The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

This book was written in the same format as 40 Modern Studies. Again the pieces are of moderate length and cover a wide variety of styles. As the studies are technically demanding they are all written in comfortable clarinet-orientated keys to allow the student to focus on interpretation. Each study is designed to improve the student's musical as well as technical abilities. James Rae• More modern studies for clarinet complementing the established Favourite: 40 Modern Studies• Musical styles vary from modern Classical through to Jazz and Rock• For elementary to more advanced levels (1 - 8)• Ideal for developingmusicianship and technique by way of accessible but challenging material • These studies make attractive performance pieces and are suitable for examination purposes

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Performed by Stanley Drucker clarinetAccompaniment: Judith Olson pianoAdvancing clarinetists will love this challenging collection drawn from widely used State Contest Pieces including great repertoire fromClassical (Mozart) Romantic (Brahms) and Modern (Hindemith) eras. The scores are annotated by the soloist on this album Stanley Drucker of the New York Philharmonic. Includes a high-quality printed music score annotated withperformance suggestions and a digitally remastered stereo compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Also includes a slow-tempo practice version of theRondo from Mozart's clarinet concerto to help you get up to speed.

Andre Laporte (b.1931) is a contemporary Belgian composer whose eclectic musical style draws on a wide range of neoclassical avant garde and postmodern techniques. His Reflections for Solo Clarinet wascomposed in 1970 for the Belgian conductor and Clarinet virtuoso Walter Boeykens (1938-2013). Subtitled Inner-space Music it was written shortly after the composer arrived at the Royal Conservatory of Brussels as alecturer in modern compositional techniques. It requires a delicate but precise treatment with microtonal slides and multiphonic chords. A challenging piece it is ideally suited to any advanced clarinettist looking to developtheir contemporary repertoire.

Contemporary Italian-French composer Armando Ghidoni brings together influences of both Italy and France in his music. Also as an expert on jazz the harmonies and rhythms of the composer's works reflect a huge diversity Classical Fugue Goes Jazz for Flute Clarinet (or Alto Saxophone) and Piano is no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Classical Fugue Goes Jazz (Trio) reflects Ghidoni's mastery of a range of instruments. With a typical performancelasting about 14 minutes Classical Fugue Goes Jazz (Trio) for Flute Clarinet (or Alto Saxophone) and Piano is a truly exquisite addition to the modern ensemble repertoire.

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

By the age of forty Finnish composer Magnus Lindberg was one of the busiest concert composers in the world. His music avails itself of all manner of modern innovations but there is a Neo-Classical orientation in his harmoniesand formal design that makes his works appealing to a wide audience. The Quintet for Clarinet and Strings was comissioned by Kuhmo Chamber Music Festival and first performed in this festival in Finland in 1992. In the composer'sown words: 'Despite its rather extended duration (almost 20 minutes) the work is in one continuous movement. Sections are based on either a static material composed of different scales giving the music an 'insect like'appereance or on directional processes forcing the music to gradually change character or even physically pushing the music to extreme registers or speed.' This edition contains all the Parts.

Clarinet Deluxe 2-CD Set-Native son Tim Laughlin decided he wanted to create in the style but not necessarily using the tried and true classics of the Crescent City. So he assembled an extraordinary band of players all veterans of the music wrote a collection of new songs and produced this extraordinary album. It won First Prize as the Best Jazz Album created in Louisiana in 2003 by Offbeat Magazine. Tim graciously made this album available to Music Minus One remixing the music to omit the key players clarinet trumpet trombone piano bass and drums for delectable play-alongs. This is music rich in tradition but new to your ears. This music isn't easy but then again to modern players it maybe as they'll be able to negotiate the charts provided. Audio samples of each song are provided.

Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.In this music booklet of the classic theme song Walking In The Air for Clarinet or Tenor Saxophone and Piano composer Howard Blake recreates the story in music basedon the scenes from the film.