Wide selection of fine pieces, many difficult to find elsewhere. Included are harpsichord toccatas, Capriccio on the Departure of His Most Beloved Brother, Aria Variata 'alla Maniera Italiana' and the 6 Little Preludes, as well as many lesser-known compositions — over 40 in all.Content :Toccata in F-sharp Minor, BWV 910Toccata in C Minor, BWV 911Toccata in D Major, BWV 912Toccata in D Minor, BWV 913Toccata in E Minor, BWV 914Toccata in G Minor, BWV 915Toccata in G Major, BWV 916Prelude and Fugue in A Minor, BWV 895Fugue n A Major, from Prelude and Fugue, BWV 896Fugue in A Minor, BWV 897 (doubtful)Prelude and Fughetta in D Minor, BWV 899 (doubtful)Prelude and Fughetta in E Minor, BWV 900Fantasia and Fugue in D Minor, BWV 905 (doubtful)Fantasia and Fughetta in B-flat Major, BWV 907 (doubtful)Fantasia and Fughetta in D Major, BWV 908 (doubtful)Concerto and Fugue in C Minor, BWV 909 (doubtful)Fantasia in G Minor, BWV 920 (doubtful)Fantasisa in C Minor, BWV Anh. 86 (incomplete)Prelude (Fantasia) in C Minor, BWV 921 (doubtful)Prelude in B Minor, BWV 923 (doubtful)Seven Little Preludes, BWV 924-930 (from the Clarvier-B?ein vor Wilhelm Friedemann Bach)Six Little Preludes, BWV 933-938Five Preludes, BWV 939-943Fugue in A Minor, BWV 944Fugue in A Major, BWV 949 (doubtful)Fugue in B Minor on a Theme by Albinoni, BWV 951Fugue in C Major, BWV 952 (doubtful)Fugue in C Major, BWV 953 (from the Clavier-B?lein vor Wilhelm Friedemann Bach)Fugue in B-flat Major, BWV 954 (arr. from J. A. Reincken's Hortus musicus)Fugue in B-flat Major, BWV 955 (arr.of an organ fugue by J. C. Erselius)Fugue in E Minor, BWV 956 (doubtful)Fugue in G Major, BWV 957 (doubtful)Fugue in A Minor, BWV 958Fugue in A Minor, BWV 959Fughetta in C Minor, BWV 961 (doubtful)Prelude, Fugue and Allegro in E-flat Major, BWV 998 (for lute or keyboard)Suite in A Minor, BWV 818Suite in E-flat Major, BWV 819Ouverture in F Major, BWV 820Suite in B-flat Major, BWV 821Suite in F Minor, BWV 823 (incomplete)Partie in A Major, BWV 832Partita in C Minor, BWV 997 (for lute or keyboard)Partita in E Major, BWV 1006a (for lute or keyboard; arr. Of Violin Partita No. 3, BWV 1006)Sonata in D Major, BWV 963Sonata in D Minor, BWV 964 (arr. Of Violin Sonata No. 2, BWV 1003; doubtful)Sonata in A Minor, BWV 965 (arr. from Reincken's Hortus musicus)Sonata in C Major, BWV 966 (arr. from Violin Reinchken's Hortus musicus)Adagio in G Major, BWV 968 (arr. from Violin Sonata No. 3, BWV 1005; doubtful)Three Minuets, BWV 841-843 (from the Clavier-B?ein vor Wilhelm Friedemann Bach)Aria variata alla maniera italiana [Air varied in the Italian manner], BWV 989 Capriccio sopra la lontananza del suo fratello dilettissimo [Capriccio on the departure of his most beloved brother], BWVCapriccio in E Major, BWV 993

Wide selection of fine pieces many difficult to find elsewhere. Included are harpsichord toccatas Capriccio on the Departure of His Most Beloved Brother Aria Variata 'alla Maniera Italiana' and the 6 Little Preludes as well as many lesser-known compositions ? over 40 in all. Authoritative Breitkopf

