Author of numerous folk music collections for Schott Music, Vicki Swan presents this collection of 54 traditional English folk tunes arranged for 1 or 2 flutes. A CD recording of the tunes is also included as well as downloadable German and French translations of all texts. Suitable for players of grades 3-8. / 1 Ou 2 Flûte(s) Traversière(s)

Dix Piécettes is a collection by Emmanuel De Coriolis for Horn and Piano Accompaniment.

Available parts:Part 1 C' FlutePart 1 C'' OboePart 1 Bb Clarinet Trumpet Soprano Saxophone Flugel Horn CornetPart 2 C' FlutePart 2 Bb Clarinet Trumpet Flugel Horn CornetPart 2 Eb Alto Clarinet Alto Saxophone HornPart 2 F English Horn HornPart 3 C Bassoon Trombone EuphoniumPart 3 Bb ClarinetPart 3 Bb TC Tenor Saxophone Trombone Baritone EuphoniumPart 3 Bb BC Trombone EuphoniumPart 3 Eb Alto Clarinet HornPart 3 F HornPart 4 C' Bassoon Trombone Euphonium Double Bass Electric BassPart 4 C'' BassPart 4 Bb TC Bass Clarinet Trombone Euphonium BassPart 4 Bb BC Trombone Euphonium BassPart 4 Eb TC Baritone Saxophone BassPart 4 Eb BC Bass

This publication contains arrangements of Vom Himmel hoch o Englein kommt one of the oldest German carols and Lobt Gott ihr Christen alle gleich written in 1554. These are great works for your Christmas concert as the variable instrumentation allows for great flexibility inperformance.Available parts:Part 1 Câ?? FlutePart 1 Câ? OboePart 1 Eb Clarinet CornetPart 1 Bb Clarinet Trumpet Soprano Saxophone Flugel Horn CornetPart 2 C FlutePart 2 Bb Clarinet Trumpet Flugel Horn CornetPart 2 F English Horn HornPart 2 Eb Alto Saxophone HornPart 3 C Bassoon Trombone EuphoniumPart 3 F HornPart 3 Eb Alto Clarinet HornPart 3 Bb TC Tenor Saxophone Trombone Baritone EuphoniumPart 3 Bb BC Trombone EuphoniumPart 4 C Bassoon Trombone Bass Double Bass EuphoniumPart 4 Bb TC Bass Clarinet Trombone Euphonium BassPart 4 Bb BC Trombone Euphonium BassPart 4 Eb TC Baritone Saxophone BassPart 4 Eb BC Bass

Ballade for Organ and English Horn-Written in 1949 for English hornist Louis Speyer the beauty of this piece is just as obvious today. With varying tempos and frequent modulations this piece takes on a life of its own. Optional parts for violin viola andclarinet are included adding to the richness of the setting. This is an excellent concert choice.

Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 - Oboe 11 - Oboe 21 - English Horn1 - Eb Clarinet4 - Bb Clarinet 14 - Bb Clarinet 24 - Bb Clarinet 32 - Eb Alto Clarinet2 - Bb Bass Clarinet2 - Bassoon 1 & 22 - Eb Alto Saxophone2 - Bb Tenor Saxophone2 - Eb Baritone Saxophone3 - Bb Trumpet 13 - Bb Trumpet 23 - Bb Trumpet 32 - F Horn 1 & 22 - F Horn 3 & 42 - Trombone 12 - Trombone 22 - Trombone 31 - Baritone T.C.2 - Baritone B.C.5 - Tuba1 - String Bass1 - Timpani4 - Percussion 13 - Percussion 21 - Harp1 -Celesta

Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale

Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band with André Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here the band can really show its capabilities to thefull. Based on a very precise rythm an idiom of sudden desperation and adversity develops which fused with a crushing agression culminates in a kind of eruption soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte when speaking about Honneger 'harmonies d'intensités' harmonies of the unmeasurable.

Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale

Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale

Chamber orchestra 16'. Instrumentation: 3 Oboes (all double English Horn) Bassoon 2 Horns Harpsichord Strings.

Riduzione Per Canto E Pianoforte Di G. Luporini. Par VERDI GIUSEPPE. Te Deum, together with Ave Maria, Stabat Mater and Laudi alla Vergine Maria, is one of the Quattro pezzi sacri composed by Giuseppe Verdi between 1890 and 1898 and first released by Ricordi in 1898. According to the composer, Te Deum is the best piece and undoubtedly one of the most significant. For double SATB choir, with a short soprano solo, and big orchestra composed by 3 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 4 bassoons, 4 horns, 3 trumpets, 4 trombones, percussions (kettledrums and bass drum) and strings. The present edition offers the choral and piano reduction by Gaetano Luporini. / Classique / Répertoire / SATB Double Choeur et Piano Réduction

Fl clar bassoon English hrn French hrn vla cello crotales and celeste-VAAP Edition. Instrumentation: Flute clarinet bassoon English horn French horn viola cello crotales and celeste.

Score and Parts-Trio Sonata is written for: Keyboard Solo (any type) GS82605 · String Trio (Violin/Viola/Cello) GS82374 · Double Reed Trio (Oboe/English Horn/Bassoon) GS82451 · Clarinet Trio (Clarinet/Clarinet/Bass Clarinet)GS82450 · Saxophone Trio (Soprano/Alto/Bari) GS82452. Mr. Harbison suggests performers try mixed configurations (e.g. Violin/English Horn/Bass Clarinet).

John Leavitt has taken a familiar melody and paired it with an earnest and pleading lyric to create this moving anthem. The English Horn part adds to both the listening and singing experience. Available separately: SATB SAB ChoirTrax CD. Octavo includes part for English Horn. Score and parts (eng hn vn 1-2 va vc db) available as a Printed Edition and as a digital download. Duration: ca. 5:20.