A Treasury of European Service Music for Organ is a generous collection of music by many of the fine organist-composers who flourished in the 18th 19th and early 20th centuries.The style is romantic and ideallysuited for Service use: the pieces are just the right length sight-readable and delightful to the ear.Richard Lloyd has edited them expertly for playing on modern instruments.Contents:Adagio by FrançoisVerhelstAdoro te by Pierre-François BoëlyAndante by Arthur de HovreAndantino by Louis AndlauerAntiphon by Georges Debat-PonsanAria by Albert H. OswaldAve Maris Stella by François BenoistBenedicamusDomino by Pierre-François BoëlyCantilène by Paul FauchetCantilène by Arthur de HovreChorale by Louis BottazzoCommunion by Louis BottazzoCommunion by Marc DelmasCommunion by Adolphe d'HulstCommunion byAlfred MarichelleCommunion by Edouard TorresCoro Religioso by Orlando A. MansfieldDeux Canons by Ludvig Mathias LindemanDeux Interludes by Eugène GigoutElégie by Domenico BellandoElégie by RobertoRemondtElégie by August WiltbergerElévation by Domenico BellandoElévation by Adolphe d'HulstElévation by Jean HuréElévation by Otto MallingElévation by Edouard TorresFughetta by Oscar DepuydtFuguein E minor by Guillaume LasceuxFugue in E minor by Jean-Nicolas MarriguesFugue in G minor by Jean-Jacques Beauvarlet-CharpentierImprovisation by Gustaf HäggImprovisation by Joseph NesveraImprovisation by AugustWiltbergerInterlude by Santiago TafallInterlude by Emile WambachInterlude in E by Amédée ReuchselInvocation by Alexandre Winkel Kyrie 'Orbis Factor' by François BenoistLarghetto by J. SurzynskiLe Carillonde Balleroy by A. ManciniMeditation by A. ManciniNoël by Alphonse MaillyNoël Lorrain by Guillaume LasceuxNorwegian Song by Peter LindemanOffertoire by Louis BottazzoOffertoire by Oscar DepuydtOffertoire

Internationally renowned classical guitarist David Leisner plays a live concert program with some pieces that are well-known and others that may be new to guitarists. One of the discoveries is the Sonata in b minor byWenzeslaus Matiegka (1773-1830) an unduly neglected composer that Leisner calls 'the Beethoven of the Guitar'. It’s a great addition to the Guitar repertoire. Another discovery is Leisner’s own Nel Mezzo: Sonata whichSoundboard magazine called 'an original and profoundly personal work...powerful angry and moving music'. Now played quite a bit the music of Johann Kaspar Mertz (1806-1856) was virtually unknown when Leisner recordedand published some of his music almost 30 years ago. Here two of Mertz’s pieces display the passionate Romanticism of this music. The classics include the sublime Prelude Fugue and Allegro by J. S. Bach two delightful Rags byScott Joplin in Leisner’s arrangements and a dazzling encore of Etude No. 12 by Villa-Lobos.Leisner introduces each piece informally and is interviewed during intermission by Andrew Dickenson. Theinterview covers a number of topics in depth including some of Leisner’s secrets about easing physical tensions while playing the Guitar and his thoughts about the music he’s playing and about composition.

- In dieser Ausgabe - In this volume:@@Basics: 15 Etudes by Sor, Giuliani, Coste, Aguado@@Renaissance: 4 Pieces by Milan, Dowland, Johnson, Milano@@Baroque Period: 6 Pieces by Murcia, Sanz, J.S. Bach, Buxtehude@@Classical Period: 5 Pieces by Sor, Murcia@@Romanticism: 8 Pieces by Legnani, Coste, Tarrega, Paganini

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano

In writing Elijah Mendelssohn paid musical tribute to his two musical heroes Bach and Handel to which he added his own lyricism and Orchestral colour blending in Elijah elements of the Baroque and his own early Romanticism. He set the scenes of the prophet Elijah’s life in the most dramatic terms. While the oratorio immediately gained enormous popularity it has not retained the same frequency of performance in modern times though its power and beauty are undiminished.This sheet music includes thorough historical notes.

Easy Piano Pieces with Practising Tips-With the new Urtext Primo series the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a Piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume of the Urtext Primo series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. Thepieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and Piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces. Volume 4 combines works of the German Romanticism by Schumann Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms’ Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces.

This CD edition of Beethoven Gold from the Easy Piano Collection features a fine selection of the most famous masterpieces by Ludwig van Beethoven composed for or arranged for easy Piano. Anessential addition to your Piano library.These books use the same notation as Carol Barratt’s Classic Piano Course and are presented in a brand new easy-to-read style complete with fingerings and detailed composerbiographies.Suitable for pianists between Grade 1-3 standard.Other books in the series include: Bach Mozart Chopin Baroque Classical EarlyRomantic Classic Film

The New International Edition of Suzuki Piano School, Volume 3 includes French, German and Spanish translations, new Romantic and 20th-century pieces, as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed slightly to include a new Romantic piece by Gurlitt and a 20th-century piece by Bartok as well as the Bach Minuet in G Minor (from Notebook for Anna Magdalena Bach), formerly in Volume 2. Other improvements include a cleaner appearance with less editing and spacious new engravings, as well as more detailed titles that include the keys, sources, composer dates, and catalog numbers. Titles: Sonatina in C Major, Op. 36, No. 1 (Allegro, Andante, Vivace) (M. Clementi) * Minuet in G Minor, from J. S. Bach's Notebook for Anna Magdalena Bach (C. Petzold) * Sonatina in C Major, Op. 55, No. 1 (Allegro, Vivace) (F. Kuhlau) * Theme, from Symphony No. 3 (Eroica), Op. 55, 4th Movement (L. van Beethoven, Arr. Unknown) * The Wild Rider, from Album for the Young, Op. 68, No. 8 (R. Schumann) * Little Waltz, from Little Flowers, Op. 205, No. 10 (C. Gurlitt) * Ecossaise, K. WoO 23 (L. van Beethoven) * Sonatina in C Major, Op. 36, No. 3 (Spiritoso) (M. Clementi) * Teasing Song, from For Children, Sz. 42 (Bela Bartok).

Immergez-vous au sein de 75 standards classiques incontournables avec les biographies de chaque compositeur. Toutes les chansons ont été transcrites en Piano, voix et diagrammes d'accords guitare. / Piano/Vocal/Guitare (PVG)

Volume 2 de la Songbook rythme d'accompagnement à la méthode allemande Hal Leonard Guitar. Suite à BOE7628. 20 chansons. CD livré avec pistes d'accompagnement avec bande réelle et notes de réglage. / Guitare

FINER IN MINOR. Par . With beautiful, easy to moderately difficult, familiar and above all not so familiar pieces, our bestseller Finer in Minor has now been a companion for many generations on their way to the wonderful works of major piano literature. In the meantime, the sister edition Greater in Major (EB 8936) expands the sound palette, showing that playing the piano in a major key is, of course, just as beautiful as playing in a minor key! In the course of preparing it, the desire for freshness and renewal of the well-established minor-key edition developed. Editors and publishing house finally gave in and decided on a revised and expanded new edition. The outer appearance has been adapted to its major-key twin, and inside the edition, things look new and different, too. New composers and even more pieces expand the range of minor-key music to include new worlds of sound and feeling. / Date parution : 2022-02-15/ Recueil / Piano