Orgelbüchlein - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Präludien und Fugen II - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia” was already considered as old-fashioned around 1700 this genre exerted a particular fascination on the very young Bach – he had since relocated to Köthen – and the experienced composer as well.Volume 3 the latest installment in the Complete Organ Works gathers together all transmitted organ fantasias by Bach the fragments of the fugues belonging to them and all individual fugues as well. They include for instance the Fantasia in C BWV 570 undoubtedly the master’s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2. DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions sources and genre history are examined by editor Pieter Dirksen in the introduction and comments which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM.

Par SCHUMANN CAMILLO. Within the extensive ?uvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had long since abandoned the traditional paths of music, Camillo Schumann pursues in an astonishingly consistent manner in the tradition of the great Romantics, in particular that of Brahms and Mendelssohn. For the first time, the present anthology brings together all 6 Organ Sonatas in a modern Urtext edition, with editor Antje Wissemann combining philological source findings with the demands of performance practice. / Date parution : 2021-11-25/ Recueil / Orgue

Bach: Complete Organ Works Vol. 6 Clavierübung III / Schübler-Choräle / Canonische Veränderungen über 'Vom Himmel hoch' - ed. by Werner Breig Bach Organ Works Printed During the Composer's Lifetime Volume 6 contains the chorale-related organ works that Bach personally had printed: the Dritte Theil der Clavier Übung was published (for organists) in 1739; the Sechs Choräle von verschiedener Art (Schübler-Choräle) and the Canonische Veränderungen were released in separate editions most likely in 1747/48. None of these collections had from the start the appearance which the composer considered as valid in the end. For this reason, Werner Breig focuses in particular on questions of origin in his introduction. Fundamental findings on the genesis of the Clavier Übung III were made only after the publication of the work in the Neue Bach-Ausgabe. The basically unproblematic state of the sources means that this volume contains no CD-ROM with supplementary materials. It was, however, considered editorially necessary to print the Canonische Veränderungen BWV 769 in three versions: as a facsimile of the original print, in a practical arrangement, and in the autograph version (BWV 769a). Table des matières 1 Praeludium pro Organo pleno BWV 552/1 2 Kyrie, Gott Vater in Ewigkeit BWV 669 3 Christe, aller Welt Trost BWV 670 4 Kyrie, Gott heiliger Geist BWV 671 5 Kyrie, Gott Vater in Ewigkeit BWV 672 6 Christe, aller Welt Trost BWV 673 7 Kyrie, Gott heiliger Geist BWV 674 8 Allein Gott in der Höh sei Ehr BWV 675 9 Allein Gott in der Höh sei Ehr BWV 676 10 Fughetta super Allein Gott in der Höh sei Ehr BWV 677 11 Dies sind die heilgen zehen Gebot BWV 678 12 Fughetta super Dies sind die heiligen zehen Gebot BWV 679 13 Wir gläuben all an einen Gott BWV 680 14 Fughetta super Wir gläuben all an einen Gott BWV 681 15 Vater unser im Himmelreich BWV 682 16 Vater unser im Himmelreich BWV 683 17 Christ unser Herr zum Jordan kam BWV 684 18 Christ unser Herr zum Jordan kam BWV 685 19 Aus tiefer Not schrei ich zu dir BWV 686 20 Aus tiefer Not schrei ich zu dir BWV 687 21 Jesus Christus, unser Heiland BWV 688 22 Fuga super Jesus Christus, unser Heiland BWV 689 23 Duetto I BWV 802 24 Duetto II BWV 803 25 Duetto III BWV 804 26 Duetto IV BWV 805 27 Fuga pro Organo pleno BWV 552/2 28 Wachet auf, ruft uns die Stimme BWV 645 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 1) 29 Wo soll ich fliehen hin oder Auf meinen lieben Gott BWV 646 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 2) 30 Wer nur den lieben Gott lässt walten BWV 647 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 3) 31 Meine Seele erhebt den Herren BWV 648 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 4) 32 Ach bleib bei uns, Herr Jesu Christ BWV 649 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 5) 33 Kommst du nun, Jesu, vom Himmel herunter BWV 650 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 6) 34 Einige canonische Veränderungen über ?Vom Himmel hoch, da komm ich her? BWV 769 (Faksimile des Originaldrucks / Fassung des Originaldrucks in spielpraktischer Einrichtung / Fassung des Autographs BWV 769a)

Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter Dirksen Organ Works Based on Compositions by Bach and Others Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers. Next to the Sonatas BWV 525?530 and the Concertos or concerto movements based on pieces by other composers BWV 592?596, the volume also contains the Trio in D minor BWV 583, the Trio settings BWV 585?587 as well as the early versions of BWV 527 and 528. Moreover, the CD-ROM offers eight arrangements of trio movements by Bach made by others. In his detailed introduction, Pieter Dirksen discusses various aspects of these pieces' origins, inasmuch as they help us better understand the works. The organist will especially welcome the comments on performance practice and registration. It is precisely the fact that these works derive from chamber-music models that leads to individual considerations for each work group.

Vincent Lübeck\'s few organ works were transmitted only in copies that were written chiefly in letter tablature, and that stem mostly from Lübeck\'s circle of students, thus from the collections of Hamburg\'s Nicolaikirche. / Classique / Urtext edited by Harald Vogel / Partition /

Bach: Complete Organ Works Vol. 7 Orgelbüchlein - with CD-ROM - ed. by Sven Hiemke Of great practical value ?This edition has everything it takes to replace the Griepenkerl edition for practical music-making,? opined Rainer Goede (in ?kirchmusik.de?) immediately after the release of Volumes 5 and 6. If such a high degree of practical value is attested to these two volumes, then Volume 7 can proudly claim to have the highest practical value of all, since it has the greatest scope of all the volumes. After all, no organist can do without the basic repertoire of the 45 chorale preludes. Edited by Sven Hiemke, the book offers the best possible prerequisites for everyday use. The musical text is as faithful to the sources as possible, and it preserves Bach?s graphic idiosyncrasies in the beaming of eighth notes and sixteenth notes. Furthermore, the chorales are reproduced on three staves, which is fully in keeping with the practice of the Bach era ? but not with the source, however, since the composer himself notated the pieces of the ?Orgelbüchlein? on two staves, either for reasons of economy or for lack of space. The enclosed CD-ROM contains early versions and anonymous arrangements which should encourage organists to explore this repertoire in greater depth.

Orgelchoräle der Leipziger Handschrift-Volume 8 presents the important work group called the “Leipziger Chor?le.” Next to the late versions compiled and entered by Bach himself in the manuscript “P 271” all of the early versions with their sometimes widely divergent readings have also been edited here. The examination and evaluation of all relevant copies uncovered many a surprising new reading. Responsible for the new edition is the renowned organist and musicologist Jean-Claude Zehnder. An extensive introduction and highly commendable commentary round off this volume too. They also can be downloaded here. Next to a reliable musical text the highestimportance was placed once again on performance-practical aspects the results of which can be seen in the greater spaciousness for the notation and comfortable page turns. The enclosed CD-ROM contains more versions presented synoptically and for printing a facsimile of an early copy of BWV 664 and the English translation of the commentary.

SÄMTLICHE ORGELWERKE (10 vol.). Par BACH JOHANN SEBASTIAN. / Date parution : 2021-11-25/ Recueil / Orgue

Contents: An Wasserfluessen Babylon (Ein Laemmlein geht und traegt die Schuld); Herr Jesu Christ dich zu uns wend; Herr und Aeltster deiner Kreuzgemeinde; Herzlich lieb hab ich dich o Herr; Herzlich tut mich verlangen (O Haupt voll Blut und Wunden); Herzliebster Jesu was hast du verbrochen; Ich dank dir schon durch deinen Sohn; Ich will dich lieben meine Staerke; O Lamm Gottes unschuldig; O Welt ich muss dich lassen; Sollt ich meinem Gott nicht singen (Lasset uns mit Jesu ziehen)