Until the beginning of the 1980s, the figure of François de Fossa was mainly known by his relationship with Dionisio Aguado, a relationship that included de Fossa?s collaboration in producing the two Parisian editions of the Aguado Escuela, and the complete translation of one of them into French. The situation changed radically in 1981 with the publication by Editions Orphée of a monograph which not only revealed very interesting and decisive factors in regard to the guitar quintets of Luigi Boccherini, but also included an important biographical study and a checklist of the known compositions of François de Fossa. Several works by de Fossa were published in later years, among which were works for two guitars, trios, quartets, an anthology of selected works for guitar solo published in 1990. De Fossa?s Quatre Divertissemens pour la Guitare seule extraits des Oeuvres de J. Haydn, his Op. 13, was part of that anthology. The current edition of it was engraved anew, and completely edited and fingered. The works of Haydn from which this music is drawn are as follows: Divertimento I ? Symphony N° 63 ?La Roxolane?, and Symphony N° 85 ?La Reine? Divertimento II ? Largo Cantabile, Rondo Allegretto. In spite of rigorous search, we have not been successful in identifying the movements of this Divertimento among the known works of Haydn. Divertimento III ? Symphony N° 85 ?La Reine?and Symphony N° 86 Divertimento IV ? Symphony N° 53 ?L?Imperiale? and Symphony N° 85 ?La Reine?. The Andante of this symphony was also used, at about the same time, by Fernando Sor, as the theme of his Thema Varié pour la Guitare ou Lyre, (WoO-1) as well as in his Op. 20. Of considerable interest here is de Fossa?s seemingly paradoxical approach to transcribing music by Haydn. In the case of Haydn string quartets, he chose the two guitars medium, providing for a more facile representation of the harmony and counterpoint. In transcribing these four divertimenti, extracted from several Haydn symphonies, he chose the solo guitar as the target instrumentation, clearly a medium that is far less appropriate for handling a complex musical texture than the guitar duo. It is perfectly understandable that he was not entirely successful in retaining the selection?s original integrity, having eliminated some parts as noted above. Nevertheless, the resulting works, those that are directly attributable to Haydn and the one that cannot, are splendid concert pieces for the solo guitar.

Kindle, Jürg. Par HAYDN J.. / Niveau : Intermédiaire / Répertoire / 4 Guitares

Lévesque, Luc. Par HAYDN J.. / Niveau : Intermédiaire / Répertoire / 4 Guitares

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition SONATE EN DO (ORIGINAL POUR CLAVECIN) écrite et composée pour Flûte Traversière et plus précisément pour Flûte Et Guitare vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Billaudot qui ont eu le privilège d'imprimer cette oeuvre. / Flûte Et Guitare / Partition

Description Guitar And Flute Duets Compiled and arranged by Peter Draper. Forty-seven duets for intermediate players with study hints for each piece. Songlist A Happy And Harmonious Blacksmith (Air - Suite No.5 In E Hwv 430) [Handel, George Frideric] Allegro In D (Mozart) Alman [Johnson, Robert] Berceuse [Faure, Gabriel] Come Again [Dowland, John] El Majo Discreto [Granados, Enrique] Gavotte [Turk, Daniel Gottlob] Invention No.10 (Js Bach) Kemp's Jig (Downland) Largo (Xerxes) [Handel, George Frideric] Le Marc-antoine (Blavet) Le Tambourin [Rameau, Jean-philippe] Le Tambourin (Leclair) Lento (Telemann) March [Bach, Johann Sebastian] Minuet (Blavet) Minuet (Don Giovanni) [Mozart, Wolfgang Amadeus] Minuet (Eine Kleine Nachtmusik) [Mozart, Wolfgang Amadeus] Minuet (Schubert) Minuet From Orpheus (Gluck) Minuet I (Purcell) Minuet Ii (Purcell) Minuet In G Minor [Bach, Johann Sebastian] Minuetto (Paganini) Minuetto Giocoso [Haydn, Franz Joseph] Moment Musicale Op.94 No.3 [Schubert, Franz] Musette [Bach, Johann Sebastian] Pastorale (Vivaldi) Playera (Granados) Prelude In E Minor Op.28 No.4 [Chopin, Frederic] Preludio [Corelli, Arcangelo] Rage Over A Lost Penny [Beethoven, Ludwig Van] Recuerdos De La Alhambra (Tarrega) Recuerdos de la Alhambra [Tarrega, Francisco] Rondo [Bach, Carl Philipp Emanuel] Serenade [Haydn, Franz Joseph] Siciliano [Bach, Johann Sebastian] Sicilienne [Paradies, Pietro] Sonata In A No.483 (Scarlatti) Sonatine In D Minor (Beethoven) Tango [Albeniz, Isaac] The Organ Grinder From Die Winterreise Op.89 (Schubert) Theme And Variation On A Theme By Rossini (Chopin) Tre Giorni (Pergolesi) Valse (Tchaikovsky) Waltz [Brahms, Johannes] Waltz (Lyric Pieces) [Grieg, Edvard] Waltz In A Minor (Chopin) What If I Never Speede (Downland)

