SKU: TM.02907SET
Orch. by Max Reger; Eng. Trans. by Fanny Copeland. Key of B.
SKU: HL.49045562
ISBN 9783901974052. German.
Richard Strauss (1864–1949), the composer of large-scale operas and tone poems, also wrote lieder throughout his life. His entire oeuvre stretching over a period of 78 years is framed by lied compositions: the Weihnachtslied dating from December 1870 (the secondentry in the chronological catalogue of Strauss's works) and the lied Malven written in November 1948 (Strauss’s last completed composition). His lied compositions include lieder with piano accompaniment, genuine orchestral lieder and subsequent orchestrationsof original lieder with piano. Strauss frequently conducted his own operas and orchestral works and also gave public performances ofhis lieder both as pianist and conductor. As was customary in the concert practice of the time, he combined lieder with larger-scaleworks: it was not uncommon for tone poems and lieder to appear on the same programme. Music publishing houses were active in the dissemination of Strauss lieder across the world: in the first prints, the early lieder were published in their original register, mostly only with German texts, but numerous editions were subsequently issued for other vocal registers or with additional texts in English, later also in French, Italian and Russian translations. The broad spectrum was rounded off by arrangements of lieder (such as purely instrumental piano arrangements by Max Reger and Walter Gieseking), arrangements and orchestrations by other composers andlieder albums containing collections of Strauss lieder not ordered chronologically according to their opus numbers. The fact that Strauss is to this day one of the most frequently performed composers is not only due to his operas and tone poems, but also his lieder, particularly the most treasured favourites. A number of these pieces are contained in this volume: Zueignung op. 10 No. 1,Nichts op. 10 No. 2, Die Nacht op. 10 No. 3, Allerseelen op. 10 No. 8, Ständchen op. 17 No. 2, Ruhe, meine Seele! op. 27 No. 1, Cäcilie op. 27 No. 2, Heimliche Aufforderung op. 27 No. 3, Morgen! op. 27 No. 4 and Traum durch die Dämmerung op. 29 No. 1.
SKU: HL.49000712
ISBN 9783795701345. German.
Seit 1971 erscheint das Hindemith-Jahrbuch / Annales Hindemith. Es gehort zu den wenigen Schriftenreihen, die einem Komponisten des 20. Jahrhunderts gewidmet sind. Mit Beitragen zu Leben und Werk des Komponisten sowie der Bereitstellung von dokumentarischem Material aus dem Nachlass bietet diese Reihe die Grundlage fur die wissenschaftliche Beschaftigung mit dem Komponisten. Herausgeber ist das Hindemith Institut Frankfurt im Auftrag der Fondation Hindemith.
SKU: BT.SCHBB6000167
String Orchestra (parts). Reger, M.
SKU: TM.07121SET
Optional: 2 additional Trumpets in C & 2 additional tenor trombones. Org in set.
SKU: CA.5211040
ISBN 9790007110574.
SKU: TM.06463SET
Hermit Fiddler, Play of the Waves, Isle of the Dead, Bacchanale.
SKU: TM.07399SET
En Voiture, The Policeman, The Hurdy-Gurdy, The Lake, Dogs, Dreams.
SKU: PR.UE005729
UPC: 680160504978.
SKU: PR.UE001190
ISBN 9783702421458. UPC: 803452018391. Key: F# minor.
SKU: TM.08543SC
Solo in set.
SKU: HL.48013877
UPC: 073999138771. 9.0x12.25x0.024 inches.
Voice with Instruments.
SKU: BA.BA11259
ISBN 9790006569717. 30 x 23 cm inches. Preface: Boecker, Jan / Schmidt, Christof.
As a 20th century composer, Gerard Bunk developed a distinctive musical style comparable perhaps to that of Max Reger or Sigfrid Karg-Elert. In addition to Bunk’s large-scale organ work “Legende†op. 29 and its symphonic version op. 29II, there is a further well-known “Legende†op. 55b written for organ and string orchestra (or string quartet) which was composed in 1945.This edition offers the earlier version of this work, dating from 1914, in its original instrumentation for organ and brass quartet. In order to facilitate performance, the sketchily notated score is carefully supplemented by performance markings from the string version.What Albert Schweitzer praised in the earlier “Legendeâ€, “the calm and vivid layout of the complete workâ€, is also recognisable in Bunk’s later composition: the catchy, modestly beautiful theme alongside the clear musical form of this “Legende†for organ and brass quartet.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.5040513
ISBN 9790007081737. Key: D minor. Language: German/English.
The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score and part available separately - see item CA.5040500.
SKU: BR.SON-166
ISBN 9790004800638. 9 x 12 inches.
SKU: BT.SCHBB1400384
