SKU: BA.BA04579-01
ISBN 9790006451081. 33 x 26 cm inches.
Urtext der Neuen Mozart-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: M7.BRP-1866
SKU: AP.1-ADV7697
UPC: 805095076974. English.
Two objectives were in mind while transcribing the Finale. One was to produce a relatively clean manuscript with a minimum of articulation and dynamic markings so as to allow interpretation by the performers. The articulation markings placed at the beginning of the work are provided only as suggestions. Secondly, the melodies were divided among all parts, rather than a solo featuring just the soprano saxophone. The Finale, a molto allegro in rondo form, should sparkle with cheerful charm and wit. Saxophonists should strive for the lightness and grace so prevalent in much of Mozart's timeless music.
SKU: CA.5136109
ISBN 9790007224981. Key: E flat major. Language: Latin.
Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and parts available separately - see item CA.5136100.
SKU: CA.5136111
ISBN 9790007224998. Key: E flat major. Language: Latin.
Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.
SKU: CA.5136119
ISBN 9790007145712. Key: E flat major. Language: Latin.
SKU: CA.5136105
ISBN 9790007110918. Key: E flat major. Language: Latin.
Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score available separately - see item CA.5136100.
SKU: CA.5136114
ISBN 9790007225025. Key: E flat major. Language: Latin.
SKU: CA.5136112
ISBN 9790007225001. Key: E flat major. Language: Latin.
SKU: CA.5136103
ISBN 9790007110826. Key: E flat major. Language: Latin.
SKU: VD.ED16412
ISBN 9790202034125. 12 x 9 inches.
SKU: BA.BA04515-01
ISBN 9790006449491. 33 x 25.5 cm inches. Language: German. Preface: Ernst Fritz Schmid.
SKU: KV.3611568
Many pianists would love to play the greatest works of Haydn but find that their ambition surpasses their technical ability. Even so, there are still plenty of pieces and even extracts from longer works that are well within the abilities of a novice pianist. These accessible pieces are the focus of this collection. Just because these pieces do not demand the pianistic brilliance of other works does not mean they lack the stamp of the master. Each of these pieces is in the original form; none have been simplified. All of the pieces are performable separately, but they are certain to whet your appetite for more difficult pieces!
SKU: KV.3611567
Many pianists would love to play the greatest works of Grieg but find that their ambition surpasses their technical ability. Even so, there are still plenty of pieces and even extracts from longer works that are well within the abilities of a novice pianist. These accessible pieces are the focus of this collection. Just because these pieces do not demand the pianistic brilliance of other works does not mean they lack the stamp of the master. Each of these pieces is in the original form; none have been simplified. All of the pieces are performable separately, but they are certain to whet your appetite for more difficult pieces!
SKU: BA.BA05361-82
ISBN 9790006469291. 32.5 x 25.5 cm inches. Key: F major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA04795-74
ISBN 9790006528806. 32.5 x 25.5 cm inches. Key: F major.
SKU: BA.BA05341-74
ISBN 9790006468232. 32.5 x 25.5 cm inches. Key: D minor.
SKU: BA.BA04725-82
ISBN 9790006454310. 32.5 x 25.5 cm inches. Key: D major.
SKU: M2.MOS-40161-60
ISBN 9790203743613.
Mozart schrieb das Rondo C-dur, KV 373 fur Violine und Orchester 1781 fur Antonio Brunetti, dem Konzertmeister der Salzburger Kapelle. Bereits im selben Jahr wurde das Werk von Brunetti aufgefuhrt; gedruckt wurde es aber erst 1800, neun Jahre nach Mozarts Tod. Ein Jahr spater erschien eine nach D-dur transponierte Fassung fur Querflote und Orchester. Zur Zeit der Klassik war das Uminstrumentieren eigener oder fremder Werke nicht mehr so ublich wie im Barock. Aber es gibt noch genugend Beispiele; gerade Mozart liefert den besten Beweis (KV 413). Im Gegensatz zu der Ausgabe von 1801 ist die vorliegende Fassung enger am Originaltext orientiert, behalt aber die Transposition nach D-dur bei; die Praxis hat gezeigt, dass die Querflote in der D-dur-Fassung besser klingt.