Revisiting The Don is a piece of music composed by Michael Nyman for the album 'Mozart 252' a celebration of the 250th anniversary of Mozart's birth. Revisiting The Don is one of the twonewly-composed works on this album and is arranged here as parts for String Quintet. Nyman himself states that 'as the title suggests I revisit the same harmonic material thatmakes 'In Re Don Giovanni' so powerful and come up with more lyrical 'solutions'.' The result is a wonderful piece beginning with a smooth staccato that lays the foundations for wonderful lilting melodies. The piece graduallyprogresses to widen out the warm strings making this piece a real joy to play.

This new scholarly-critical edition of String Quartet Op.127 the first of Beethoven’s late quartets follows upon Urtext publications of Opp.18 59 74 and 95.Once more the editor is the renowned Beethoven authority Jonathan Del Mar. All surviving sources have been consulted including sketches to clarify the conflicting readings in the autograph. Not only has Del Mar reconstructed Beethoven’s original beaming phrasing articulation and length of crescendo hairpins he has also corrected wrong notes that have taken hold in editions published over the years and has supplemented missing notes.Urtext edition at the cutting edge ofscholarship with detailed separate Critical Commentary (Eng)Parts ideally laid out for performance purposesParts (BA9029) & study score format 22.5 x 16.5cm (TP929) available for saleAlready published: String Quartets Op.18 BA 9016 parts TP 916 study scoreString Quartets Op.59 BA 9017 parts TP 917 study scoreString Quartets Opp.74 95 BA 9018 parts TP 918 study score

Appartenant à la catégorie Classique la partition Mouvement ( quintette à cordes) Legrand Michel est éditée par la maison d'édition Robert Martin. Sa référence catalogue est SL10381. / Ensemble Instrumental / Partition

Ce n'est pas seulement en ce qui concerne l'instrumentation que le Sonanzen quintette à cordes (un jeu de 'consonance' les mots et 'dissonance') suit l'exemple célèbre de Schubert, et même Tristan de Wagner est présent sous la forme de citations pour exprimer un classique musique d'amour et d'adieu. La prise de Hölderlin 'Wie der Zwist der Liebenden sind die Welt der Dissonanzen' comme un mot d'ordre, le travail a été composé comme une 'tentative de l'impossible rêve de l'amour - et sa transcendance'. / Quintette A Cordes