Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an act to the tragedy and to give more weight to the brotherly friendship between Castor and Pollux. The main plot remains very similar to the one of 1737, aside from the fact that the sisters Télaïre and Phébé no longer are in love - the one with Castor the other with Pollux - but rather both with Castor which is the reason why Phébé is jealous of Télaïre. Already at the beginning of the first act Pollux relinquishes his love of Télaïre to the benefit of Castor. Castor, however, is killed by Linceus and finds himself in Hades. Pollux commits to saving his brother, sacrifices his immortality and declares his willingness to take Castor?s place in Hades so that his brother and Télaïre may be reunited. Jupiter, moved by this sacrifice, frees Pollux and bestows the couple immortality by giving them a place in the zodiac. Following the editorial principles of the ?Opera omnia Rameau? (and in contrast to the 1903 edition by August Chapuis issued within the old Rameau series), both versions of ?Castor et Pollux?, the version of 1737 (OOR IV.3) and the present version of 1754 (OOR IV.23), are published in two separate volumes in their entirety. Owing to the discovery of the original performance material, today preserved at the Gesellschaft der Musikfreunde in Vienna, the second version of 1754, which up until today was in the shadow of the 1737 version, can now be presented with its more tightly woven plot in all its vigor and dramatic momentum. This edition is enriched with twelve additions which enable the performance of the 1763-1764 version when the work was restaged. / Date parution : 2023-06-16/ Répertoire / Chant et Piano

The opera ?Na s? was premiered on 22 April 1749 at the Académie royale in the Palais-Royal Paris in celebration of the signing of the so-called Treaty of Aachen. It was revived again in August 1764 shortly before Rameau?s death and achieved great success as the ?opera of peace ? even though it did not appear in print during the composer?s lifetime.In numerous arias Rameau provides his singers ample opportunity to shine while he reveals his orchestral mastery in particular in the chaconne and the various other ballets.The work appears here for the first time in a vocal score with a keyboard reduction. The reduction is by François Saint-Yves on the basis ofthe new critical edition by Pascal Denécheau which is part of Opera Omnia Rameau edited by Sylvie Bouissou.This edition is the result of a meticulous comparison of all known musical sources. In the main section it presents the version that Rameau approved for the performances of 1749. The appendix contains those passages that the composer cut during the rehearsals in 1749 and all changes that he undertook for the 1764 revival. Baroque opera in honour of the conciliation of Europe on the occasion of the Treaty of Aachen First practical performing edition with a keyboard reduction Based on the complete edition Opera Omnia Rameau (OOR)- Full score (BA8857)

La première de Zaïs a eu lieu à l'Académie Royale de Musique en 1748. Il a été relancé en 1761 et 1769, comptabilisent plus de 100 représentations au cours d'une période de plus de deux décennies. Comme allmost avec tous les opéras de Rameau, Zaïs a été soumis à une révision en profondeur du vivant du compositeur et au-delà.Notre nouvelle édition est disposé de telle façon que les artistes peuvent choisir entre la version, consolidée à Pâques 1748, et la version non révisée d'origine. Une série de compléments (pp. 287-355) présente les passages rejetée lors de la révision de Pâques, tandis que le score principal fournit des indications claires quant à l'endroit où un tel passage peut être substitué, le cas échéant. / Chant Et Piano / Partition

Par RAMEAU JEAN-PHILIPPE. Arrangé par Pierné / classique / Répertoire / Chant et Piano

“Les Fêtes de l’Hymen et de l’Amour” was performed on 15 March 1747 on the occasion of the second marriage of the Dauphin Louis Ferdinand de Bourbon and Maria Josepha of Saxony in the Manège de la Grande Écurie in Versailles. This second collaboration between Rameau and Cahusac makes use of the “ballet héroïque” genre, usually known today as “opéra-ballet” based on various story lines which run independently of each other. The score is based on a libretto inspired by Egyptian mythology and freemasonry. • Milestone of French Baroque opera in performance practice orientated vocal score • With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition Edition no.: BA 8858-90 ISMN: 9790006544264 Editor: Soury, Thomas Arranger: Saint-Yves, François Language(s) of work: French Language(s) of text: English, French Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: XIV, 249 S. - 27,0 x 19,0 cm

Cette partition HIPPOLYTE ET ARICIE - CLAVIER CHANT de Rameau Jean-Philippe a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB6185. Cette oeuvre d'une durée de 03:00:00 est idéale pour les amoureux de la musique. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Divers / Partition