Partition parue en mars 2012, cet ouvrage référencé sous le code GB8629 intitulé Samuel Tupin : Version latine et écrit par Tupin Samuel est destiné à un public pratiquant Musique de Chambre. / Musique De Chambre / 20 pages / Partition

Music for SATB chorus occupies an important place in Rhian Samuel's catalogue of works from the early carols written in the USA 'Jolly Wat the Shepherd' of 1970 and 'So Long Ago' (1st Prize Greenwich Festival 1979) to her most recent anthems for the Choir of New College Oxford. In her songs vocal chamber music and choral compositions she has explored an impressive range of poetry from anonymous 14th-century Welsh texts and traditional Japanese verse to Emily Dickinson Samuel Beckett and contemporary poets including Anne Stevenson. Samuel's three 'Jacobean Lyrics' of 1979 included a simple canonic account of George Herbert's 'I got me flowers'. Thisnew a cappella setting returns to the poet's sublime devotional verse reflecting the dialogue structure of 'Love Bade Me Welcome' through expressive contrasts of material and vocal ensemble.

Ave Regina Coelorum has been beautifully composed by Welsh composer Rhian Samuel for SSAA soloists and SATB divided chorus. Rhian Samuel has composed over 80 published works and her music has been performed in many different countries.

Commissioned by the Indiana Bandmasters Association for the 2008 All-State High School Honor Band this stunning work from the pen of Samuel Hazo is a tour de force of Middle Eastern sounds for the contemporary wind band. Fromdelicate and sensual soloistic writing to full-blown ensemble passages with rapid fire tutti rhythms and frenzied percussion here is a rewarding piece with drama and depth that will be the high point of any concert or festivalprogram. Period! Dur: 6:00 (Grade 5)Audio recorded live by the 2008 North Carolina 11-12 All-State Honor Band ? Samuel R. Hazo conductor

Par SIGHICELLI SAMUEL. J'ai écrit cette pièce pour le quatuor Arditti. J'avais en tête un son plutôt 'brut' du quatuor à cordes, à la fois percussif et soufflant. Plus proche du bois que de l'eau. Je voulais une musique presque comme une parole énoncée, faite de phrases 'logiques', comme dans une tradition où il serait incongru d'énoncer telle ou telle chose avant une autre. Après coup j'ai pris conscience qu'à mon insu j'avais fait appel à un principe typiquement beethovénien dans la structure de la pièce: une exposition où sont posés des éléments apparemment hétérogènes, puis l'un d'eux, pas forcément le plus attendu, devient le point de départ d'un 'développement' (plutôt une démultiplication), puis on revient à la source et l'attention se porte sur un nouvel élément qui, suite au développement précédent, a gagné en intérêt... C'est aussi un jeu sur la mémoire, les petites choses qui, l'air de rien, restent dans un coin de notre tête. Un lent balancement perpétuel traverse toute la pièce - sans doute les berceuses que je chante à ma fille y sont pour quelque chose - et le reste fait son chemin entre figures évanescentes, gestes brutaux et joie des quintes superposées. Jusqu'à ce désir d'entendre une réelle prise de parole: un musicien pose son instrument et lit dans sa langue un passage de la Bible. Pas un psaume, pas une prière, pas une parabole, mais quelques-unes de ces phrases posées comme des blocs de pierre, au début de l'Ecclésiaste. Samuel Sighicelli / contemporain / Répertoire / Quatuor à Cordes

Score-Samuel Barber's landmark 1948 piece for soprano and orchestra a setting of poetic nostalgic prose by James Agee has been transcribed for soprano and concert band in this new edition making it accessible to many more performers. This lyrical warm music is Samuel Barber at his best evoking the highest aspects of Americana. The soprano part is for an accomplished performer. (Grade 5) (15:00)

Par COLERIDGE-TAYLOR SAMUEL. Samuel Coleridge-Taylor\'s Christmas Overture appeared posthumously in 1925. Originally orchestrated by Sydney Baynes, it features God Rest Ye Merry Gentlemen and Hark the Herald Angels Sing. It is thought by some to have been put together from incidental music he wrote for a children\'s play called The Forest of Wild Thyme. This band arrangement, based on Baynes\' orchestra score, omits the largely developmental middle section of the original, shortening the performance time by two minutes, while retaining all of the traditional carol material. / Date parution : 2022-09-20/ Répertoire / Concert Band

Commissioned by the Indiana Bandmasters Association for the 2008 All-State High School Honor Band this stunning work from the pen of Samuel Hazo is a tour de force of Middle Eastern sounds for the contemporary wind band. Fromdelicate and sensual soloistic writing to full-blown ensemble passages with rapid fire tutti rhythms and frenzied percussion here is a rewarding piece with drama and depth that will be the high point of any concert or festivalprogram. Period! Dur: 6:00 (Grade 5)Audio recorded live by the 2008 North Carolina 11-12 All-State Honor Band – Samuel R. Hazo conductor

Arrangeur: Olivier Lachurie. Par SCHEIDT SAMUEL. Formation : Musique de Chambre, Quatuor - Instrumentation : 3 Trombones ou 3 Sacqueboutes 1 Trombone Basse ou 1 Sacqueboute Basse - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 3 mn 10 s - Style Musical : Classique, Baroque - Catégorie : Arrangement - Compositeur : Samuel SCHEIDT - Arrangeur : Olivier LACHURIE / Niveau : Intermédiaire à Avancé / Répertoire / 4 Trombones

Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and organ are so contrasting. Typically, pieces in this genre that exist in versions for piano and organ have little that separate them in terms of musical content. However, Coleridge-Taylor not only approaches each keyboard instrument quite differently but conceived the violin part with notable melodic differences. This can be considered exceptional as they were both issued by the same publisher within a close timeframe. Coleridge-Taylor would have been very familiar with the organ from his early church experience as a boy in addition to studies at the Royal College of Music with Walter Alcock. His writing is consistently idiomatic for the instrument. The few registrational directions in the first edition, assuming they are by Coleridge-Taylor, demonstrate an understanding of the need to balance the organ part with the violin part so that the organ is not too loud. Rather than numbering the manuals I and II, with II being the quieter manual, the score indicates Swell and Choir but there is no requirement for the Great to be used. There are also extended sections where no manual indication is given at all. Whether the registration markings were made by Coleridge-Taylor or an editor at Schott is unclear but the indication for a Choir manual suggests not so much the need for an organ of three manuals but an instrument with a range of foundational colours for writing that is often accompanimental in nature. / Date parution : 2023-06-01/ Répertoire / Violon et Orgue

Praise the Lord O My Soul is a long anthem for Chorus SATB with solo lines.Composer and Organist Samuel Sebastian Wesley is the grandson of Charles Wesley founder of Methodism and son of composer Samuel Wesley. He composed music almost entirely for the Anglican church and his works are frequently performed there.

Arrangeur: Samuel Applebaum. Par APPLEBAUM SAMUEL. Classique / Rép Classique / Date parution : 1905-06-17/ Recueil / Violoncelle

This poignant and moving work musically tells the tale of a chorus of angels (chorus angelorum) as they accompany two souls to the next world. Composed as a memorial piece the music evolves from the initial ?angels'song ? their journey to heaven and their return to comfort those who mourn. The voice parts (performed on a synthesizer or by real voices) add an ethereal quality to this wonderful work. Dur: 6:25 (Grade3-1/2)Audio recorded by the Indiana University of Pennsylvania Wind Ensemble ? Jack Stamp conductorSamuel R. Hazo guest conductor