SKU: BA.BA09139
ISBN 9790006566686. 30 x 23 cm inches. Language: German. Preface: Christine Martin.
Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. “A Taste of Schubert†presents one to three pieces from each volume to create a cross-section of Schubert’s complete lieder uvre. Lieder from his famous cycles are included as well as “Sehnsuchtâ€, of which he wrote several settings.Contrasting genres have also been taken into consideration, beginning with simple strophic songs, via the ballad “Der König von Thule†through to his long Ossian Lied “Cronnanâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.51481639
UPC: 196288215851. 8.25x11.75x0.074 inches.
Gounod had no qualms about arranging well-known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C-major Prelude BWV 846 from Bach's Well-Tempered Clavier. He first published instrumental versions of it under the title âMéditationâ, then tried fitting various texts to the melody until in 1859 he arrived at the definitive vocal version using the text of the Ave Maria. Already by the 1890s it was claimed that â[we] have heard this sweet melody innumerable times from the best lady singersâ, and its popularity has continued to the present day. Reason enough, then, for Henle Verlag to publish an Urtext edition of this worldwide hit, based on the sources and with appropriate critical commentary. In 1859, at the same time as the original edition for high voice, editions for middle and low voice, presumably commissioned by the publishers, were also issued. Following this model, the Henle Urtext edition of âAve Mariaâ is also offered in two transpositions for the lower register.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: BA.BA09129
ISBN 9790006530694. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier.
Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten†and “An mein Klavierâ€), the author of the words to one of his most famous songs “Die Forelleâ€/ “The Trout†(see Volume 2).
SKU: SU.26180020
These sixteen songs are a selection of those I've composed over the course of several decades. The texts are primarily by Americans, including William Carlos Williams, James Wright, and Elizabeth Bishop, though three are by British poets. The subject of most of the songs is the natural world and, often, humans' interaction with it. There are also several that merely celebrate love. —William McClellandMedium Voice & Piano Composed: 2005-2014 Published by: WMC Music (BMI).
SKU: HL.49019234
ISBN 9790001187220. UPC: 884088907563. 9.0x12.0x0.07 inches. German.
Again and again, there happen to be possibilities to bring early and previously unpublished music by B. A. Zimmermann to light - as is the case with this 'Song of Abelone' on a poem by Rainer Maria Rilke which Zimmermann set to music in 1939. The recording of all songs of the composer is now followed by a printed edition - an interesting insight into the early 'composition workshop' of Zimmermann.
