Frans Brüggen, ayant rédigé ces ' 11 mouvements des Partias et des sonates pour violon solo ' pour Alto enregistreur, dit au sujet de son travail, qu'il a créé un ' Télécopieur autographe ' original de J.S.Bach. C'est juste un ' subjectif rendu du texte ' - Brügge n'a pas ajouter ' éditoriale compte ' ou a donné des explications. C'est pourquoi les étudiants de l'enregistreur ont arriver ' avec une meilleure version ' eux-mêmes. Donc il est ' étudie matériel de haute qualité musicale ' pour tous les étudiants enregistreur Alto. / Flûte A Bec Alto

Kantate Zum 11. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 179/ Répertoire / Solistes STB, Choeur SATB, 2 Hautbois/2 Hautbois D

Kantate Zum 11. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 179 / Date parution : 1984-12-01/ Répertoire / Solistes STB, Choeur SATB, 2 Hautbois/2 Hautbois D

Kantate Zum 11. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 179 / Date parution : 1991-09-01/ Répertoire / Solistes STB, Choeur SATB, 2 Hautbois/2 Hautbois D

Aus: Siehe Zu, Daß Deine Gottesfurcht Nicht Heuchelei Sei. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - BWV 179 #1/ Répertoire / Choeur SATB et Basse Continue

Kantate Zum 11. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 179 / Date parution : 1991-09-01/ Répertoire / Solistes STB, Choeur SATB, 2 Hautbois/2 Hautbois D

Kantate Zum 11. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 179 / Date parution : 1984-01-01/ Répertoire / Solistes STB, Choeur SATB, 2 Hautbois/2 Hautbois D

Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale

from Schmelli's Hymnal for Voice and Guitar BWV 439-507. Par BACH JOHANN SEBASTIAN / STEGMANN MATTHIAS (ARR.). From Schmelli'S Hymnal For Voice And Guitar Bwv 439-507 / Date parution : 2019-10-31/ Répertoire / Guitare et Chant

Par BACH JOHANN-SEBASTIAN. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument./ Répertoire / Clarinette Basse Solo

Par BACH JOHANN SEBASTIAN. Cantata For The 7Th Sunday After Trinity/ Répertoire / Solistes SAB, SATB et Piano

Arr. Kurt Meier. Par BACH JOHANN SEBASTIAN. / Répertoire / Hautbois et Basse Continue