Nine easy pieces for Horn in F with piano accompaniment-Nine easy pieces for Horn in F with Piano Accompaniment by Michael Rose. These are all fun generally light and uncomplicated pieces which will provide hours of enjoyment for Horn Players!

Mozart's Horn Concertos are host to some of his most celebrated and playful melodies and are presented here in an authoritative yet affordable edition. Edited by Barry Tuckwell the most prominent French Horn player of hisgeneration parts have been included here for both the French Horn and the Natural Horn with a Piano reduction providing a full performance accompaniment.Horn Concerto No.1 is available - catalogue number HL50485603 HornConcerto No.3 is available - catalogue number HL50485605. Horn Concerto No.4 is available - catalogue number HL50485606

Adagio and Allegro is one of the first works of major importance written for the valve Horn. The original title was Romance and Allegro. It was composed during the first few months of 1849 a period when Schumann also composed solo works for Oboe and Piano Clarinet and Piano as well as the Konzertstucke for four Horns and Orchestra. Edited for French Horn and Piano by Barry Tuckwell.

arranged for Horn and Piano-'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for horn and piano. The comprehensive selection of works enables the musician to access classical masterpieces ? from Handel and Bach via Schubert Mendelssohn Schumann and Wagner to Fauré Elgar Debussy and Satie. There will be something for any hornist who is looking for a popular classical work for teaching or performing purposes.

Thema Und Variationen (Theme And Variations) Op.13 is a beautiful work for Horn in F with Piano Accompaniment composed by Franz Strauss (1822-1905). This piece will provide an enjoyable challenge for the hornist and pianist alike.The solo Horn in F part is also included on a separate insert.

French composer Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer conductor teacher and organist. His compositions for a variety of instruments are exceptional Cantecor for Horn and Piano being no exception. As reflected in Cantecor for Horn and Piano Büsser's compositional style was sophisticated yet true to the 19th Century French tradition. Elements of Cantecor for Horn and Piano include chromaticism exploitation of tonality complex rhythms and significant tempo changes among other aspects. For all advanced Horn players Büsser's Cantecor for Horn and Piano is essential for a varied repertoire.

In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This book includes selections from that film arranged for French Horn with a fully orchestrated CD accompaniment. The french horn book is compatible with that for flute, clarinet, alto saxophone, tenor saxophone, trumpet, and trombone. A piano accompaniment is available separately (order no. 31799) and includes a CD that features various instrument demo tracks from the series. The book contains a carefully edited part that is appropriate for the intermediate level player. The CD includes a demo track, which features a live instrumental performance, followed by the play-along track itself. Also included are eight pages of colour photographs from the movie. Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.

Having won many prizes at the Paris Conservatoire during the 1920s and 1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences En Foret being no exception. This Bozza piece for French Horn and Piano masterfully combines a virtuosic Horn solo with impressionistic Piano accompaniment. The composer includes reminders of the Horn's hunting roots with frequent uses of call and response throughout. As a music educator PaulGriffiths has written of Bozza's compositions saying how 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

Timeless Cornish Melodies-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Two specially selected themes from 'Harry Potter and The Prisoner of Azkaban'. The arrangements are for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, French Horn and Trombone. As they are compatible volumes, they can be played together. The book is for the early/intermediate player, with a piano accompaniment suitable for either a teacher or intermediate level student. A backing CD is also included and provides both a demonstration version and also the playalong track.

KV 447-The Bärenreiter piano reduction of Mozart's Horn Concerto No.3 In E Flat K.447 (BA5312a) has an idiomatic and uncluttered keyboard part. The reduction is conceived for performances with keyboard as well as for rehearsal purposes for renditions with orchestra.Franz Giegling?s editorial work on the concertos in the New Mozart Edition is the definitive scholarly-critical publication and is based naturally on every known source.The publication reflect the needs of performers today. It contains clearly laid out solo horn parts in E-flat and F a detailed historical preface commenting on the sources and a special brochure containing cadenzasand ? Eingänge ?. The cadenza and ? Eingänge ? brochure offers for the first time in print the important cadenzas by Dennis Brain Timothy Brown and Dominic Nunns. The cadenzas are presented in E-flat and then in a slightly altered version for the natural horn. All of the material has also been transposed and presented for the valve horn.

In the summer of 1888 while also working on his tone poem Don Juan Richard Strauss composed this brief Andante for his father Franz Strauss a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement ???of a still unfinished??? sonata that Strauss however never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suited for teaching purposes and as aneffective Romantic performance piece. In the summer of 1888 while also working on his tone poem Don Juan Richard Strauss composed this brief Andante for his father Franz Strauss a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement ???of a still unfinished??? sonata that Strauss however never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suited for teaching purposes and as aneffective Romantic performance piece.