op. 7 Hol. 81B / Six Melodies-Original version. BA 5784-90: Vocal score (original keys with alternatives of 2) and 3) in higher keys). 1: Villanelle A major (mezzo-soprano or tenor voice). 2: Le spectre de la rose B major (contralto voice; alternative provided in D major for high voice). 3: Sur les lagunes F minor (baritone or contralto or soprano voice; alternative provided in G minor for high voice). 4: Absence F sharp minor (mezzo-soprano or tenor voice). 5: Au cimetière D major (tenor voice). 6: L’îsle inconnue D major (tenor voice). Full scores and parts available for hire contain both versions of2) and 3) enabling the complete song cycle to be performed in concert by a single vocalist.

35 Selected Songs for high voice and piano-A selection of 35 Mélodies Choisies by Francis Poulenc for High Voice and Piano.Includes a detailed preface and notes on the sources. Different song list for each volume.HIGH VOICE (35 Songs): Contents: Toréador (Cocteau) ? Cocardes (3 popular songs) ? Airs chantés (3 songs) (Moréas) ? Trois Poèmes (Lalanne) ? Cinq Poèmes (Jacob) ? Ce doux petit visage (Eluard) ? Fiançailles pour rire (Six mélodies) (de Vilmorin) ? Les Chemins de l´amour (Valse chantée) (Anouilh) ? Colloque (Valéry) ? Fêtes galantes (Aragon) ? Parisiana (2 songs) (Jacob) ? La Courte Paille (7 songs) (Carême) ? La Dame de Monte-Carlo (Monologue) (Cocteau).

Für hohe Stimme und Klavier / for high Voice and Piano-For high voice and piano. The collection Jean Sibelius 15 Selected Songs can be understood as an introduction to the Finnish composer's extensive and highly varied lieder output. Selected from various collections the songs represent a stylistically broad spectrum. The compilation comprises only lieder that were originally written in Swedish and provides singable German and English translations that date from the time of the first publications. The two Shakespeare Lieder op. 60 at the end of the volume were based on Swedish texts and written for a staging of the comedy Twelfth Night in Helsinki in 1909.

Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart.Preface:The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.

Instrumentation: High voice—Pf Format: Sheet Music Details: (Ger.) Contents: Weihnachtslied; Passionslied; Der neunzehnte Psalm; Der fünfundzwandzigste Psalm; Der achtunddreißigste Psalm; Der einundneunzigstePsalm; Der hundertunddreißigste Psalm; Passionslied; Der achtundachtzigste Psalm; Morgengesang; Der hundertachtundvierzigste Psalm; An Gott; Wider den Übermut; Demut; Bußlied; Am Kommunionstage; Versicherung der Gnade Gottes; Der Tag des Weltgerichts; Abendlied; Trost der Erlösung; Bitten; Prüfung am Abend; Die Güte Gottes; Neujahrslied; Über die Finsternis kurz vor dem Tode Jesu; Jesus in Gethsemane; Der Frühling;

Liederspaß Mit Beliebten Tv-Melodien-8 Songs aus beliebten TV-Serien für Kinder arrangiert für Kinderchor. Mit leichter Klavierbegleitung inklusive Akkordsymbole für Gitarre und Perkussionsstimmen teilweise mit B-Stimme.