Spice up your brass program with this Latin tinged composition for three trumpets, three trombones and keyboard
SKU: BT.MUSAM91383
ISBN 9780711936485. English.
Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a completerhythmsection with full sounding chords, bass and drums. Book 1 contains 15 famous songs including 'Let It Be', 'Super Trouper', 'Oh Lonesome Me' and 'Blowin' In The Wind'. Instrumental effects include piano, guitar, vibes andmanyothers.
SKU: SU.80101352
Keyboard Duration: 5' Composed: 2014 Published by: Zimbel Press The formal inspiration for this piece came from early Italian keyboard toccatas (those of Frescobaldi are probably the most famous today, though there are certainly many others). However, the early influences do not come exclusively from a single source. The toccatas of Hassler, the ricercari of Steigleder, the fantasias of Cornet and Kerckhoven, the fugues of Couperin, and anonymous late medieval keyboard music all are thrown into the mix, and blended with a contemporary use of mixed modality. This piece may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).
SKU: HL.49044300
ISBN 9783795749194. German.
Finally available! The most beautiful titles of the Keyboard Klangwelt series compiled in one thick volume! More than 150 pieces from the fields of folk and children's songs, international folklore, spirituals & gospels, and national anthems in easily playable and melodious arrangements for keyboard and electric organ. Whether for playing alone or together with others, this anthology provides you with the perfect music for every occasion!
SKU: UT.HS-303
ISBN 9790215327016. 9 x 12 inches.
This two-volume anthology has been designed on the living experience of teaching as material intended for descant recorder players at the beginner and intermediate level. The progressive order allows an approach to ensemble music, starting from the use of just the notes of the left hand, and proceeds with the acquisition of the new positions reaching the chromatic range of an octave and a sixth.The repertoire used consists exclusively of dance music from the French and Flemish area contained in various collections published between 1530 and 1583 by various composers and editors. This choice was dictated by a number of different factors: the extremely clear and symmetrical metric and formal schemes typical of the Renaissance dance form, with due and useful exceptions, help to understand the concept of musical phrase; the use of coded and recurring rhythmic formulas makes it possible to perfect the rhythmic division; harmony based mostly on the basic steps helps to form an experience of listening, intonation and understanding of the main harmonic functions. No less significant are other elements, such as variety in the length of the pieces, from a few bars up to several dozen, which favours the development of concentration and attention, with the same technical difficulties. Above all, however, the vastness of the repertoire, more than 500 compositions, makes it possible to choose and order the pieces with an idea of ​​technical and musical progressiveness comparable to that of a method. The edition is produced in such a way that all the pieces can be performed in four parts except for some in five parts, in different ensembles. The most basic is in reduced three-part form of descant, tenor and bass, the latter two are given respectively to the right and left hand of the keyboard player. Since recorders play at the octave above, the tenor part is also transposed in the same way to make the sound of the three upper voices homogeneous, while the bass retains its original range. It is also possible to enlarge the group to play the full four voices with the addition of an alto or tenor recorder playing the alto part, available in the separate part, and two more instruments, tenor and bass recorders or others, performing the respective lines alone or doubling with the keyboard.
SKU: MN.10-299
UPC: 688670102998.
Originally conceived for organ, manuals only, these pieces could provide classy service music played on any type of keyboard instrument. Some pieces are quite well known, others deserve to be. Composers from the 16th to the 20th centuries are represented, including Holborne, Couperin, Purcell, Mouret, Thayer, Gigout, and Stanford.Contents:Galliard - HolborneChaconne (Rondeau) - CouperinTe Deum - CharpentierRondeau - PurcellRigaudon - BohmSinfonies de Fanfares - MouretMarch in D - BachTrumpet Voluntary - HandelSonata - GalloFugue in D - GoodwinVoluntary - MarshFugue in E-flat - GossPostlude in C - ThayerAllegro moderato - GigoutBouree - Stanford.
SKU: GI.G-9192
UPC: 785147919223. English.
As her tune writing journey continues, Sally Ann Morris explores new sounds and forms while still exhibiting the craftsmanship and melodic variety that have made her tunes so widely sung and accessible. This third collection includes settings of texts by Mary Louis Bringle, Carl P. Daw Jr., Delores Dufner, OSB, Shirley Erena Murray, Adam M. L. Tice, Thomas Troeger, and others. Highlights include the delightful “Invited by God to Tango,†a joyous tune easter waltz for “Spread the Good News,†a setting of “Wordless Is the Prayer†that employs the use of resonant sounds in sung prayer, and a moving dialog hymn “You Search and Know Me, O My God.â€.
SKU: GI.G-003428
Known for his work in interfaith activities, Wallace's songs featured in this collection bridge the gap between traditional Christianity and a scientific view of humans and the universe. Many of the texts are set to original, easily sung tunes while others carry a familar melody. Great for Sunday liturgies, retreat groups, and personal meditation on spirituality and mysticism.  .
SKU: GI.G-8316
English, Latin, Others. Text Source: Trad., the word peace in a variety of languages.
Combining the traditional Dona nobis pacem with a new text and melody by Chris de Silva, this piece—written as a closing blessing for an evening prayer service at the Los Angeles Religious Education Congress—is ideal for retreats, contemplative prayer, reconciliation services, Liturgy of the Hours, and the Rite of Sending. It includes the word “peace†in 18 languages. (Don’t worry, there’s a pronunciation guide included!).