SKU: CA.3100313
ISBN 9790007041465. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.
SKU: CA.3100312
ISBN 9790007041458. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
SKU: CA.3100314
ISBN 9790007041472. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
SKU: CA.3100319
ISBN 9790007135911. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and parts available separately - see item CA.3100300.
SKU: CA.3100309
ISBN 9790007041434. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
SKU: CA.3100305
ISBN 9790007041410. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score available separately - see item CA.3100300.
SKU: CA.3113819
ISBN 9790007208219. Language: German/English.
Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score and parts available separately - see item CA.3113800.
SKU: CA.3113809
ISBN 9790007208165. Language: German/English.
SKU: CA.3113812
ISBN 9790007208189. Language: German/English.
Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score and part available separately - see item CA.3113800.
SKU: CA.3113813
ISBN 9790007208196. Language: German/English.
SKU: CA.3113811
ISBN 9790007208172. Language: German/English.
SKU: CA.3113849
ISBN 9790007208226. Language: German/English.
SKU: CA.3113814
ISBN 9790007208202. Language: German/English.
SKU: CA.3113800
ISBN 9790007183332. Language: German/English.
Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display.
SKU: CA.3113807
ISBN 9790007242282. Language: German/English.
Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score available separately - see item CA.3113800.
SKU: CA.3113805
ISBN 9790007183356. Language: German/English.
SKU: CA.3113803
ISBN 9790007183349. Language: German/English.
SKU: TM.10263SC
What Child in G; Three Kings in F. Typeset.
SKU: TM.10263SET
SKU: CA.4066050
ISBN 9790007294533. Key: E flat major. Latin.
Schubertâ??s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?¢,A large-scale work now arranged for smaller choirs â?¢,13 winds of the original version reduced to 7 instrumentsâ?¢,Vocal scores and choral scores of the original version can still be usedâ?¢,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000.
SKU: BA.BA05059-01
ISBN 9790006462919. 33 x 26 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA05019-01
ISBN 9790006461790. 33 x 26.5 cm inches. Language: German.
SKU: BA.BA05004-01
ISBN 9790006461387. 33 x 26.5 cm inches. Language: German.
SKU: BA.BA05036-01
ISBN 9790006462131. 33 x 26.5 cm inches. Language: German.
SKU: BA.BA05007-01
ISBN 9790006461448. 33 x 26.5 cm inches. Language: German. Preface: Dürr, Alfred.
SKU: BA.BA05020-01
ISBN 9790006461813. 33 x 26 cm inches.
