The Beatles-A delightful choral arrangement of the 1967 No.1 hit by The Beatles arranged for 2-Part choir and Piano accompaniment. This deceptively simple song from the Magical Mystery Tour album has become one of the most significant and celebrated pop songs of all time and is guaranteed to be a sing-along favourite at any choral performance. Also suitable for younger voices and school choir performances. An arrangement for SAB chorus is available - catalogue number HL089200936 An arrangement for SATB chorus is available - catalogue number HL089200935

Discovery Level 3-Introduce your young choir to the famous jazz classic Lullaby Of Birdland! Set in an easy swing with great part-writing and craftsmanship! Arranged by Roger Emerson for 2-Part choir with Piano accompaniment.

One of the most memorable songs from Lionel Bart's Oliver arranged for 2-Part (SA or TB) choir with Piano accompaniment by Norman Leyden.

From the opening piano chords through the layered rhythms and synth lines this #1 hit from Justin Bieber is both complex and laid back at the same time. An attractive feature for pop show and jazz groups.

Les Fables de La Fontaine ont depuis longtemps attire? les compositeurs, Rythme?es et hautes en couleurs, beaucoup de ces petites sce?nes appellent irre?sistiblement la mise en voix comme autant de petites sce?nes the?a?trales, C'est du moins dans cet esprit que j'ai traite? Le Rat de ville et le Rat des champs, selon une ve?ritable mise en sce?ne miniature, Le piano joue alors un ro?le majeur, commentant l'action et comple?tant le discours musical autant qu'il ' accompagne ' les voix,Divers e?pisodes narratifs alternent qui collent au plus pre?t a? la narration (sans refuser parfois un certain figuralisme re?cre?atif), Cette structure en e?pisodes nettement diffe?rencie?s, mais condense?s en une dure?e assez bre?ve (4 mn environ), explique le sous-titre de ' micro-cantate ', Le premier motif chante? par le choeur revient, apre?s les pe?ripe?ties centrales, vers la fin de l'oeuvre, qui se termine enfin par un fugato entre les deux voix en canon strict,D'une e?criture largement tonale et fonde?e sur des carrures claires pour en faciliter l'apprentissage, l'oeuvre a e?te? pense?e a? deux voix, Celles-ci sont la plupart du temps impe?ratives (notamment pour le final) mais il est possible, le cas e?che?ant, de re?duire plusieurs se?quences a? une seule voix : les parties vocales qui pourraient e?tre alors supprime?es sont signale?es entre crochets, De me?me, certains passages peuvent e?tre confie?s a? des voix solistes, soit pour varier les textures, soit pour alle?ger l'apprentissage pour l'ensemble des enfants, Enfin, les petites notes de la partie de piano (mes, 49-50) ne doivent e?tre joue?es que s'il s'ave?re indispensable de soutenir les voix en cas de difficulte? d'intonation - dans l'ide?al, on ne les jouera pas, / Choeur D'Enfants Et Piano

This arrangement of the traditional carol The Twelve Days of Christmas is a warm and engaging rendering of the song with some embellishing syllables and well-judged Piano accompaniment arranged for two Voices SA by composer Eric H Thiman.Baritone composer and teacher Frederic Austin was best known for his restoration of The Beggar’s Opera as well as its sequel Polly and the thousands of performances of the work in London and abroad.

Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an excitingvariety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College Cambridge and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad with recent engagements in Palestine Australia Nigeria Denmark Aldeburgh and Glyndebourne. As a composer recent performances have been given by among others Aurora Orchestra Australian Chamber Orchestra comedian Barry Humphries BBC Concert Orchestra Choir of London City of London Sinfonia National Youth Choir of Great Britain O Duo and the Solstice Quartet.

Choral Suite-The music from Leonard Bernstein's landmark Broadway musical West Side Story has become an important part of our musical heritage. This 2-Part choral suite in four sections offers vivid and emotional contrasts along with some of the most beautiful and beloved melodies the Broadway stage has ever produced. Arranged by Mac Huff for 2-Part choir with Piano accompaniment songs include: Something's Coming; Tonight; Maria; One Hand One Heart; I Feel Pretty; Cool; America; Somewhere.Duration ca. 18:00.

Razzle Dazzle three hits from Chicago brings together three of the most popular songs from the hit musical Chicago - Razzle Dazzle We Both Reached For The Gun and All I Care About. Each song is arranged for soprano alto and combined men's voices with a straightforward piano accompaniment.The arrangement is part of the Choral Basics series ideal for beginner choirs and for choirs in which the male singers are few or at the stage when their voices are changing.

The title works as long as you pronounce it the American way! This choral medley for 2-Part Choir and Piano is based on Baroque classics. Features an amusing text from Audrey Snyder and Edmond Louis Budry.

A special arrangement for 2-part choir by Joyce Eilers of this playful song from Disney's The Little Mermaid with full Piano accompaniment. An ideal addition to any choral repertoire and especially suited to youngersingers or school productions.

If you are looking for straightforward and rewarding repertoire for your beginner choir then you need look no further than Choral Basics the perfect series for singers of all ages. The Simple 3-part choral arrangements for soprano alto and a combined part for men's voices make the series perfect for choirs with a dearth of males or whose male singers have unstable or changing voices. The rich array of repertoire is bound to be a hit with younger singers and the technical abilities of choirs at this level have been taken into consideration. Straightforward and idiomatic piano accompaniments have been included and are designed to support thevocal lines without putting pressure on staff with less developed keyboard skills. Dig out your platform shoes dust down your flares and hit the concert platform with this collection of timeless chart-toppers from ABBA. Includes: Thank You for the Music * Fernando * Waterloo.