August lebe lebe König from Cantata 207a-A Festive Tribute (?Hommage festif?) est le titre de cet arrangement du superbe chœur extrait de la cantate profane BWV 207 écrite par Bach en 1726 mais qui connaîtra un franc succès dans sa deuxième mouture intégrée dans la Cantate BWV 207a Auf schmetternde Töne der muntern Trompeten(?Résonnez éclatantes trompettes !?).Comme à son habitude Bach puise dans des œuvres antérieures. Ainsi à l?exception des récitatifs la Cantate BWV 207a reprend le tissu musical de la Cantate BWV 207 elle-même fortement inspirée des oncertos brandebourgeois La Cantate BWV 207a est une œuvre datée de 1735 et dédiée à Auguste III roi de Pologne et prince électeur de Saxe. Jean-Sébastien Bach a composé plusieurs œuvres pour le nouveau souverain en appui à sa candidature au poste de compositeur de la Cour titre honorifique qu?Auguste III lui accordera finalement en 1736.Si le texte de la cantate est un rien obséquieux la musique est festive et exploite les couleurs luxuriantes de l'orchestration. Bach joue des possibilités du grand orchestre avec trompettes hautbois d?amour et flûtes. Le chœur final August lebe lebe König ! (?Vive Auguste ! Vive le roi !?) nous révèle un Bach hautement cérémoniel.

Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello you think of Bach?s immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details the articulation andphrasing being particularly ambiguous.At Bärenreiter having published the New Bach Edition and presently publishing the New Bach Edition-Revised we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition based on volume 4 of the New Bach Edition Revised (NBArev) now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical

Kantate Zum 12. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : C-Dur - Drinker, Henry (Trad. ) - BWV 137/ Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

[Praeludien und Fughetten aus dem Umfeld des Wohltemperierten Klaviers II] / Classique / Editeur : Alfred Dürr / Partition / Agrafé / Edition Urtext

The Partita was virtually unknown until 1917 when the manuscript (call number: Mus. Ms. Bach P 968) was acquired by the then Royal Library in Berlin from the heirs of the former Thomaskantor and avid Bach collector Wilhelm Rust (1822-1892). For this reason the Partita for Flute BWV 1013 was not included in the pioneering Gesamtausgabe der Bachgesellschaft finished in 1900. In addition it seems possible that Wilhelm Rust intentionally withheld the piece from publication despite the fact that he had generously supported the Bachgesellschaft edition in its early stages. Today the Partita is well known though it is worth remembering that this piece is one of the latestadditions to the canon of Bach's works.- Urtext of the New Bach Edition

Edition no.: BA 5044-01 ISMN: 9790006462575 Volume / Series: Neue Bach-Ausgabe. Serie V, Band 10 Editor: Eichberg, Hartwig / Kohlhase, Thomas Product format: Complete edition, Performance score(s), Anthology, Urtext edition Includes the following individual parts: Piano, Harpsichord, Lute Binding: Linen Pages / Format: 33,0 x 25,5 cm - Klavierwerke: Capriccio B-dur sopra la lontananza del fratello dilettissimo BWV 992 Capriccio E-dur in honorem Johann Christoph Bachii Ohrdrufiensis BWV 993 Aria variata a-moll BWV 989 Sonate D-dur BWV 963 Ouverture F-dur BWV 820 Suite f-moll BWV 823 Suite A-dur BWV 832 Praeludium et Partita deltuono terzo (F-dur) BWV 833 Ouvertüre g-moll BWV 822 - Kompositionen für Laute: Suite g-moll BWV 995 Suite e-moll BWV 996 Suite c-moll BWV 997 Präludium, Fuge und Allegro Es-dur für Laute oder Cembalo BWV 998 Präludium c-moll BWV 999 Fuge g-moll BWV 1000 (Original-Tabulatur und Übertragung) Suite E-dur BWV 1006a

