Par STRAUSS RICHARD. Special advisor to the edition: Evelyn Lear, renowned Strauss interpreter. A newly researched, edited and engraved edition of this major, standard art song literature. There are historical notes included for each song describing pertinent circumstances of composition and first performances. Line by line literal translations are given at the head of each song. This is the best, most informative edition of Strauss songs ever assembled. / Date parution : 2021-12-09/ Recueil / Voix Haute et Piano

Par WAGNER RICHARD. Treulich Geführt (Brautlied)/ Répertoire / Voix Elevées et Piano

op. 32. Par STRAUSS RICHARD. / Date parution : 2023-03-21/ Répertoire / Voix Haute et Piano

Par STRAUSS RICHARD. Langue: German, English, Format: New Edition portrait/ Répertoire / Voix Elevées et Piano

Originaltonarten für hohe Stimme. Written in 1885, the eight songs after texts by the now little-known poet Hermann von Gilm have a special place in Richard Strauss? corpus of Lieder. For the first time, he composed an entire set of songs on texts by a single poet, collecting them into one opus that was also to appear in print. Some of the numbers in it, like ?Zueignung,? ?Die Nacht,? and ?Allerseelen,? are among the most popular Strauss songs of all time, but the entire cycle with its well-planned structure is also worthy of closer examination and performance. The aspiring composer quite consciously aligns himself with the tradition ranging from Schubert to Wolf, choosing the highly Romantic subject of unrequited love and illuminating its most diverse facets. The primary source for the Henle Urtext edition is the first edition from 1887, which Strauss furnished with a dedication to the Royal Bavarian chamber singer Heinrich Vogl - a serious invitation to today?s male singers not to leave these wonderful Strauss songs solely to female singers!

Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D

A Cycle Of Seven Songs for High Voice and Piano Accompaniment. Commissioned by the 1962 Cheltenham Festival. Premiered by Richard Lewis and Geoffrey Parsons.

For High Voice and Piano. Composed by Lennox Berkeley with text by Federico Garcia Lorca translated by Stanley Richardson.

The Vocal part with Piano accompaniment to this Bernstein favourite from the popular show Candide. Loosley based on Voltaire's 1758 satirical novella of the same name. with Lyrics by Richard Wilbur.

Selected art songs by prominent American composers in the G. Schirmer and AMP catalog including songs by Samuel Barber John Duke Lee Hoiby Charles Ives John Jacob Niles William Schuman and others.Includes worksfrom Ernst Bacon: It's all I have to bring • Samuel Barber: The Crucifixion; The Daisies; Hey nonny no!; The Monk and His Cat; Mother I cannot mind my wheel; A Slumber Song of the Madonna; Sure on this shiningnight • Paul Bowles: Cabin; Heavenly Grass; Sugar in the Cane • Theodore Chanler: The Lamb • Ernest Charles: When I Have Sung My Songs • John Duke: Loveliest of Trees • Richard Hageman:Do not go my love • Lee Hoiby: Where the Music Comes From • Carles Ives: In the mornin'; Serenity • Herbert Kingsley: The Green Dog • Charles Naginski: The Pasture • John Jacob Niles:Black is the color of my true love's hair; Go 'way from my window; The Lass from the Low Countree • Gladys Rich: American Lullaby • William Roy: This Little Rose • John Sacco: Brother Will BrotherJohn • William Schuman: Holiday Song; Orpheus with his lute.

The Vocal Library Low Voice-The Vocal Library. Creative stylish art music settings of traditional and familiar hymn tunes by composer Richard Walters appropriate for concert or church. 9 titles are for solo voice 2 are for duets. Solos include: Ah Holy Jesus · Be Thou My Vision · Come Thou Fount of Every Blessing · How Firm a Foundation · Let Us Break Bread Together · Now Thank We All Our God · O For a Thousand Tongues to Sing · Praise to the Lord the Almighty · This is My Father's World. Duets: All Creatures of our God and King · Wondrous Love.

The Vocal Library. A huge collection of 70 sacred songs for classical singers spanning an enormous range of literature including art songs traditional songs 28 classic Burleigh spiritual arrangements (experts on African-American spirituals contend they are for singers of all ethnic heritages) and distinctive concert arrangements of hymns and folksongs by Richard Walters. There are four duets included. This collection will be as useful in the voice studio as in every working singer's repertoire and every church music library.

Thirty-four songs from 17 composers complete with historical information. A useful sourcebook for student singers. Edited by Steven Stolen and Richard Walters.