SKU: DS.129304
Key: Bb.
This saxophone trio with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the Power in the Blood of Christ. The middle section changes meter while maintaining the character of the opening.
SKU: BT.AMP-125-020
9x12 inches. English-German-French-Dutch.
In The Pioneers Philip Sparke salutes the bicentenary of an expedition by two all time American heroes - Meriwether Lewis and William Clark. They were commissioned by US President Thomas Jefferson to find the headwaters of the Missouri and a route to the Pacific following the Louisiana Purchase, which doubled the size of the USA. They set out as the ‘Corps of Discovery’ from Louisville, Kentucky, in May 1804 and not only did they succeed in reaching the Pacific through hostile territory, but also found their way back - in 3 years! The piece is not descriptive of the journey but gives the composer the opportunity to celebrate the 200th anniversary of this amazing feat. Add a touchof the wild-west to any concert with this exciting work. De titel van dit werk verwijst naar het begin van het avontuur van de ‘National Children’s Brass Band of Great Britain’, maar The Pioneers is ook een eerbewijs aan twee helden van de componist: Meriwether Lewis en William Clark,die twee eeuwen geleden op expeditie gingen in opdracht van de Amerikaanse president Thomas Jefferson. Ze vertrokken vanuit Louisville, Kentucky in mei 1804. Ze slaagden er niet alleen in om de Grote Oceaan te bereiken doorvijandig gebied, maar ze vonden ook hun weg terug - in drie jaar! Het werk beschrijft deze reis niet, maar geeft de componist de mogelijkheid om deze geweldige prestatie te memoreren.Der Titel ist ein Salut an die Zweihundertjahrfeier einer Expedition von zwei Heldenfiguren des Komponisten - Meriwether Lewis und William Clark. Ihre Expeditionstruppe, bekannt als das ‘Corps of Discovery’, erforschte das Quellgebiet des Missouri und fand eine Route zum Pazifik durch feindliches Gebiet. Der Komponist ergriff die Gelegenheit, den 200. Jahrestag dieser Meisterleistung zu feiern, mit diesem Werk, das sich auch wunderbar zur Umrahmung Ihres nächsten festlichen Anlasses eignet.Le 30 avril 1803, le Traité de cession de la Louisiane entre la France et les États-Unis était signé. L’acquisition de ces terres permet aux États-Unis de doubler la superficie de leur territoire de l’époque. Meriwether Lewis et William Clark sont alors mandatés par le président Thomas Jefferson, pour cartographier les sources du Missouri et tracer une voie vers le Pacifique. Parti de Louisville dans le Kentucky, en mai 1804, le corps expéditionnaire (‘Corps of Discovery’) traverse d’interminables territoires hostiles, réussit atteindre le Pacifique et rentre au terme d’un périple de deux ans ! Cette composition ne fait pas le récit du voyage, mais permet au compositeur decommémorer les deux cents ans de cette fabuleuse expédition. Il 30 aprile 1803 fu firmato il trattato di cessione della Louisiana tra la Francia e gli Stati Uniti. L’acquisizione di queste terre permise agli Stati Uniti di raddoppiare la superficie del proprio territorio. L’allora presidente Thomas Jefferson incaricò Meriwether Lewis e William Clark di cartografare le sorgenti del fiume Missouri e tracciare la strada verso il Pacifico. Partita da Louisville (Kentucky), nel maggio del 1804, la spedizione attraversò interminabili territori ostili, riuscendo a raggiungere il Pacifico per poi tornare alla base di partenza al termine di un periplo durato due anni. Questo brano non è un racconto del viaggio, ma permette al compositoredi commemorare i duecento anni di questa favolosa spedizione.
SKU: BT.AMP-125-120
SKU: BT.MI0415
Italian.