28 Pieces by 22 Composers in Progressive Order. Baroque to Modern presents music from the 1700s through the 1900s, with composer biographies and practice and performance tips. Organized by difficulty level, the music is presented in newly researched editions. Each volume is in progressive order. ANTHEIL: Little Shimmy C.P.E. BACH: Solfeggietto in C minor, H. 220 J. S. BACH: Prelude in D minor, BWV 926 · Prelude in C minor, BWV 999 BARBER: Petite Berceuse · To My Steinway from Three Sketches for Piano BEACH: Gavotte in D minor from Children's Album, Op. 36, No. 2 BEETHOVEN: German Dance in C Major, WoO 8, No. 7 BONIS: Frère Jacques from Scènes enfantines, Op. 92, No. 6 BURGMÜLLER: Restlessness (Inquiétude) from 25 Easy and Progressive Studies, Op. 100, No. 18 CHOPIN: Prelude in A Major, Op. 28, No. 7 CRESTON: Rustic Dance from Five Little Dances, Op. 24, No. 1 HANDEL: Prelude in G Major from Suites de pièces, Volume 2, HWV 442, No. 9 HELLER: Study in A minor (The Avalanche) from 25 Melodious Etudes, Op. 45, No. 2 KABALEVSKY: Lyric Piece from 30 Pieces for Children, Op. 27, No. 16 · The Chase from 30 Pieces for Children, Op. 27, No. 21 · Rondo-Toccata from Four Rondos, Op. 60, No. 4 KHACHATURIAN: Ivan Sings from Adventures of Ivan MACDOWELL: To a Wild Rose from Woodland Sketches, Op. 51, No. 1 MOZART: Funeral March for Signor Maestro Contrapunto, K. 453a · Adagio for Glass Harmonica, K. 356 (617a) MUCZYNSKI: Fable No. 9 from Fables, Op. 21, No. 9 PROKOFIEV: Morning from Music for Children, Op. 65, No. 1 · Promenade from Music for Children, Op. 65, No. 2 RAVEL: Prélude D. SCARLATTI: Sonata in D minor, L. 423 (K. 32, P. 14) SCHUMANN: Of Strange Lands and People (Von fremden Ländern und Menschen) from Scenes from Childhood (Kinderszenen), Op. 15, No. 1 SHOSTAKOVICH: Birthday from Children's Notebook for Piano, Op. 69, No. 7

Bach, Johann Sebastian Now my soul exalts the Lord BWV 10 Cantata for the Feast of Visitation B. V. M. With his cantata ?Meine Seel erhebt den Herren? which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme. With a small scoring of one trumpet (which if need be can be omitted), two oboes, strings and basso continuo along with four soloists and choir, Bach succeeds in writing a festive music of 20-25 minutes. This performing edition is based on the Urtext of the ?New Bach Edition?. - Festive cantata based on the Urtext of the ?New Bach Edition? - With a duration of 20-25 minutes Edition no.: BA 10010-90 ISMN: 9790006561520 Editor: Wolf, Uwe Arranger: Grünert, Matthias Language(s) of work: German, English Language(s) of text: English, German Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: IV, 33 S. - 27,0 x 19,0 cm

Edition no.: BA 10143-90 ISMN: 9790006542413 Editor: Glöckner, Andreas Arranger: Köhs, Andreas Language(s) of work: German, English Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: IV, 23 S. - 27,0 x 19,0 cm Little is known about the genesis of “Lobe den Herrn, meine Seele” BWV 143. A transcription from the 19th century was for a long time considered the only source; the musical text of the “New Bach Edition” was based on this material. Recently however a copy of the score from 1762 has become available. It offers a more reliable musical text, rendering a complete revision of the cantata necessary. On the basis of this new source, the work is presented here as part of the “New Bach Edition – Revised” in what is presumably its original form in C major with three trumpets. This orchestration is more typical of Bach’s writing than the version for three horns in the surviving B-flat major version. - Revised Urtext edition of the Weimar Cantata - Based on the “New Bach Edition – Revised” - Idiomatic piano reduction

Bach, Johann Sebastian Ascension Oratorio BWV 11 Edition no.: BA 10011-90 ISMN: 9790006522514 Language(s) of work: German, English Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: V, 46 S. - 27,0 x 19,0 cm

Easy Piano Pieces with Practising Tips-With the new Urtext Primo series Wiener Urtext Edition intends to bridge the gap between studying a Piano method and taking additional lessons. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume in the series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relativelynarrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons.The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 1 contains both frequently played educational works by Bach and lesser known pieces by Handel and Scarlatti Volume 2 compositions by Haydn and Mozart as well as musically and educationally attractive pieces by Cimarosa. Volume 3 (scheduled for publication in summer 2013) contains pieces by Beethoven Schubert and Hummel Volume 4 (scheduled for publication in early 2014) works by Schumann Brahms and Theodor Kirchner. Further volumes are being planned.