SKU: BA.BA04506-01
ISBN 9790006449248. 33.9 x 26.3 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA04858-75
ISBN 9790006457519. 32.5 x 25.5 cm inches. Key: C minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CA.5180112
ISBN 9790007225353. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score and part available separately - see item CA.5180100.
SKU: LM.27366D
ISBN 9790231701685.
GLINKA : Tarentelle - MOZART W.A : Sonate n. 5 KV283, Allegro - Sonate n. 4 KV282, Allegro - CHABRIER E. : Ballabile - TCHAIKOWSKI : Feuillets d'Album - SMETANA B. : Andante - SCHUMANN R. : L'Etranger - Klavierstuck Op.99 n. 1 - SCHUBERT F. : Scherzo en Sib Maj. - DEBUSSY C. : Danse Bohemienne - Doctor Gradus ad Parnassum - POULENC F. : 5e Improvisation - MARTINU B. : Polka en La - MARTIN F. : 3e Prelude - KODALY Z. : Klavierstucke Op.3 n. 1 - BARTOK B. : Accords de Quintes - PROKOFIEV S. : Menuetto Op.32 n. 2 - BEETHOVEN L.V. : Bagatelle Op.119 n. 2 - BERIO L. : Brin - CHOPIN F. : Mazurka Op.24 n. 1 - GRANADOS E. : Danse Espagnole n. 5 - GRIEG E. : Sylphide Op.67 n. 1 - HAYDN F.J. : Presto - Sonate en Sol Maj.
SKU: CA.5165101
ISBN 9790007171704. Key: C minor. Language: Latin.
The C Minor Mass K. 427 by Wolfgang Amadeus Mozart is a fascinating work. But to speak of the Mass is inaccurate, for basically it is no more than a musical torso, full of enigmas and problems, yet full of magnificent music. It is hardly surprising that attempts have been made to create a performable version of Mozart's fragment since the 19th century. Depending on the date of reconstruction and background of the arranger, these attempts sound quite different, and often the individual style of the respective arranger can be clearly discerned. Now Frieder Bernius and Uwe Wolf have published a new edition of the Mozart mass which attempts to produce a performing version whilst maintaining the greatest respect for the available material, and without obscuring Mozart's musical manuscript with their own contributions. The joint version by Wolf, a renowned musicologist, and Bernius, an expert in historically-informed performance practice, is based on a thorough knowledge of Mozart's compositions, his notational habits, and church music practice of Mozart's day. At the same time it fully meets the requirements of today's performance practice. As well as the paperback full score, we are publishing a high-quality clothbound full score including a Facsimile Supplement with selected reproductions of the sources. A first recording of this version, with the Kammerchor Stuttgart and the Barockorchester Stuttgart conducted by Frieder Bernius, is also available. Score available separately - see item CA.5165100.
SKU: CA.5104214
ISBN 9790007224554. Language: German.
The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart's separate autographs for movements 1-6, and 7-8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart's last, original instrumentation. Score and part available separately - see item CA.5104200.
SKU: HL.373821
ISBN 9781705149911. UPC: 196288016632. 6.75x9.25x0.114 inches.
In addition to his masses and the Requiem, Mozart wrote an abundance of smaller sacred choral works for the church. Misericordias Domini KV 222 (205a) was created at the beginning of 1775 in Munich as a commission for the prince-elector. The name SAM-Klang takes the three voice parts from the arrangements -- Soprano, Alto and Men -- and combines it with the Scandinavian and German words for “sound†to create the portmanteau word “sound together†or “harmony.†The series offers basic and advanced choral repertoire. In addition to new repertoire and new arrangements, you will also find essential parts of the classical German, Scandinavian, French and English SATB repertoire, carefully and considerately reworked for SAM. The arrangements retain the characteristic features of the original movements and have almost the same richness of timbre, resulting in works which sound nearly unchanged to an audience. Piano reductions of all choral movements facilitate rehearsal preparation. The arrangements offer development opportunities for all voice sections, bringing new life and new quality to SAM choir work. SAM-Klang enables youth choirs to gain access to classical choral literature and ensures that mixed choirs who face challenges in finding singers for all male voice parts continue to have access to well-loved repertoire.
SKU: BA.BA04513-01
ISBN 9790006449453. 33 x 25.8 cm inches. Text: Ignaz A Weiser.
This work, possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach , was assigned to three Salzburg composers: W. A. Mozart (part 1), Michael Haydn (part 2), and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas, perhaps taking Johann Ernst Eberlin and even his father Leopold as his models. The first performance took place in the Knights' Hall of the prince's palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701-1785), town councillor and mayor of Salzburg . Mozart wrote out many of the appoggiaturas in this early work, thereby providing a useful guide to the vocal practices of his day. Aria no. 2 has come down to us with an instructive passage in which the vocal part is ornamented in the hand of Leopold Mozart. The piano reduction, by K.-H. Muller , was prepared on the basis of the New Mozart Edition. The piano part is uncluttered and easy-to-play.
