Par JANACEK LEOS. This Urtext edition of Janácek's works includes lesser-known piano pieces and miniatures from his late years. They complete our picture of Janácek the piano composer, best known for the cycles 'On an Overgrown Path” and 'In the Mists”. The late miniatures, entered in the album of Kamila Stösslová, reveal his compositional style at its most concise. The editor Ondrej Pivoda, the curator of the Moravian State Museum in Brno, has taken the autograph manuscripts as his principal sources while consulting other accessible sources, such as historical editions and copyist's manuscripts. This series of piano miniatures appears for the first time in a scholarly-critical edition./ Répertoire / Piano

Par WITKIEWICZ JAN STANISLAW. Langue: German, Format: Book format small (13, 5 x 21, 5)/ Recueil / Divers

Par REINHARDT DJANGO. Ce très beau livre veut vous faIre connaître Django Reinhardt grâce à une biographie et vous permettre de jouer sa musique grâce aux relevés (solfège et tabaltures) et analyses des 6 morceaux ci-dessous. Le CD audio vous permet d'écouter les 6 morceaux. / Rép International / Tablatures / Guitare Tablatures

Par REINHARDT DJANGO. In the world of Gypsy Jazz, the original Quintette of the Hot Club of France achieved an energy output seldom equaled or surpassed for 7 decades or so. Django wanted to have two rhythm guitars behind him when he soloed to give him a full sound. Then when Grappelli soloed, Django would interject himself between Grappelli and the rhythm guitar section. From this vantage point, he would \'push? Grappelli with a series of well placed shots, shuffles, and turnarounds that would have the effect of driving the group to a greater energy output as the song approached its conclusion. In this DVD, the classic 4-to-the-bar rhythm is broken down into four separate unsable styles. After that, Django\'s syncopated rhythm shots are analyzed and presented by example from a simple backbeat to 2-bar long syncopated strums. My own philosophy is that the rhythm guitar section is the most important component of the Gypsy Jazz group. The rhythm guitar should be in a position to drive and not follow the group. The information contained in this DVD will give you the rhythmic tools to infuse the sound with the energy that this genre of music deserves. Remember that rhythm guitar is NOT \'second fiddle.\' This product now available as a video download through Mel Bay On Demand. / Niveau : Tous Niveaux / Jazz - Concert/Documentary / Accessoire / Guitare

Véritable livre-hommage qui retrace sa vie et ses rencontres, doublé d’un manuel d’apprentissage complet qui permettra d’initier les adeptes du jazz manouche à l’art de Django. On y retrouvera côte à côte des incontournables de maître (Minor Swing, Troublant boléro...) mais aussi des relevés de ses soli, des pièces plus rares et des exercices. Documenté et précis, accessible et ouvert, cet ouvrage ne s’adresse pas exclusivement au néophyte ou au spécialiste mais à tous les guitaristes curieux et passionnés. On retrouvera pour chaque morceau tout ou une partie des éléments suivants : - Le morceau en relevé guitare tablatures - La grille - Le solo de Django - Un solo facile - Des exercices préparatoires au morceau Liste des morceaux : Minor Swing • Louise • Troublant boléro • Nuits de St Germain • Danse Norvégienne • Improvisation n°2 • I’ll see you in my dreams • Swingtime in springtime • Chez Jacquet (à la petite chaumière) • Swing 42

Par Jane smisor BastienExercices préparatoires de lecture au piano.Ce recueil peut être proposé aux élèves dès qu'ils ont acquis la maîtrise de l'ensemble des notes de la portée. Chaque page se présente en deux parties : une portée de 'notes du jour? à solfier et à jouertement sur le clavier, et trois phrases musicales de quatre mesures à lire 'à vue?. Il est fortement conseillé de pratiquer la lecture des 'notes du jour? quotidiennement. / Piano

Janá ek?s 2nd String Quartet Intimate Letters is regarded as a highlight of the modern string quartet literature. It was written during the composer?s last year of life between 29 January and 19 February 1928 inspired by the ageing Janáèek?s exceptional love for Kamila Stösslová. The Moravian Quartet devoted themselves to this impressive work; Janá ek attended a total of three of their rehearsals in May and June 1928. This had several consequences including his abandoning his original idea of using a viola d?amore. After Janá ek?s unexpected death (12 August 1928) the uncertain genesis of the work became the greatest problem of the IntimateLetters : the surviving copies were not definitively authorised. The editors of this new edition have reverted to Janá ek?s autograph sketches as the main most reliable source and using these as a basis have reconstructed the work as it stood at the point of Janá ek?s death. The musical text taken from the Critical Complete Edition of the Works of Leo? Janá ek (Vol. E/4) therefore contains clear differences in comparison with older editions.

Janácek, Leos Taras Bulba Rhapsody for Orchestra Symphonic rhapsody in a study score edition This study score is based on the ?Complete Critical Edition of the Works of Leo? Janácek?. The principal source is the first edition, but the editor has also consulted the handwritten sources and extant proofs. The edition opens with a new Foreword by Jirí Zahrádka. ? 20th century repertoire piece now available in study score ? Based on the ?Complete Critical Edition of the Works of Leo? Janácek?, vol. D/7 ? New Foreword by Jirí Zahrádka (Cz/Eng/Ger) Edition no.: TP 842 ISMN: 9790260107168 Editor: Hanu?, Jan / Burghauser, Jarmil Language(s) of text: English, Czech, German Product format: Study score, Urtext edition Binding: Paperback Pages / Format: XVII, 98 S. - 22,5 x 16,5 cm

Janácek's 2nd String Quartet Intimate Letters is regarded as a highlight of the modern string quartet literature. It was written during the composer?s last year of life between 29 January and 19 February 1928 inspired by the ageing Janáèek's exceptional love for Kamila Stösslová. The Moravian Quartet devoted themselves to this impressive work; Janácek attended a total of three of their rehearsals in May and June 1928. This had several consequences including his abandoning his original idea of using a viola d'amore. After Janácek's unexpected death (12 August 1928) the uncertain genesis of the work became the greatest problem of the IntimateLetters : the surviving copies were not definitively authorised. The editors of this new edition have reverted to Janácek's autograph sketches as the main most reliable source and using these as a basis have reconstructed the work as it stood at the point of Janácek's death. The musical text taken from the Critical Complete Edition of the Works of Leo? Janácek (Vol. E/4) therefore contains clear differences in comparison with older editions.