Con non meno di 25 brani per pianoforte negli stili boogie-woogie e ragtime, questo metodo vi divertir per un bel po’ di tempo! Ma non solo… L’idea di questa raccolta è in effetti quella di imparare suonando, progredire divertendosi. Questi brani vi permetteranno quindi di scoprire e far pratica con tutte le tecniche, i gimmicks ed altre figure stilistiche proprie del boogie come del ragtime. Inoltre, per aiutarvi ad affrontarli più facilmente, abbiamo indicato per ognuno le diteggiature da utilizzare. Sappiate inoltre che questi 25 brani s’ispirano ai più grandi artisti di entrambi gli stili: Scott Joplin, Joseph Lamb, James Scott, Pine Top Smith, Meade Lux Lewis,Albert Ammons e tanti altri. Sul disco dati allegato al metodo, troverete diversi file audio e video. I video (mp4) presentano tramite l’immagine i 25 brani così come devono essere suonati, a velocit normale, poi ridotta. Le registrazioni audio (mp3) invece propongono le basi musicali corrispondenti, anch’esse a due velocit diverse. Potrete in questo modo suonare i brani proposti sulle basi musicali oppure approfittarne per sviluppare liberamente le vostre proprie idee di accompagnamento in questi stili.
SKU: BT.DHP-1084506-401
ISBN 9789043129220. 9x12 inches. English-German-French-Dutch.
This mega-value bumper book contains 50 top hits from the past 50 years. There is something for everyone in this 256 page folio. Each song is clearly printed with piano part, vocal line and guitar tab. Includes hits by: Elvis Presley, Nora Jones,Abba, Sting, Jimi Hendrix, Eric Clapton, U2, The Beatles, Prince, Oasis and many many more. Met een boek vol bladmuziek uit de Top 2000 van Radio 2 is voor veel liefhebbers een langverwachte wens in vervulling gegaan. Er is een selectie gemaakt van vijftig hits uit verschillende poptijdperken. De arrangementen zijn zo geschrevendat zegeschikt zijn voor zangers, pianisten, gitaristen en basgitaristen. Als gitarist kun je spelen aan de hand van de akkoordsymbolen en/of akkoorddiagrammen.Inhoud: Against All Odds (Phil Collins) ? Angels (Robbie Williams) ? Candle in the Wind 97 (Elton John) ? Dancing Queen (ABBA) ? Everything I Do (I Do It for You) (Bryan Adams) ? Hey Jude (The Beatles) ? I Shot the Sheriff (Eric Clapton) ? KillingMe Softly (Roberta Flack) ? Morning Has Broken (Cat Stevens) ? Purple Rain (Prince and The Revolution) ? The Best (Tina Turner) ? Up Where We Belong (Joe Cocker and Jennifer Warnes) ? Sweet Home Alabama (Lynyrd Skynyrd) ? Time After Time (Cyndi Lauper)e.v.a.Top 2000 Songbook: das sind 50 Tophits in einem Buch für Gesang mit Begleitungen für Klavier und Gitarre (mit Akkorddiagrammen).
Inhalt: Against All Odds ? Angels ? Candle in the Wind ??97 ? Dancing Queen ? Everything I Do (I Do It for You) ? Hey Jude ? I Shot the Sheriff ? Killing Me Softly ? Morning Has Broken ? Purple Rain ? The Best ? Up Where We Belong ? Sweet HomeAlabama ? Time after Time ? Great Balls of Fire ? Imagine ? Our House ? Torn ? Wonderwall ? Like a Rollin Stone u. v. m. Top 2000 Songbook : une compilation des 50 plus grands succès musicaux des 50 dernières années, dans une version arrangée pour Piano, Voix et Guitare (grilles d´accords incluses).
Sommaire : Against All Odds ? Angels ? Candle in the Wind ??97 ? Dancing Queen ? Everything I Do (I Do It for You) ? Hey Jude ? I Shot the Sheriff ? Killing Me Softly ? Morning Has Broken ? Purple Rain ? The Best ? Up Where We Belong ? SweetHome Alabama ? Time after Time ? Great Balls of Fire ? Imagine ? Our House ? Torn ? Wonderwall ? Like a Rollin Stone...
SKU: BT.MS0415
Spanish.
Con no menos de 25 toques para piano en los estilos boogie-woogie y ragtime, nuestro método le divertirá durante mucho rato. Pero no sólo… En efecto, la idea es aprender tocando, progresar pasándolo bien, pero estos toques le permitirán también descubrir y trabajar todas las técnicas, los gimmicks y otras figuras de estilo que hacen su originalidad. Y para ayudarle a abordarlos más fácilmente, le señalamos todas las digitaciones. Inspirados en los mayores artistas y teclistas de dichos estilos (Scott Joplin, Joseph Lamb, James Scott, Pine Top Smith, Meade Lux Lewis, Albert Ammons... y otros muchos), estos 25 toques brindan un amplio panorama del boogie-woogie y del ragtimeen el piano. En el disco incluido en el método, uno encontrará varios archivos audios y v deos. Los v deos (mp4) presentan en imágenes los 25 toques tales como se deben tocar, a velocidad normal o más lenta. Las grabaciones audios (mp3), por su parte, nos brindan los playbacks correspondientes, aqu también en dos aires diferentes. Ud podrá tocar los toques propuestos al estudio o aprovechar la ocasión para desarrollar libremente sus propias ideas de acompañamiento en el estilo.
