SKU: CR.977869
ISBN 9780758665850. 8.5 X 11 inches.
The hymn tunes of master composers such as Thomas Tallis (TALLIS' CANON), Jean Sibelius (FINLANDIA), and Gustav Holst (THAXTED) are featured in this exceptional collection of piano settings. The hymn settings have been written by modern-day composers in a variety of styles, forms, and techniques. This collection will be sought after by students, teachers, and church musicians, and is great for creative use in both recitals and worship.
Contains:
SKU: CY.CC2823
James Haynor has arranged three short liturgical works by Thomas Tallis for Trombone Quartet. Tallis was the first English composer to set English words to music for the Church.1. If you love me2. Verily, verily I say unto you3. Gloria PatriNumber 1. is his most famous anthem, written in English as decreed by King Henry VI.Number 2, also an anthem, but to be used during the Anglican communion service.Number 3, Gloria Patri is a Doxology or short hymn of praise to God used by Catholics and high Anglicans.These three short works total about 3 1/2 minutes in length.The music is appropriate for moderately advanced performers, the first player should have a good high C (the first part is in tenor clef).
SKU: SU.80101115
This work is a five movement partita on the famous Third Mode Melody of Thomas Tallis. The variations range from serene to grand. Some of the variations could be excerpted for individual service voluntaries. The entire work is highly suitable for service or recital. 16 pages Published by: Zimbel Press.
SKU: HL.14027993
ISBN 9788759811832. English.
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo3 Oboes, 3rd also Cor Anglais in F3 Clarinets in Bb, 3rd also Bass Clarinet in Bb3 Bassoons, 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion, four playersPlayer 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese CymbalPlayer 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle CymbalPlayer 4 - Bass Drum, Glockenspiel, Xylophone1 Harp1 Piano, also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes, except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.
SKU: MN.50-8952
UPC: 688670589522.
Commonly associated with Thomas Tallis canon, Bishop Thomas Kens beautiful twilight text is here combined with the composers new tune, creating a hymn-anthem for a restful end to an evening service. A morning text by Ken in the same meter makes the piece suitable for morning worship as well.
SKU: MB.30859
ISBN 9781513465951. 8.75x11.75 inches.
Imagine a campfire! Envision sitting around the bright flames with your friends and family singing songs out in the great expanse. Imagine that those melodies you sing stir up joy, hope, and belief in the great wonders of the world. Melodies have connected different kinds of people for many, many years. Music brings us closer, and music makes any occasion more festive and memorable. This book was written to promote the love of old folk melodies, provide processional music for special celebrations, and to include players of all levels. Music educators will find that there are many possibilities and combinations for practice and performance. Includes a 16-page pull-out section of twelve selected pieces for an optional cello part.
It is my great hope that music students, families, and educators will all enjoy this very special collection of Beautiful Melodies from Around the World.Â
SKU: ST.EC66
ISBN 9780852499726.
EECM65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript â?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. EECM66 contains Advent, Christmas, Epiphany and Lenten hymns from Add. MS 29996, and 22 pieces from other sources. Three appendices include intabulated pieces, plainchant melodies, and hymns and faburdens.In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.
SKU: GI.G-10154
Latin. Text Source: Hymn at Lauds for the Feast of the Transfiguration. Text by David Scheidler.
SKU: ST.EC65
ISBN 9780852499719.
EECM65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript â?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. Containing music exclusively from Add. MS 29996, EECM65 includes updated composer biographies compiled by David Mateer, and introductory notes for the two volumes on cantus firmus techniques and metrical structure, counterpoint and musica ficta, alternatim practice, and an historical account of the early English organ.In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.
