A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth?s themes for any instrument but the piano is to separatethe melodic line from its accompaniment: both are so closely together (that is one of the strongest characteristics of his pianistic style of composition) that it becomes almost impossible to treat one of the features disregardingthe other. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from thetransposition of a piece originally written for the piano a very rich instrument regarding the expressive recourses to the more 'modest' guitar we always kept in mind our principal intention: to preserve at the most all themelodic dialogues of the scores in special the ones between the melody and the bass line both the elements that form the soul of Nazareth?s compositions. We obviously had to do some changes. Thus for instance in somearrangements it was necessary to transpose the original key to a more appropriate one (at the guitar view-point of course). Some phrases or fragments had also to be written an octave higher or lower (that can be perfectlyunderstandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it). Needless to say that all those recourses were used only when it has been strictly necessary. Despite thefact that those 28 pieces are only a little portion of Nazareth?s work this group of arrangements represents a good and representative panel. Among them there are some of Nazareth?s greatest hits ('Apanhei-te Cavaquinho' 'Odeon' 'Brejeiro' 'Ameno Resedá' etc.) as well as other not so known compositions but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible

With Online Audio-As one can easily imagine it would be very hard for a Guitar student to start reading the scores of the traditional choro repertoire most of them with large number of technical difficulties. It would be much better if theycould start with some easier pieces - of intermediate level - in order to be presented to the choro language in a more gradual and appropriate manner.That is the main goal of this book. It has 13 studies (in the 13 morecommonly used keys for the choro Guitar) written in a reduced form and in the principal stylistic choro variants: besides real choros there are polkas maxixes Brazilian tangos and xotis. The more used and characteristicrhythmical figurations are present in each of the studies as the principal. Also aiming at the simplification of execution all studies were composed with only two voices (melody and bass) and with no chords (although harmoniesare quite evident due to the choro melodic particularities). An audio download available online contains all 13 studies.

Anthology Of Guitar Trios-Laurindo Almeida (1917-1995) belongs to an elite group of Brazilian/American guitarists who by composing important works for the guitar reinstated the instrument in his native country as worthy of serious musical study. Thiscollection presents Almeida’s trios preserving the original left and right hand fingerings. Written in standard notation only.

A series of three volumes containing the very best of Spanish guitar music. Traditional Spanish and Hispanic music by composers such as Rodrigo Calatayud Llobet Cardoso Sainz De La Maza and other masters.

Par BARREIRO ELIAS. An outstanding collection of 33 classic guitar solos transcribed from piano works by Manuel Saumell, Ignacio Cervantes, and many others. Cuban song and dance rhythms have had a global impact. These arrangements capture the rhythms, styles, and moods of the Cuban contradanza, danza, vals, canción and criolla of the 19th to early 20th centuries. The available online audio features Segovia student and Tulane University professor Elias Barreiro performing his arrangements of the multi-faceted music of Cuba. Written in notation and tablature. Includes access to online audio. / Niveau : Intermédiaire / Recueil / Guitare Flamenco

Big Band Play-Along Volume 6-These revolutionary play-along packs let you sit in with a professional big band without the pressure of playing solo. They're perfect for current players who want to practice their chops and for those former players who want to get back in the swing!Each volume includes: easy-to-read authentic big band arrangements; professional recordings of all the big band instruments including the lead part.Accessible authentic and easy-to-read big band arrangements for 10 hot Latin grooves: Água De Beber (Water to Drink); At the Mambo Inn; Bésame Mucho (Kiss Me Much); The Look of Love; Mambo No. 5 (A Little Bit Of...); Mas Que Nada; One Note Samba (Samba De Uma Nota So);Quiet Nights of Quiet Stars (Corcovado); Ran Kan Kan; St. ThomasFeatures a professionally recorded play-along CD.

Let The Popo Mighty vous présenter certains des principaux éléments de jeu de guitare africaine et de l'histoire dans cette faciles à comprendre la leçon pour le guitariste intermédiaire. Dans cette leçon, vous présente les Popo: - la Rumba Feel - Zydeco rythmes à guitare africaine, - lignes de basse pour guitare - histoire de la guitare africaine - Stop Double Runs sur la guitare - Feel The Soukous - Chord Inversions - African Blues sent - mixage majeures et mineures LicksM - Techniques de la main droite - Tuning Your D à E - et plus encore ! / Guitare (Fingerpick) / 76 pages / niveau : Intermédiaire / Dvd - Format: 7,5 X 5,25

Par TISSERAND THIERRY. / Niveau : Intermédiaire / classique / Répertoire / Guitare

Par PUJOL MAXIMO DIEGO. / Niveau : Intermédiaire / classique / Répertoire / Guitare

Contenu : Fiesta (Colombie) - Caracascada (Venezuela) - Llanto (Chili) - Chôro alegre (Brésil) Compositeur/Auteur : VERITE Alain Discipline/Instrument : guitare Support : Partition Style/Genre : classique Date de parution : oct.-02 Niveau de difficulté : 3 Nombre de pages : 8