SKU: PR.416411370
UPC: 680160091164.
SKU: PE.EP14445
ISBN 9790014135041. 297 x 420 mm inches. German.
ARKA stammt aus dem Sanskrit und bedeutet so viel wie Strahl, Blitz, Sonne, Licht, aber auch Lied, Feuer und Hymnus, und entwickelt in meiner Vorstellung sehr viele unterschiedliche Assoziationsfelder. In ARKA stecken auch die Worter arc (beten) und ka (Wasser), und es kann auch ubersetzt werden mit: ,,Das Wasser stromt aus dem heraus, der mehr weiss.
Mein neues Werk fur Pipa, Oboe, Pauke, Schlagzeug und Orchester entstand im Auftrag der Kammerakademie Neuss und auf Anregung des Oboisten Christian Wetzel. Es entstanden drei Rituale mit zum Teil szenischen Elementen fur die Solisten und das Orchester.
Inspirationsquelle in der Vorbeschaftigung waren zwei Quellen und Bucher. Das Daodejing von Laozi in der hervorragenden Neuubersetzung von Viktor Kalinke, eine der wichtigsten Quellen chinesischen Denkens und der Philosophie dieser grossen Kulturtradition und die chinesische Tradition der 5-Elementelehre und der Wandlungsphasen. Als zweites Buch hat mich ,,Die Glut von Roberto Calasso inspiriert, ein Buch uber die indischen Veden in Verbindung mit den Ursprungen des Buddhismus und den damit verbunden Ritualen.
In den letzten 20 Jahren habe ich mich intensiv mit ostasiatischer Musik, Kunst und Philosophie beschaftigt und habe das auch durch langere Studienreisen und kompositorische Projekte vertiefen konnen. U.a. wurde 2012 mein Chorwerk PRAN in Kolkata in Indien uraufgefuhrt (Goethe-Institut), ebenfalls 2012 ,,in between VI fur Sho und Sheng in Tokyo und 2013 ,,Mirror and Circle fur Pipa, Cello und chinesisches Orchester in Taipeh/Taiwan (Auftragswerk der taiwanesischen Regierung). Mit der chinesischen Pipa-Virtuosin Ya Dong arbeite ich seit 2000 zusammen und habe fur sie mehrfach komponiert (Urauffuhrungen u.a. in Hannover/EXPO 2000, Rottweil 2001, Taipeh 2013, Magdeburg 2016). Auch mit Christian Wetzel arbeite ich seit uber 20 Jahren zusammen und habe ebenfalls haufig fur ihn komponiert (UA u.a. in Bonn 1999, Hannover/EXPO 2000, Rottweil 2001, Darmstadt 2004 und etliche weitere Projekte).
Jedes dieser drei Rituale hat eine Lange von ca. 6-7 Minuten und stellt unterschiedliche Qualitaten und Besonderheiten der beiden Soloinstrumente heraus, immer in Verbindung mit der Interaktion zwischen Soli und Orchester. Die Besetzung war fur mich ausserst reizvoll, da beide Instrumente in dieser Kombination noch nie so erklungen sind. Die Pipa ist ein ungemein modernes und ungewohnliches Instrument, reich an Farben und vor allem an perkussiven Effekten. Das Tonmaterial wurde zum grossten Teil aus den Namen der beiden Solisten gewonnen und ergibt interessanter zwei gespiegelte Viertonmotive. In der asiatischen Kultur spielen der Spiegel und der Kreis eine wichtige Rolle, und so werden die Tone, Rhythmen und Formen eingewoben in diese drei Rituale, welche am Ende des dritten Satzes wieder kreisformig an den Anfang des ersten Rituals anknupfen. Ein von den Streichern und der Pauke erzeugtes Gerausch, verbunden mit dem Rhythmus der grossen Trommel, welcher einen Herzschlag symbolisieren soll. Die drei Untertitel der Rituale Himmel, Erde und (atmospharischer) Raum spielen im vedischen und chinesischen Denken eine grosse Rolle und war fur mich beim Komponieren ebenfalls eine sehr starke Inspirationsquelle. In vielen meiner Kompositionen gibt es Raumeffekte, Annaherungen an das Publikum, das Verschieben von Perspektiven, die Dekonstruktion und das Hinterfragen der ublichen Konzertsituation, so u.a in meinem Beuys-Zyklus oder in den Zyklen ,,CUT und ,,in between.
