SKU: HL.48185301

UPC: 888680858612. 9x12 inches.

“If I were... by Serge Lancen is a set of easy works for Flute and Piano. Each piece was written as if the author were impersonating a famous composer and this book includes those inspired by Schubert, Chopin and Grieg. Written for upper beginners / intermediate level players, these works can all be interpreted separately. - N. 10 ”“If I were Schubert”“ has a slow tempo, starts Allegro Moderato and lasts 1''10 - N.11 ”“If I were Chopin”“ is slower than the first piece, in Moderato and uses Chopin''s musical style,. Ithas an introduction and twodistinctive parts - N.12 ”“If I were Grieg”“ is starts with the piano at a tempo 84. The introduction is followed by a main theme which is repeated before an harmonious close If I were... can also be found with pieces inspired by Offenbach, Beethoven or Albeniz among others. Serge Lancen is a French musician and composer. He wrote numerous pieces including chamber music, orchestral works, for solo instruments and for voice. He won many radio prizes and received a Prix de Rome.&rdquo.

SKU: BT.DHP-1196116-404

ISBN 9789043157261. Italian.

Ascolta, leggi & suona rappresenta oggi il testo di riferimento dedicato all’insegnamento della musica per ottoni e legni. Questo fantastico metodo, costituito da libro e CD, include canzoni, indovinelli musicali e giochiche permetteranno all'allievo principiante di progredire nella conoscenza della musica, fornendogli al contempo utilissime informazioni sul suo strumento e numerosi brani da suonare divertendosi. I tre volumi che compongonol’opera sono i primi della collana e sono affiancati da testi contenenti materiale supplementare per i differenti livelli del corso.

Incontra i classici offre utile materiale complementare a tutti e tre i volumi dellaserie Ascolta, leggi & suona e include melodie proposte secondo un ordine di difficolt crescente. In un fantastico viaggio nella storia della musica, l’allievo incontrer i più importanti compositori classici, da TielmanSusato ad Anton n Dvo ák. Ogni volume include per ogni brano cenni storici e l’accompagnamento pianistico, arrangiato sapientemente a un moderato livello di difficolt : tale accompagnamento è anche disponibile online e può essereutilizzato per il download o in streaming.

SKU: HL.49046132

ISBN 9783795716639. UPC: 888680955762. 9x12 inches. German - English - French.

Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client -with regard to the playing technique and/or music - the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor - a serenade-like setting that offers the soloist many possibilities for cantabile playing.

SKU: PR.114418900

ISBN 9781491129517. UPC: 680160668632.

A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.
When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling” leads directly to the rapid Mvt. 2 “Sparkling, glistening,” followed by another slow-fast pair: Mvt. 3 “Under Winter” which leads directly into Mvt. 4 “Spring Spirits.” In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.

SKU: PR.114422710

ISBN 9781491136072. UPC: 680160688227.

DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent” is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

SKU: HL.48183000

UPC: 888680877217. 9.0x12.0x0.032 inches.

“Initially composed in 1907 for Bass Voice and Piano, Habanera by Maurice Ravel was transcribed for Flute and Piano for this edition. Based on a Cuban Contradanza, it features a special habanera rhythm and is generally performed with sung lyrics. In this edition, the Flute is a substitute for the voice. While composing this piece, Maurice Ravel</I> was also working on two works also with Spanish influence: 'The Spanish Rhapsody' and 'The Spanish Hour'. This edition, which can be used for recitals and exams, will enlighten Flute players. Maurice Ravel (1875-1937) is a French composer famous for his Impressionist contributions. He wrote numerous pieces, including 'Daphnis and Chloé' and the famous 'Bollero'.”.

SKU: YM.GTW01091432

ISBN 9784636914320.

25 songs arranged for solo flute and piano. Flute part with a book for piano accompaniment and Karaoke CD.
25Shou Chang Di Du Zou Qu ,Gang Qin Ban Zou . Han Chang Di Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD.

1. Soshunfu(Ode to Early Spring); 2. Haru no Umi(Sea in Spring); 3. Oborozukiyo(A Night with a Hazy Moon); 4. Sakura Sakura; 5. Hana; 6. Kono Michi; 7. Natsu no Omoide(A Memory from Summer); 8. Hamabe no Uta(A Song at the Seaside); 9. Aka Tombo(Red Dragonfly); 10. Momiji; 11. Nanatsu no Ko; 12. Furusato(My Old Town); 13. Kojo no Tsuki(Moon over the Ruined Castle); 14. Chiisai Aki Mitsuketa(I've Found a Little Autumn); 15. Yuyake Koyake; 16. Kita no Kunikara(From Northern Country); 17. Nada SouSou(Down Come My Tears); 18. Jidai; 19. Kawa no nagare no Yo ni(As a River's Running); 21. Haru yo Koi(Come spring!); 22. Hana wa Saku(Flowers Will Bloom); 23. Sen no Kaze ni natte(A Thousand Winds); 24. Satoukibi Batake(In a Large Field of Sugarcane); 25. Miagete goran Yoru no Hoshi wo(Look up at the Night sky)
1. Zao Chun Fu ; 2. Chun Zhi Hai ; 3. Meng Long Yue Ye ; 4. Ying Hua ; 5. Hua ; 6. Zhe Tiao Lu ; 7. Xia Ri Hui Yi ; 8. Hai Bin Zhi Ge ; 9. Hong Qing Ting ; 10. Hong Xie ; 11. Qi Ge Hai Zi ; 12. Gu Xiang ; 13. Huang Cheng Zhi Yue ; 14. Zhao Dao Liao Xiao Xiao De Qiu Tian ; 15. Wan Xia Jian Dan ; 16. Bei Guo Zhi Lian ; 17. Lei Guang Shan Shan ; 18. Shi Dai ; 19. Chuan Liu Bu Xi ; 21. Hua Zheng Zai Kai ; 22. Feng Di ; 23. Hua Wei Qian Feng ; 24. Gan Zhe Tian ; 25. Yang Wang Xing Kong.