SKU: BT.SINFJ065

ISBN 9788884001528. Italian.

Facile consultazione. Scale maggiori - Scale Minori - Scale Pentatoniche (Heavy Metal - Rock - Blues/Jazz) - Scale Modali (modi) - Accordi fondamentali in tutte le tonalit.

SKU: M7.VHR-3921

ISBN 9783864341588.

Lagenspiel auf dem Cello mit garantiertem Spaß-Faktor! 14 poppig-rockig-groovige Stücke von Tango bis Pop-Ballade, von Swing bis Heavy Metal. Jedes in einer anderen Lage, von der halben Lage eng bis zur 4. Lage weit. Ideal, um einzelne oder alle Lagen neu zu erlernen, zu wiederholen oder zu vertiefen. Mit leichter, aber cooler Klavierbegleitung. Dazu kostenlose Play-alongs zum Download oder zum Streamen. Kurzum: eine STEILVORLAGE für Cello-Unterricht, Vorspiele oder zum alleine Grooven! Die Ausgabe enthält einen 20-seitigen Einleger für Violoncello solo. Außerdem erhältlich: Ausgabe für Violoncello solo und Begleitcello (Bestellnummer VHR 3920).

SKU: HL.234541

9.25x12.0x0.571 inches. English.

'Four Thousand Holes is my own effort to re-appropriate and reclaim for myself something of my own musical past. For the first time since my days as a rocker, I've chosen to restrict myself to major and minor triads - those most basic elements of Western music (both pop and classical). But I've tried to assimilate them fully into my own musical world. Approaching these simple chords as found objects, I've superimposed them in multiple streams of tempo, to create darker harmonies and lush fields of sound. In recent years, I've been fortunate enough to form a close musical partnership with Stephen Drury. Steve's extraordinary gifts inspired me to explore expansive forms and textures (similar to those of my orchestral music) with only one or two performers, In essence, Four Thousand Holes is a concerto. To begin I composed the score for the electronic tracks. Steve recorded all of the individual chords that occur in the score. I took these recordings, time-stretched them, reversed their envelopes, and knit the reversed sounds together with their original decays. The resulting waves of sound I layered into ten independent tracks to create the virtual 'orchestra'. Next I composed the Piano part, articulating the peaks of all the electronic tracks simultaneously - a feat of coordination that demands considerable virtuosity from the pianist. Finally I composed another multi-layered part for metallic percussion sounds that I think of as sparks emanating from the piano. In Four Thousand Holes, strong musical currents fall and rise, again and again, as points and lines are juxtaposed with heavy, hammered chords. The mix of 'live' and electronic sounds blurs the distinction between musical figure and ground. As in much of my recent music, I conceive of the entire piece as a single complex sonority that evolves slowly. As we settle into the sound, we begin to hear longer lines, counterpoint, and maybe even the occasional trace of a tune.' - John Luther Adams.