This book and accompanying audio present the most popular themes from the classical orchestral repertoire adapted for Guitar. Historical background is provided for each piece as well as warm-ups for both hands.The selections include works by Vivaldi Handel Haydn Mozart Beethoven Rossini Bizet Tchaikovsky Grieg Rimsky-Korsakov Grieg and others.The material is written in tablature and standard notation.

Mozart?s ?Adagio? Bach?s ?Bourrée? and ?Solveig?s Song? by Grieg are amongst this selection of popular pieces set for flute and guitar. The flute plays the melody and the guitar?s notated chordal accompaniment provides harmonic and rhythmical structure while remaining light and subtle.From the contents?Bourrée? (BWV 966) (J. S. Bach) ?Les coucous bénévoles? (F. Couperin) ?Menuet in G? (J. S. Bach) ?Musette? (J. S. Bach) ?German Dance? (J. Haydn) ?Adagio? (W. A. Mozart) ?Der Vogelfänger bin ich ja? (W. A. Mozart) ?Allegro? K. 3 (W. A. Mozart) ?Waltz? (J. Brahms) ?Wiegenlied? (J. Brahms) ?Solveig?s Song? (E. Grieg) ?The Moldau? (B. Smetana) ?Boléro?(M. Ravel)The authorBerthold Kloss is an editor for educational music at Bärenreiter and Bosse. He has published numerous choir and songbooks conducts a choir and plays flute and guitar.

Nocturnes ont une longue tradition - de la notturni de Mozart et Haydn à travers les nocturnes de la Epoque romantique de Chopin, qui a élevé le genre à fascinante pièce de caractère: Il a créé gemmes brillantes ambivalente dans un monde irréel de la nature humaine qui ont été aussi proche de la extrêmement sublime comme à un démoniaque abîme. Enjott Schneider '3 Nocturnes ', le noyau de chacune des qui est caractérisé par une latine devise, la parole dans cette tradition. Cicéron 'Somnus HNE imago Mortus' voit le sommeil comme une ressemblance de la mort. 'Die Zeit Eilt weg, die Liebe bleibt aber 'Time [passe mais l'amour reste] explore l'ambivalence entre que ce qui est hâte et que ce qui reste éternellement. Ovide 'Der Tropfen höhlt den Stein nicht durch Kraft, sondern durch stetes 'Fallen [Le déposer creux de la pierre, non pas par la force, mais par la constante dégoulinant] a sa contrepartie dans un minimaliste motif qui a une influence durable sur l'auditeur à travers son constante de sondage. / Guitare / niveau : Intermédiaire / Avancé / Partition

Description Berklee Basic Guitar: Phase 1 William Leavitt. Berklee Press. Two, three and four part arrangements. Material for class instruments, guitar clubs and student recitals. Berklee Press.. Songlist Accidentally [Leavitt, William] America, The Beautiful An Ancient Rock [Leavitt, William] Andante (Symphony No.94 'The Surprise') [Haydn, Franz Joseph] Another Waltz [Leavitt, William] Big Ben [Leavitt, William] Duet For Dot [Leavitt, William] Duet For Two [Leavitt, William] Frere Jacques Giant Steps [Leavitt, William] Home On The Range Long, Long Ago Lullaby [Brahms, Johannes] Merrily We Roll Along My Old Kentucky Home [Foster, Stephen] Old Macdonald Had A Farm Rock Candy [Leavitt, William] The Cobra [Leavitt, William] The Pebble [Leavitt, William] The Waltz [Leavitt, William] Two-part Invention (No.13) [Bach, Johann Sebastian] White Coral Bells

Plus de 200 morceaux du début de la Renaissance et du Baroque aux périodes classiques et romantiques. Inclues des oeuvres de Carcassi, Bach, Tarrega et Mozart. / Guitare / Partition