Score-For String Orchestra and presented as a study score. Winner of the 2001 Pulitzer Prize in music! This landmark five-movement string symphony was commissioned by the Boston Symphony Orchestra in honor of the 100th anniversary ofsymphony hall in that city and premiered there on November 30 2000 with Seiji Ozawa conducting. The composer's comments about the music appear in an introduction to the score.

(Edition for String Orchestra)-In a new arrangement for mature string groups Gliere's energetic dance movement again shows why it has become an icon of light classical programming for orchestras everywhere. From the ballet The Red Poppy thedeliberate opening in the low strings accelerating to the frenzied Cossack-style dance makes this work a captivating experience for your students.

The Brook Green Suite for strings was written in 1933 during Holst's stay in hospital (where he later died in May 1934). He composed this piece for his pupils - the junior orchestra at St Paul's Girls School - as wanted towrite a piece in a contemporary mature style that was easy enough for his them to perform.Available here is the score and parts with string parts 5.5.3.3.3. and optional flute oboe clarinet in B flat and bassoon parts.

Score-Full score for the Curwen edition of Holst's 'St Paul's Suite' arranged for String Orchestra.

Score-Samuel Barber's best-known work has become an icon of contemporary orchestral literature. Jamin Hoffman's arrangement now makes this landmark work accessible to intermediate-level groups with careful key and range alterations giving your students the opportunity to play one of the most important pieces of our time. This is a must-have for every school's string library!

The contemporary music of Paul Creston continues to be important repertoire particularly his famous concerti for Marimba and Saxophone. Robert Longfield has adapted this delightfully musical suite of dancesoriginally composed for Piano. This edition to the serious String repertoire is certain to be a contest/festival list choice.

Score-Gliere's energetic dance movement again shows why it has become an icon of light classical programming for orchestras everywhere. From the ballet 'The Red Poppy' the deliberate opening in the low strings accelerating tothe frenzied Cossack-style dance makes this work a captivating experience for orchestra and audience alike.

Score-The title Gazebo Dances was suggested by the pavilions (often seen on village greens in towns throughout the countryside) where public band concerts are given on summer evenings. The delights of that sort ofentertainment are portrayed in this set of dances which begins with a Rossini-like Overture is followed by a rather peg-legged Waltz a long-lined Adagio and finishes with a bouncy Tarantella.