In ARKA geht es mir besonders um die Interaktion zwischen westlichem und ostlichem Denken, um das gegenseitige Durchdringen dieser auf den ersten Blick so unterschiedlichen Denk- und Lebensweisen, um eine Verschmelzung scheinbarer Gegensatze - um Annaherung!
Bernd Franke. Leipzig, 11.10.2019
for low voice and piano This beautiful collection of 14 songs for low voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for high voice and piano.
AGNI is the Hindu god of fire; the elemental and transformative force inherent in everything:
Every flame, every fire, every light, every warmth is AGNI.
AGNI is omnipresent, establishing everything and ending everything.
AGNI is often depicted with seven tongues which represent different aspects of his being.
These include: creating, sustaining, cleansing, purifying, priestly, martial, devastating, destructive, and consuming.
Derived from Franke's concerto of the same name, this solo work for bass clarinet compositionally traces the transformative processes initiated by the divine fire. The solo takes seven pieces from the concerto, presenting vivid character pieces exploring the creative possibilities and wide tonal range offered by the bass clarinet.
This version of AGNI for bass clarinet solo was premiered on 4 December 2020 in Leipzig by Volker Hemken, the principal bass clarinetist of the Gewandhausorchester Leipzig. EP14437a convinces with its excellent and clear notation, making the piece a new standard for bass clarinet.
Ikons, commissioned by the Vancouver Cultural Olympiad 2010, exists in two forms. This 14-minute acoustic version, premiered by the Turning Point Ensemble, calls for an octet of live musicians to execute complex rhythms and quarter-tone harmonies.
The interactive, electronic version, created with visual artist Eric Metcalfe and designed to be presented separately, incorporates samples from this acoustic version into a sculptural environment of seven pyramidal structures that respond sonically to the viewer.
Roxanna Panufnik's Sonnets without Words is a contemporary piece for Horn in F and piano. Written for horn player Ben Goldscheider, Panufnik has reimagined the lyrical vocal lines from three of her previous settings of Shakespeare's sonnets (Mine eye, Music to hear and Sweet Love Remember'd for voice and piano) into a purely instrumental work.
Score and horn part.
Stephen McNeff's Trig is a short 7-minute contemporary work for solo cello, written to celebrate the bicentennial of the Royal Academy of Music in 2022 and in memorium cellist Mike Edwards 1948-2010.
Trig was premiered by Henry Hargreaves on 19 March 2021, livestreamed from the Royal Academy of Music.
to an utterance - study was commissioned by Klangforum Wien for the premiere commercial audio recording on a portrait CD in 2020 and first performed by Joonas Ahonen at the Berlin Philharmonie on 4th September 2020 at the Musikfest Berlin.
Roxanna Panufnik's Spirit Moves, for brass quintet, was commissioned by the Fine Arts Brass Ensemble. This 15-minute piece is scored for two trumpets in Bb (one doubling piccolo trumpet and the other doubling flugel horn), horn in F, trombone and tuba. This brass quintet is so called because the outer movements are highly spirited and the central one is spiritual.
This product consists of score and parts.
A gently flowing 3-minute arrangement by Roderick Williams for SATB (with divisi) with piano accompaniment that captures the beauty of this famous traditional Hebridean love song. The song text uses both old dialect and English, each verse ending with the words, 'Sad am I without thee'.
for high voice and piano This beautiful collection of 14 songs for high voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for low voice and piano.
for SATB and organ This energetic setting of words by St Ambrose of Milan is a real showstopper. With pop-influences and a sparkling organ part, Young effortlessly fuses modern and traditional sound worlds, while changes in key and metre build up to an invigorating finish. Perfect for accomplished choirs looking for something different.
for SA unaccompanied This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).
for SAATB unaccompanied. This glorious musical depiction of the honour, strength, power and authority of the Holy Trinity by Thomas Tallis is the third issue in the CMS's series of great English Responds from the 16th century, edited by Sally Dunkley. Scored for SAATB, it can be performed either as a motet or as a full Responsory with plainsong alternating with polyphony.
