr. 4 f-Moll op. 36 1. und 2. SatzP.I. Tschaikowsky: Sinfonie Nr. 6 h-Moll op. 74 2. und 3. SatzG. Verdi: Rigoletto 1. Akt Nr. 2G. Verdi: La Traviata 1. Akt Nr. 2 (Chor) und 2. Akt Nr. 4G. Verdi: Die Macht des Schicksals OuvertüreG. Verdi: Aida 3. und 4. Akt (Nr. 7)G. Verdi: Missa da Requiem Nr. 3 (Offertorium)R. Wagner: Tannhäuser Ouvertüre; 2. Akt 4. Szene; 3. Akt Einleitung und 1. Szene (Gebet der Elisabeth)R. Wagner: Lohengrin 3. Akt 3. SzeneR. Wagner: Das Rheingold 1. und 2. SzeneR. Wagner: Die Walküre 2. Akt 4. SzeneR. Wagner: Tristan und Isolde 1. Akt Einleitung und 2. Akt 2. SzeneSOLOSTELLEN: L.v. Beethoven: Die Geschöpfe des Prometheus op. 43 Nr. 5 Adagio Andante quasi AllegrettoJ. Brahms: Konzert Nr. 2 für Klavier und Orchester B-Dur op. 83 3. SatzE. Humperdinck: Hänsel und Gretel 3. Bild 3. SzeneA. Lortzing: Zar und Zimmermann 3. AktW.A. Mozart: Die Entführung aus dem Serail
24.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Classical Music For
Dummies: Reference Wiley Publishing, Inc
Classical Music For Dummies is a friendly funny easy-to-understand guide to co...(+)
Classical Music For Dummies is a friendly funny easy-to-understand guide to composers instruments orchestras concerts recordings and more. Classical music is widely considered one of the pinnacles ofhuman achievement and this informative guide will shows you just how beautiful and rewarding it can be. You'll learn how Bach is different from Beethoven how Mozart is different still and why not all 'classical' music isactually Classical if it's really Baroque or Romantic. You'll be introduced to the composers and their work and discover the groundbreaking pieces that shake the world every time they're played. Begin building your classicalmusic library with the essential recordings that define orchestral choral and operatic beauty as you get acquainted with the orchestras and musicians that bring the composers to life. Whether you want to play classicalmusic or just learn more about it Classical Music For Dummies will teach you everything you need to know to get the most out of this increasingly popular genre. Distinguish Flute from Piccolo Violin from Viola and Trumpet from Trombone. Learn the difference between overtures requiems arias and masses. Explore the composers that shaped music as we know it. Discover the recordings your musiclibrary cannot be without. Classical music has begun sneaking into the mainstream — if your interest has been piqued there's never been a better time to develop an appreciation for this incredibly rich complex and varied body of work. Classical Music For Dummies lays the groundwork and demonstrates just how amazing classical music can be.
18.99 GBP - Sold by Musicroom UK | |
| Concertos and Choral
Works: History [Book] Dover Publications
Selections From Essays In Musical Analysis. Drawn from the well-known musicologi...(+)
Selections From Essays In Musical Analysis. Drawn from the well-known musicologist's celebrated Essays in Musical Analysis, this volume contains nearly all of the concertos in the standard repertoire, from Bach's concerto for two violins to Walton's concerto for viola. More than fifty selections include choral works with in-depth essays on Bach's Mass in B minor, Beethoven's Mass in D, Brahms's and Verdi's Requiems, Haydn's The Creation and The Seasons, and many other landmark works. Donald Francis Tovey's Essays in Musical Analysis ranks among the English language's most acclaimed works of musical criticism. Praised for their acuteness, common sense, clarity, and wit, they offer entertaining and instructive reading for anyone interested in the classical music repertoire.
20.30 GBP - Sold by Musicroom UK | |
| Ave Maria And Other
Great Sacred Solos -
Voice Piano, Voice [Sheet music] - Intermediate Dover Publications
Description The most important religious songs of the past 250 years appear i...(+)
Description The most important religious songs of the past 250 years appear in this collection, a treasury of sacred songs known and loved by singers and listeners at home, in church, and in concert. This compilation includes settings of Ave Maria, Ave Verum Corpus and Panis Angelicus. Songlist Agnus Dei [Bizet, Georges] And God Shall Wipe Away All Tears (The Light Of The World) [Sullivan, Arthur] Ave Maria [Bach, Johann Sebastian] [Gounod, Charles] Ave Maria [Franck, Cesar] Ave Maria Op.52 No.6 [Schubert, Franz] Ave Verum Corpus [Chausson, Ernest] Ave Verum Corpus K.618 [Mozart, Wolfgang Amadeus] Cantique De Jean Racine [Faure, Gabriel] Contentment [Mozart, Wolfgang Amadeus] En Priere [Faure, Gabriel] Hosanna [Granier, Jules] Jerusalem [Parry, Hubert] Jesu, Joy Of Man's Desiring (Cantata BWV 147) Kol Nidre La Procession [Franck, Cesar] Le Crucifix [Faure, Jean-Baptiste] Le Sommeil De L'enfant Jesus [Busser, Henri] Litany For All Souls' Day [Schubert, Franz] My Heart Ever Faithful [Bach, Johann Sebastian] Nazareth [Gounod, Charles] No Candle Was There And No Fire [Lehman, Liza] Noel [Holmes, Augusta] O Divine Redeemer [Gounod, Charles] O For The Wings Of A Dove [Mendelssohn, Felix] O Holy Night (Cantique de Noel) [Adam, Adolphe] Panis Angelicus [Charpentier, Marc Antoine] Panis Angelicus [Franck, Cesar] Pie Jesu (Requiem) [Faure, Gabriel] Pieta, Signore [Stradella, Alessandro] Preghiera [Rossini, Gioacchino] Ring Out, Wild Bells [Gounod, Charles] Sleeping Christ Child [Wolf, Hugo] Tantum Ergo [Franck, Cesar] Tantum Ergo [Vierne, Louis] The Heavens Declare [Beethoven, Ludwig Van] The Holy City [Adams, Stephen] The Lost Chord [Sullivan, Arthur] The Palms [Faure, Jean-baptiste] The Virgin's Slumber-song [Reger, Max] There Is A Green Hill Far Away [Gounod, Charles] To Thee, My God [Beethoven, Ludwig Van]
23.20 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Lhopiteau-Dorfeuille,
Michèle : Toutes les
Clés pour Explorer la
Musique Classique : La
Musique Vocale Sacrée Français [Book + CD] Le Bord de l'Eau
Suite logique du tome 1, ce deuxième tome met en parallèle, d?une épo...(+)
Suite logique du tome 1, ce deuxième tome met en parallèle, d?une époque à l?autre, des oeuvres vocales religieuses d?origine catholique composées sur des textes latins strictement identiques, ainsi que des oratorios relevant de la tradition luthérienne, où les textes divergent.
