Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)

Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel Mayseder and others. K. M. von Weber reffering to his concert in Prague in the autumn of 1816 expressed the opinion that Giuliani had raised the status of the guitar to that of a concert instrument.Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel Mayseder and others. K. M. von Weber reffering to his concert in Prague in the autumn of 1816 expressed the opinion that Giuliani had raised the status of the guitar to that of a concert instrument.

The studies of Mauro Giuliani (1781-1829) stand alongside those of Fernando Sor Matteo Carcassi Dionisio Aguado and Ferinando Carulli as the staples of the didactic pieces by the 'first generation' of classical guitarists. Giuliani was one of the most celebrated guitarists of his age a brilliant performer and prolific composer. He left a legacy of compositions and many of his works are heard regularly in recitals and concerts today. His studentpieces are considered indispensable by generations of guitarists. The studies and exercises contained in the six opus numbers here provide some of the most effective material in the entire guitar literature for building andrefining a superior technical command of the guitar. In this edition David Grimes has modernized some of the notation and corrected a number of misprints from Giuliani's original publications.

Par BERG CHRISTOPHER. Along with some of the right-hand exercises from Mauro Guiliani's, Studio per la chittarra, Op.1, this book contains numerous original exercises by Berg based on pieces composed since Guiliani's time and other exercises considered helpful for developing a well-rounded technique and for meeting the challenges of the guitar repertoire. There is an abundant practice material here for guitarists of all levels. Standard notation only. / Niveau : Débutant à Intermédiaire / Classic - Technic / Recueil / Guitare Classique

Giuliani Mauro Giuliani's Variations on a Theme by G. F. Handel The Harmonius Blacksmith op. 107 for guitar. 

Edizione critica e revisione di R. Chiesa. Par GIULIANI MAURO. SUVMU8Z09450 / Études et exercices / Etude / Guitare

Leichte bis mittelschwere Etüden-Paul Coles' 26 Melodic Studies are designed to help the student to develop a basic technique based upon the traditional teachings of renowned guitarists Francisco Tárrega Fernando Sor and Mauro Giuliani to name but a few. The studies progress from relatively easy to more demanding pieces so it is an album designed to accompany the student on their journey as they advance from an initial to an intermediate standard. The contemporary style of the music is tuneful and light making the featured pieces both fun and interesting to play and fingerings have been carefully considered for accuracy and ease of facility. 'PaulColes brings to these studies his combined skills as composer guitar player and teacher and sets out a clear technical and musical route map for the student to achieve excellent results.More than plain studies he uses a pleasing and up-to-date musical language. Here are some pieces with catchy melodies jazzy harmonic turns and foot-tapping rhythms.I am sure they will inspire the student to learn and enjoy at the same time an ideal combination.' - Carlos Bonell International guitarist arranger and teacher

Opus 30-Performed by Christian Reichert guitarAccompaniment: Plovdiv Philharmonic OrchestraConductor: Nayden TodorovMMO is pleased to bring you one of the all-time classics for the guitar Mauro Giuliani'sGuitar Concerto No. 1 in A major. This familiar and ever-so-beautiful piece has been a success since its premiere in the early nineteenth century. Listen to stunning virtuoso Christian Reichert perform the concerto with thePlovdiv Philharmonic and then you take his place with that same magnificent orchestra! Includes an authoritative newly engraved solo part printed on high-quality ivory paper containing the solo guitar part; a digital stereocompact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the complete version as wellas a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.