SKU: UT.CH-387
ISBN 9790215328235. 9 x 12 inches.
Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.
SKU: MB.31007M
ISBN 9781513472393. 8.75x11.75 inches.
In musical styles ranging from blues to classical, jazz and modern Latin, the 32 original duets in this book are designed to improve sight reading on the guitar at all levels, beginner to advanced. Canadian guitarist and music educator, Michel H?roux suggests playing these short but complete pieces at different tempos, exchanging parts on repeats, playing select passages an octave higher, and analyzing the harmony?all towards becoming a better sight reader.Written in standard notation only, various meters and keys are explored; online recordings of the author double-tracking himself are provided to guarantee your success.
SKU: HL.50600698
Italian.
Il metodo Berklee Basic Guitar: Parte 1. Una risorsa essenziale per ogni student di chitarra alle prime armi.
Questo modern metodo di insegnamento e pensato sia per lo studio individuale sia perl’ambito scolastico. La tecnica della chitarra e le capacita di lettura vengono sviluppate negli arrangiamenti d’ensemble a due, tre e Quattro parti, sia di brani musicali tradizionali sia di partiture appena composte.Per ampliare l’apprendimento c’e anche un’introduzione all’esecuzione degli accordi.
Il metodo Berklee Basic Guitar offer il modo di imparare la chitarra. I chitarristi farannorapidi progressi grazie agli elementi essenziali che vengono eposti qui.
SKU: GI.G-018066
English, Spanish, Bilingual.
Conforms to the official English and Spanish liturgical texts for the United States. Inspirada en las armonÃas y el contrapunto de la música clásica estilo barroco, pero utilizando un lenguaje musical moderno apropiado para una liturgia multicultural, Misa Luna está construida de una forma imaginative y versátil. Sus melodÃas son fáciles de aprender para una comunidad angloparlante, hispanohablante o bilingüe, y su cÃrculo de acordes es simple para los guitarristas. Al ser acompañada por órgano y trompeta tanto por guitarra y percusión esta música bella elevará la dignidad de las celebraciones.  Inspired by the harmonies and counterpoint of classical Baroque music, but using modern musical language appropriate for a multicultural liturgy, Misa Luna is imaginatively and versatilely built. Its melodies are easy to learn for an English-speaking, Spanish-speaking or bilingual community, and its chord circle is simple for guitarists. Whether accompanied by organ and trumpet or by guitar and percussion, this beautiful music will elevate the dignity of your celebrations.  Coro a dos voces, cantor, y asamblea | Two-part choir, Cantor, and Assembly.
SKU: HL.49045021
ISBN 9790001159500. UPC: 841886028111. 9.0x12.0x0.108 inches.
The cycle September Songs contains guitar pieces with different stylistic elements of popular music. Based on the classical style of playing, the musical spectrum includes a large number of new effects and percussive playing techniques of the modern fingerstyle guitar.
SKU: HL.50600696
INSMTH inches. Italian.
Il Metodo Moderno Per Chitarra di William Leavitt e usato come testo base nei corsi del Berklee College of Music. Dalla sua prima pubblicazione ha guadagnato un nutrito e fedele seguito dio studenti e insegnati. Articolato intre volumni, il metodo accompagna il chitarrista in un percorso di studio che spazia dalle nozioni di base fino alle tecniche piu avanzate attraverso un approccio pratico e completo.
Il secondo volume affronta lo studiodella melodia, delle scale, degli arpeggi e degli accordi lungo l'intera tastiera. Contenuto:
SKU: HL.49044501
ISBN 9783795744861. German. Author: Burkhard Wolters.
Dieses Spielheft ist die ideale Erganzung zur gleichnamigen Gitarrenschule. Bekannte und moderne Lieder wurden fantasievoll fur die Kleingruppe in Duett-Besetzung arrangiert und mit einer einfachen Begleitstimme (ad lib.) fur fortgeschrittenere Schuler oder die Lehrkraft ausgestattet.
SKU: HL.49046397
ISBN 9781540086600. UPC: 840126910216.
In Children's Corner, experienced teacher and virtuoso concert guitarist Thomas Fellow presents great new music for the first years of guitar playing, characterised by his unmistakable combination of concert music and modern elements. All pieces are easy to play with fingering and additional tablature. In addition, there are valuable tips and methodical exercises for all pieces. Contents: Crispy Nachos, Sweet Muffins, Living Doll, Flying Carpet, Black Sheep, Pony Rodeo.
SKU: HL.50600812
INSMTH inches. German. Author: Heinz Teuchert.
Der erste Band der Neuen Gitarrenschule von Heinz Teuchert vermittelt die Grundlagen, die fur das Gitarrenspiel aller Stilrichtungen notwendig sind. Notenkenntnisse werden nicht vorausgesetzt, sondern gleichzeitig mit dem praktischen Spielerworben.
Ein Unterrichtswerk, das Grundlagen vermittelt und Freude am Musizieren weckt.Die passende Ubungs-CD zum Mitspielen ist dieser Ausgabe bereits beigefugt.
SKU: UT.CH-227
ISBN 9790215324145. 9 x 12 inches.
Emilio Calandin: Piccola sfumaturaClaudia Montero: Lagrimas de Buenos AiresMarco Reghezza: Como PreludioMarco Smaili: PreludioAlessandro Spazzoli: Preludio in Do maggioreRoberto Tagliamacco: Prelude sur le nom de TarregaPaolo Ugoletti: Prelude sur le nom de TarregaHaving been invited several times onto the jury of the prestigious Certamen Tarrega in Benicasim, I thought I would involve a few composers in a gift to the father of the modern guitar. So I asked the composers to write a Prelude of the kind that Tarrega wrote and which count among his most significant compositions.These Preludes for Tarrega, all written between August and November 2015, are very different from each other. The common feature, however, between these and the Preludes by Tarrega is their brevity, an average level of performance difficulty and guaranteed easy listening, even when written in a non-tonal language (like the meditative and melancholy piece by Emilio Calandin and the one by Marco Smaili, with its Impressionistic feel reminding one of Tarrega's most famous pupil, Miguel Llobet).In some Preludes (the ones by Paolo Ugoletti, Roberto Tagliamacco, Claudia Montero) the reference to Lagrima, one of Tarrega's most famous Preludes, is evident in form, title and some citations. Ugoletti and Tagliamacco work well and expressively on harmony and counterpoint, while the Argentinian Claudia Montero links Tarrega to a heartbreaking Buenos Aires...In Alessandro Spazzoli there is rather more a connection with Tarrega's sense of melody and deep simplicity, while Marco Reghezza remembers ironically what was brewing in European music when Tarrega was alive: in fact, his Como Preludio goes across the 24 keys - and even a reference to Wagner's Tristan raises its head...I am delighted for this volume to come out at the time of the fiftieth edition of the Certamen Tarrega.(Piero Bonaguri).