SKU: HL.4008651
UPC: 196288189763.
The procession of King Renaud Op. 19b is a suite in five parts and is based on tales that originated in southern European folk songs, dating back as far as the 16th century. A large portion of these songs are of the genre “Complaintesâ€, songs in which the text gives a detailed description of events of a generally criminal or macabre character. The first movement of the suite is based on the song La porcheronne (The Swineherd). It tells the story of a young woman forced by her mother-in-law to tend pigs while her husband is away fighting in the war. She is freed only when her husband returns, seven years later. The second movement tells the story of La marquise empoisonnée (The Poisoned Marquise). A marquise is coerced by her king to become his mistress. The jealous queen poisons her by means of a bouquet of deadly scented flowers. Despite having the character of a merry dance, the third movement, La maumariée vengée (The Avenged Bride) tells the touching story of Queen Clotilde, persecuted for her refusal to live according to Aryan beliefs.La belle engloutie (The Swallowed Beauty) relates the tale of the young wife of King Renaud. She cannot imagine a life without her husband, who was mortally wounded in the war, and begs the earth to open and swallow her up so that she may rejoin her love. The gruesome content of the final part, Le tueur de femmes (The Wife Killer), bears a strong resemblance to the tale of Bluebeard. The story is about a young wife in danger of being drowned in a pond by her husband, which is what happened to her 13 predecessors. Thanks to her cunning, she manages to turn the tables and contrive her husband's demise.
SKU: HL.4008650
ISBN 9798350115048. UPC: 196288189756.
SKU: M7.DOHR-28881
ISBN 9790202018811.
SKU: PR.510079380
Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft.Schubert's Fantasy in C major (also known as the Wanderer Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862.This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English.
SKU: HL.50580124
SKU: HL.8772344
UPC: 649325019863. 8.5x11.0x0.045 inches.
SKU: VD.ED28881
ISBN 9790202018811. 12 x 9 inches.
SKU: HL.48019678
9.0x12.0x0.77 inches.
SKU: FG.55011-864-5
Three pieces for brass quartet is a set of transcriptions by Kari Karjalainen based on Erkki Melartin's (1875–1937) piano works.Contents:Tanssilaulu op. 16 nro 3Legend I op. 6 nro 1Polska op. 119b nro 6Instrumentation:2 trumpets in BbHorn in FTrombone (or baritone)This product includese the score and the parts.
SKU: FG.55011-863-8
Three pieces for brass quintet is a set of transcriptions by Kari Karjalainen based on Erkki Melartin's (1875–1937) piano works.Contents:Tanssilaulu op. 16 nro 3Legend I op. 6 nro 1Polska op. 119b nro 6Instrumentation:2 trumpets in BbHorn in FTromboneTuba (or bass trombone)This product includese the score and the parts.
SKU: FG.55011-865-2
Three pieces for brass quartet is a set of transcriptions by Kari Karjalainen based on Erkki Melartin's (1875–1937) piano works.Contents:Tanssilaulu op. 16 nro 3Legend I op. 6 nro 1Polska op. 119b nro 6Instrumentation:2 trumpets in Bb2 trombones (or trombone and baritone)This product includese the score and the parts.
SKU: HL.14026056
Danish.
SKU: HL.50600527
8.25x11.75x0.008 inches.
SKU: HL.50571652
SKU: B5.6019BCD
ISBN 9790570272297.
* For the individual and group * Contains many pieces which combine for the ensemble * Includes chord symbols and percussion line accompaniments * Offers scope for ear training, improvisation, composition and group activity. Whether through economic necessity or choice, the trend is towards teaching young beginner instrumentalists in groups, often of mixed abilities, ages and phases of development, and the joy of this book is that there is something stimulating and yet achievable at every stage.
SKU: GI.G-10619B
Save when you purchase all three volumes of Children of the Light!  Volume 1: The 25 sessions in this resource offer a variety of ways to explore each topic as part of a continual and ongoing process, including gathering prayers, scripture readings, games or icebreakers, hands-on activities, reflective responses by the participants, and closing prayer rituals. Includes a CD-ROM with all handouts, letters, and worksheets.  Volume 2: This second volume of contains 28 more sessions that build on the children’s evolving faith formation first explored in the precatechumenate period and developed in the first volume. Includes a CD-ROM with all handouts, letters, and worksheets.  Volume 3: Volume 3 provides rich, interactive sessions for the Period of Purification and Enlightenment and the Period of Mystagogy as children prepare for and receive the sacraments of initiation through the RCIA as adapted for children. It offers eleven core sessions, two retreat formats (a Day Retreat to Prepare for the Rite of Election and a Lenten Day of Reflection) plus an additional session on the sacrament of reconciliation.  This volume includes a code to access downloadable PDFs of handouts, worksheets, and a letter home for each session.
SKU: KU.GM-1119B
SKU: BR.PB-5714
ISBN 9790004216514. 10.5 x 14 inches.
