Joni Jensen Choral Series. This beautiful and lamenting poem by French poet Charles Beaudelaire is captured in all of its sadness and intimacy. A detailed IPA makes the language barrier go away. And women's choirs will flourish as they make this text their own.

Mark Foster-Uses: General Concert Contest Scripture: Philippians 3:20-21 Expressive melodic lines and phrases lend a sense of yearning and melancholy to the unwavering hope and peace found in the text of this folk melody. Aaron McDermid has arranged Come Sing to Me of Heaven with broad open chords and tightly-woven suspensions. The slow mournful opening gives way to a faster contrasting middle section as the anticipation and hope of heaven builds. This moving contemplation of death and heaven is also a song of comfort an emotional offering for concert or contest.

Mark Foster-Originally written to be accompanied by two pianos this new edition has masterfully captured the essence of two and delivered a new exciting edition.

Brothers Sing On! Jonathan Palant Choral Series-Here is an arrangement of a classic Stephen Foster melody that takes full advantage of the drama and humor in the lyrics. Your men will love bringing these lyrics to life as Reed has inserted dramatic pauses for the singers to dramatically react. Fun and laughter will be had by all.

This standard Christmas Carol has been re-imagined by Tom Trenney. Tom asks What are we planning to do to this poor baby when we get there? Why do we sing O come let us adore Him with such bombast. Tom sets the opening quietly gently. Then being transformed when we first behold Him the music reflects this sense of awe and wonder. Tender delicate and completely true to the text singers and listeners will find new meaning in this beautiful new setting.

Inspired by the scene of a place on his favorite island here is a tone poem that paints a vivid picture of the bay and the hour and the emotions.

Commissioned for Erskine College in South Carolina this setting of Psalm 89 is full of joy. A powerful piano accompaniment a soprano descant over the last verse and constantly shifting tonal centers make this an exciting new arrangement of this familiar text.

Eugene Rogers Choral Series-Already available for SATB and SSA now at last an arrangement for men. With a powerful piano accompaniment your men will really be able to dig in and sing with the full power of their voices.

Expressive melodic lines and phrases lend a sense of yearning and melancholy to the unwavering hope and peace found in the text of this folk melody. Aaron McDermid has arranged “Come Sing to Me of Heaven” with broad open chords and tightly-woven suspensions. The slow mournful opening gives way to a faster contrasting middle section as the anticipation and hope of heaven builds. This moving contemplation of death and heaven is also a song ofcomfort – an emotional offering for concert or contest.

Eugene Rogers Choral Series-Combining two spirituals with original music and employing two soloists this arrangement from first time contributor Carlos Simon is amazing. Series editor Eugene Rogers wrote and said “get this piece in print so I can begin programming it!” High praise indeed for a first time composer.

Eugene Rogers Choral Series-Commissioned by Jerry Blackstone for the University of Michigan Chamber Choir Sunset captures the image-rich poem by Paul Lawrence Dunbar. Dunbar's poem captures the familiar and solemn atmosphere that we call dusk or end of day while composer Knaggs evokes a bit of the mystery and nostalgia into the cosmic wonders that become visible during and after the setting of the sun.

Uses: Concert General Music Appreciation Scripture: Psalm 8:1 Psalm 113:1-6 Leaping joyfully from the score this music of unbridled energy calls the world to jubilant praise. Gathering together classic sacred poetry along with words from the Psalms this general use anthem is equally at home in the sanctuary or concert hall.

This beautiful song by Malvina Reynolds is delicate and poignant and perfect for an advanced women's choir. It is scored for SSAA choir with piano and flute. However the optional full score for Harp flute and bassoon make this a centerpiece for your concert. Contemporary style is written into the vocal parts making the story feel natural and complete.