Based on a traditional Scottish/Irish 'farewell' song, this short piece is one of six works written to express my love of Scotland. After living there for nearly half my life, and raising a family, I moved back to England in 2018, and remarried in 2019.
Of course, there were many different emotions attached to the move south: especially the joy and excitement of new beginnings, and reconnection with friends from my youth.
But this piece expresses the wrench I experienced after a last family meal in Glasgow, and the realisation of all I was about to leave behind.
I have taken the melody of the original song, and expanded it, exploring the detail of its patterns, so that it becomes a timeless meditation.
The six pieces in the 'farewell' series are for 6 violas, string quintet, string quartet, trio, violin and clarinet duo, and solo clarinet.
The Parting Glass was composed in 2020 during the coronavirus lockdown, which intensified the feeling of separation from my Scottish family, as well as from other musicians.
It was commissioned by Vittorio Ceccanti for the ContempoArtEnsemble.
Maple arose from a commission to write a work for solo cello, to be performed alongside readings from artist John Newling's collection of letters entitled 'Dear Nature'; a poetic manifestation of our relationship with the natural world.
The piece is in eight short sections, to be interspersed with readings of groups of the poems. It may also be performed as a single movement. It begins with a seed - the seed of a maple tree, as it hangs on the mature tree, ready to drop. The seeds are like propellers, sometimes travelling more than a mile before landing on the ground. Maple follows the growth of the tree to maturity - which in reality would take at least a hundred years. 'Roots, shoots' grows downwards and upwards from a pedal note, and the dance-like 'Flowers' is followed by the stately 'Tree', and then the warm, cascading 'Autumn'. Maple is very often the wood of choice for the back of a stringed instrument, and the last section uses open strings to explore the full resonance of the cello.
The piece starts with a 'seed' of only five notes, which grows into different configurations. It is intended to be played in an improvisatory style.
Maple was co-commissioned by Brighton Festival, Ars et Terra Festival with SACEM and Ditchling Arts and Crafts Museum, to be performed by Margarita Balanas as part of the Brighton Festival's 'Dear Nature' project.
First performed by Noriko Kawai for Huddersfield Contemporary Music Festival, in a broadcast from the Radio Theatre, BBC Broadcasting House, November 2020.
Full of beautifully crafted, delicate tintinnabulations - Richard Morrison, The Times
SKU: BT.MI0302
Quest'opera presenta una serie di accompagnamenti ed assoli di pianoforte nello stile Rock ’n’ Roll. Scoprirete quindi delle ritmiche nel più puro stile Rock ‘n’ Roll dell’epoca. Si tratta di veri standards, decisamente intramontabili, in cui sono esposti i diversi procedimenti armonici e ritmici propri di questo stile. Suonerete poi degli assoli indiavolati, con tutte le caratteri-stiche proprie del Rock ‘n’ Roll: timing, velocit , energia, punti di tensione e di stasi, intervalli ripetuti, acciaccature… Il tutto nello spirito di Jerry Lee Lewis o Little Richard passando per Ray Charles… e tanti altri ancora! Per ogni accompagnamento ed assolo, troverete 5registrazioni diverse sul CD MP3 allegato, distribuite nel modo seguente: il pianoforte da solo, a velocit normale poi ridotta, la stessa parte di pianoforte suonata però sulla sua base musicale ed infine la sola base musicale, prima a velocit normale, poi ridotta... per permettere ad ognuno di suonare secondo il proprio ritmo, il proprio livello e le proprie capacit . Ossia più di 4 ore di musica in tutto!
SKU: JK.00777
Psalm 104:34, Enos 1:27.
Three vocal solos on Christ, arranged for medium voice with both English and Spanish lyrics.Solo's included: Jesus, the Very Thought of Thee Redeemer of Israel The Lord is My LightArranger: Douglas E. Bush Difficulty: Medium / medium to medium-difficult acc.Reference: Psalm 104:34, Enos 1:27.