More than my earlier works, this one is interspersed with metrically bound rhythms and musicianly characters that constantly recrystallize and drift towards or away from familiar situations.The familiar: These are dance-like figures and music-making formulas, but also songs and, in two cases fragments of Bach's music - playfully collected memories of impressions in which - consciously and unconsciously - I am embodied with that collective comfort in whose protection bourgeois thinking and feeling, magically protected, grow up and emerge apart.(It is well known that such security has its fetishes from the childlike to the adult stage: Home, religious bond, holidays, tradition, longing for childhood - the superficiality may have little idea of the depth that opens up underneath. There is also no question that we are still marked by such security even when the contradictions and alienation of existence force us to step out of their protection, to recognize and act upon reality, and to oppose the domination of such inner bonds where their original truth has become the fatal untruth of comfortable illusion, stubbornly and fearfully conjured idyll and reactionary narrow-mindedness.My music feeds on figures in which such memories are encapsulated. It deals with them not much differently than in other pieces with the elements of the traditional musical concept of material, having already always reflected compositionally as a product of sociality and anticipation of musical expression, i.e. it moved into a structurally expanded context and expressively redefined from there.Such an approach aims at overcoming lack of freedom: grasping as part of conceiving, i.e. not philosophical reflection, but rather an artistically gripping reflex by intervening in the physical immediacy of such predetermined elements. These penetrate and infect the structural events, inducing a musicianship that cannot be relied upon; the music jumps onto rhythms like onto moving vehicles, allows for being carried by them until they deform or disintegrate. This creates an incline of rhythmically shaped situations: sequence and interweaving of dances and structures.The role of the solo string quartet is versatile, obbligato and concertante, leading and accompanying in a changing sense. Set as a chamber music apparatus in an orchestral landscape, it repeatedly forces its own sound dimensions onto the orchestra, it must accept being drowned out at times, it nests in the holes of tutti fields, it acts as a louse in the fur, forcing one to listen in and out.The Tanzsuite with Deutschlandlied is structured as follows:I. Section. 1. Introduction - 2. Waltz - 3. March - 4. Bridge -II. Section. 5. Siciliano - 6. Capriccio - 7. Valse lente -III. Section. 8. Bridge - 9. Gigue - 10. Tarantelle - 11. Bridge -IV. Section. 12 Aria I - 13 Polka - 14 Aria IIV. Section. 15. Introduction - 16 Gallop - 17 Coda (Aria III)All 17 parts merge into one another.(Helmut Lachenmann, 1980)CDs/LP/DVD:Arditti-Quartett, Deutsches Symphonie-Orchester Berlin, cond. Olaf HenzoldCD Montaigne Auvidis MO 782019Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain Cambreling (Excerpt)CD BMG/RCA 74321 73510 2 (Musik in Deutschland 1950-2000)Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain CambrelingLP DMR 1028-30Arditti Quartet, SWR Sinfonieorchester Baden-Baden und Freiburg, cond. Hans Zender Excerpt on CD ,,Auswahl von zehn Urauffuhrungen aus 70 Jahren, SWR Sinfonieorchester Baden-Baden und Freiburg Arditti Quartet, Staatsorchester Stuttgart, cond. Sylvain Cambreling DVD ,,Lachenmann-Perspektiven 6 (Breitkopf & Hartel, BHM 7816) Bibliography:Cavalotti, Pietro: Differenzen. Poststrukturalistische Aspekte in der Musik der 1980er Jahre am Beispiel von Helmut Lachenmann, Brian Ferneyhough und Gerard Grisey (= Sonus. Schriften zur Musik, hrsg. von Andreas Ballsteadt, Band 8), Schliengen: Argus 2006, pp. 79-128.Das sind doch alles Deutschlandlieder! Helmut Lachenmann im Gesprach mit Michael Rebhahn, in: Der Taktgeber. Das Magazin der Jungen Deutschen Philharmonie, Heft 40 (Sommer 2019), S. 6f.Stawowy, Milena: Fluchtversuche in die Hohle des Lowen. Helmut Lachenmanns Tanzsuite mit Deutschlandlied, in: MusikTexte 67/68 (1997), pp. 77-90.Toop, Richard: Concept and Context: A Historiographic Consideration of Lachenmanns Orchestral Works, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, pp. 125-144.World premiere: Donaueschingen (Donaueschinger Musiktage), October 18, 1980.
SKU: PE.EP68119B
ISBN 9790300759050.
An Oratorio for Choruses, Soloists, and Chamber Orchestra
For Narrator, Treble (boy soprano), and Baritone soli (Isaac and Abraham), SSA ensemble,SATB Chorus; flute, oboe, clarinet, bassoon, horn, percussion, piano, and strings
SKU: UM.17319B4
ISBN 9790224417319.
SKU: MN.50-9119B
UPC: 688670002328.
Optional Orchestral Parts include: Flutes I and II Oboe Clarinets I and II in B-flat Bassoon Horns I and II in F Trombones I and II Tuba Harp or Piano Violins I and II Viola Cello Double Bass.
SKU: BP.HB219B
Trumpet part