Ainsi, pour la forme Messe, sont comparés des extraits des différents Kyrie, Gloria, Credo, Sanctus et Agnus Dei d?une Messe grégorienne, de la ?Messe en Si de Bach?, de la ?Missa Brevis? en Sib de Mozart, de la ?Missa Solemnis? de Beethoven, et la Messe ?Cum Jubilo? de Duruflé. Le même travail a été fait avec la forme Requiem (Mozart, Verdi, Fauré et Ligeti) et la forme Stabat Mater (Pergolèse, Dvorak, Poulenc, Penderecki).
En ce qui concerne les oratorios protestants, le Tome 2 propose l?écoute comparée de brefs extraits de la ?Passion selon St Jean? de Bach, du ?Messie? de Haendel, de la ?Création? de Haydn, d??Élias? de Mendelssohn et du ?Roi David? d?Honegger. Le texte s?appuie sur 3 C.D. d?illustrations sonores.
Particularité de l'ouvrage: Alors qu?il ne viendrait à l?idée de personne de disserter sur la peinture sans donner à voir un seul tableau, il est en revanche encore fréquent de discourir longuement sur la musique sans en faire entendre une seule note ; ce qui oblige à employer des termes techniques qui découragent d?emblée l?auditeur néophyte.
L?auteur considère qu?un court extrait musical vaut mieux qu?un long discours, et que grâce à l?écoute guidée, il est possible pour un large public d?accéder à des styles aussi difficiles que ceux du Moyen Âge ou du Système Dodécaphonique, d?ailleurs le plus souvent pudiquement occultés ou, pis, expliqués de manière tout à fait hermétique. De même pour la musique vocale religieuse, qui bien que recelant les plus grands joyaux musicaux, rebute parfois le mélomane qui sommeille en chacun de nous.
Le principe de cet ouvrage est de contourner absolument, et ce grâce à l?illustration sonore, le jargon des spécialistes.
Il se veut enfin un puissant initiateur, et incite ses lecteurs à la fréquentation des diverses salles de concert, et surtout à l?achat de disques classiques, de biographies de compositeurs, d?encyclopédies musicales, et même de C.D. musicaux. / Classique / Livre 3 Cds /
46.96 EUR - Sold by Note4Piano Pre-shipment lead time: 24 hours - In Stock Only 1 left in stock, order soon ! | |
| Great Orchestral Solos
for Trumpet: Trumpet:
Instrumental Album Kevin Mayhew
Arranged by Bram Wiggins for Grade 4-8 Trumpet players Great Orchestral Solos F...(+)
Arranged by Bram Wiggins for Grade 4-8 Trumpet players Great Orchestral Solos For Trumpet - Book 1 is a superb collection of 8 diverse pieces to fit any performance setting. Includes: CapriccioItalien (Tchaikovsky) Les Preludes (Liszt) Messiah (Handel) Pictures at an Exhibition (Mussorgsky) Requiem (Verdi) Swan Lake (Tchaikovsky) Symphonie Fantastique(Berlioz) and Symphony No 9 (Beethoven).
9.99 GBP - Sold by Musicroom UK Shipment: (stock) information on site | |
| Wolfgang Amadeus Mozart:
Grand Mass In C Minor:
SATB: Vocal Score Choral SATB [Vocal Score] Schirmer
In none of his works with the exception of the Requiem did Mozart again reach ...(+)
In none of his works with the exception of the Requiem did Mozart again reach let alone surpass the lofty seriousness and the religious dedication of his Grand Mass in C Minor. The strict manner of the composition that prevails almost throughout the use of five and eight-part choruses the breadth of the solo movements as well as the treatment of the orchestra raise it infinitely above all his earlier works in this genre and place it beside the great Masses of Bach and Beethoven.The work was written for double chorus of mixed voices four solo voices and orchestra. Mozart never finished the Grand Mass and it has been completed by Alois Schmitt. This edition containsa piano reduction of the orchestral parts.
13.50 GBP - Sold by Musicroom UK | |
Next page 1 31 61 |
|