SKU: CA.4062005
ISBN 9790007073916. Key: C minor. Language: Latin.
The Mass in C minor, K. 427, Mozart's Great Mass remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, Osanna, and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio Davide penitente. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. Score available separately - see item CA.4062000.
SKU: HG.GH-11708
ISBN 9790202823651.
Mein Bruder ist ein Wunderkind liefert eine spielerische und kindgerechte Einfuhrung in das Leben des jungen Wolfgang Amadeus Mozart. Aus der Perspektive von Nannerl Mozart erfahren wir von den zahlreichen Abenteuern, welche die Familie Mozart wahrend einer grossen Konzertreise durch Europa erlebt. Und dass Nannerl hierbei ganz andere Schwerpunkte setzt als die vielen erwachsenen Mozart-Biographen, versteht sich von selbst: So erfahrt der staunende Leser zum Beispiel, wie der kleine Wolfgang wahrend eines feierlichen Konzerts im Schloss Schonbrunn das enge Kleid seiner Schwester zum Platzen bringt, wie die Kinder mit dem schrecklich laut brullenden Nashorn Clara Bekanntschaft machen oder wie sie in London unter der Erde die Geheimsprache Italienisch lernen. An jede dieser Geschichten schliesst sich ein kurzer, informativer Text zur Musik, den verschiedenen Musikinstrumenten und dem Leben zur Zeit von Nannerl und Wolfgang an. Auf Malblattern kann man ausserdem die eigenen Gedanken und Traume zu den Erlebnissen der Familie Mozart hinmalen oder -schreiben und auf diese Weise seine ganz personliche Wunderkindgeschichte gestalten. Fur Kinder ab 6 Jahren Auf der CD: Ton Koopman und das Amsterdam Baroque Orchestra mit Musik von Leopold und Wolfgang Amadeus Mozart Schon ist, dass dem Buch eine CD beiliegt, so dass die Kinder direkt die Moglichkeit haben, die Musik, von der im Buch berichtet wird, auch anzuhoren. ... Das Buch regt noch weiter zum Kreativsein an, indem lere Blatter zum Selbstgestalten eingefugt wurden. So konnen die Kinder ihre eigenen Traume, Wunsche oder Erinnerungen an Erlebnisse festhalten und dazu beitragen, dass das Buch hubsch illustriert ist. (www.rezension.org).
SKU: HL.373820
ISBN 9781705149904. UPC: 196288016625. 6.75x9.25x0.115 inches.
Inter natos mulierum (KV 72) is a setting of the offertory for the feast of St John the Baptist. The name SAM-Klang takes the three voice parts from the arrangements -- Soprano, Alto and Men -- and combines it with the Scandinavian and German words for “sound†to create the portmanteau word “sound together†or “harmony.†The series offers basic and advanced choral repertoire. In addition to new repertoire and new arrangements, you will also find essential parts of the classical German, Scandinavian, French and English SATB repertoire, carefully and considerately reworked for SAM. The arrangements retain the characteristic features of the original movements and have almost the same richness of timbre, resulting in works which sound nearly unchanged to an audience. Piano reductions of all choral movements facilitate rehearsal preparation. The arrangements offer development opportunities for all voice sections, bringing new life and new quality to SAM choir work. SAM-Klang enables youth choirs to gain access to classical choral literature and ensures that mixed choirs who face challenges in finding singers for all male voice parts continue to have access to well-loved repertoire.
SKU: CA.1709600
ISBN 9790007090616.
Arr. Hanns Wurz.
SKU: LM.26316D
ISBN 9790231701654.
BACH : Bourree en La mineur - Petit Prelude en Mi Majeur BWV 937 - Petit Prelude en Mi mineur BWV 938 - BARTOK : Danse paysanne - For Children Vol.1 n. 32 - BEETHOVEN : Sonate Op.49 n. 2 - Bagatelle Op.119 n. 1 - CHOPIN : Valse posthume en La mineur - CIMAROSA : Sonate en Si b - CLEMENTI : Sonatine Op.36 n. 6 (1e mvt) - DAQUIN : Le Coucou - DEBUSSY : Le Petit berger - GRANADOS : Danse de la rose - HAYDN : Presto (Sonate en Mi Majeur Hob. XVI 13) - JANACEK : Une Feuille s'envole - LUTOSLAWSKI : Etude a quatre voix - MARTINU : Danse de Colombine - Valse d'une marionnette sentimentale - MENDELSSOHN : Chanson du gondolier Op.30 n. 6 - Romance sans paroles Op.85 n. 2 - MOZART : Rondo de la Sonate KV 545 - PROKOFIEV : Tarentelle - RAMEAU : La Joyeuse - SCHONBERG : Opus 19 n. 2 - SCHUBERT : 3 Landler - SCHUMANN : Fantaisie-danse - Petite Romance - Premiere Scene d'enfant - SMETANA : Lied - VILLA-LOBOS : Allegro (2e Suite enfantine) - WEBERN : Kinderstuck.
