Reuben Morgan's popular praise song is put into stellar choral form by Marty Parks. Appropriate for the Easter season or any time of year in celebration of the Redeemer. Available separately: SATB ChoirTrax CD. Score and parts (tpt 1-3 hn 1-2 tbn 1-3 perc rhythm) available as a digital download. Duration: ca. 3:35.

Edition no.: BA 8957 ISMN: 9790006525515 Editor: Münden, Gerd-Peter Language(s) of work: German, English, Latin Language(s) of text: German, English Product format: Score, Anthology Includes the following individual parts: Mixed choir: SSATBB, Children's choir: SSA oder Youth choir: SSA oder Chor (gleichstimmig) Organ ad lib. Binding: Stapled Pages / Format: IV, 52 S. - 29,0 x 21,0 cm Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Münden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults’ or children’s choir. - Well-known Advent and Christmas carols in new settings - With texts in German and English - With short Latin introductions as a part of each motet - Ideal for a children’s or adults’ choir during the Christmas season Contents There comes a galley, laden / Es kommt ein Schiff, geladen O saviour, open heaven’s gate / O Heiland, reiß die Himmel auf O Lord, how shall I meet you / Wie soll ich dich empfangen Angels from the realms of Glory / Hört der Engel helle Lieder As I was watching o’er my sheep / Als ich bei meinen Schafen wacht Good Christian men rejoice / Nun singet und seid froh The Editor Gerd-Peter Münden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.

Commissioned by the Westminster Cathedral. This piece for Treble Voices with Organ was first performed in June 2005 at Westminster Cathedral London by Westminster Cathedral Choir. Missa Brevis Is dedicated to thememory of His Holiness Pope John Paul II.A version for Mixed Voices and Organ is also available: Catalogue No.CH70400

Reconstructed First Edition-Samuel Barber's Christmas Eve. Edited and reconstructed by Iain Quinn for SSA choir with solos and Organ accompaniment.

Ding Dong! Merrily On High has been expertly arranged by Stuart Nicholson for SSA and Organ accompaniment. This brilliant Christmas favourite is sure to get any audience in the festive mood. / Choeur SSA Et Orgue

POD-Evening Hymn is a work for Upper Voices and Organ by Keith Roberts. A setting of a Latin 7th century hymn translated by J.M. Neale. 

POD-Missa Eudora is a work by Rupert Jeffcoat for Upper Voices and Organ Accompaniment composed for the baptism of Anastasia Catherine Eudora Jeffcoat at Coventry Cathedral 30th March 2003.

Paul Mealor's If Ye Love Me for upper Voices and Organ. Commissioned by St Marylebone Parish Church in memory of Miss Joie Macauley the 900th Anniversary of the parish and the 200th Anniversary of the present parish church; first performed at the parish church by the Choir of St Marylebone Parish Church on 23rd July 2017. 'This is simple beautiful and outstandingly effective. The simple melody is sung unison throughout except for a single two-part chord at the climax with a top G in the upper part (otherwise the top note is E). The organ is rooted with G and C pedal semibreves alternating and the whole piece forms ahuge arc from pianissimo to fortissimo and back to pianissimo.'  - ‘Sunday by Sunday’ Paul Mealor's upper voice setting of the familiar words If ye love me. It offers a gentle unison melody over held chords on the organ building to a climax on the words 'may abide with you' - the emphasis on the pronoun marking out a difference from most other settings. This is an effective somewhat plaintive setting which any upper-voice choir would find attractive and not too demanding. - 'Organists' Review'

Infante - A traditional 3/4 size Guitar the Infante is perfectly suited for the younger or physically smaller player. Recommended by numerous local music authorities and teaching organisations the Infante will without doubt aid the learning process of all aspiring players.3/4 SizeTop: Oregon PineBack & Sides: SapelliNeck: African MahoganyFingerboard: MongoyMachineheads: Lyre design Nickel

Commissioned by CODA (Choral Organizations & Developing Artists) composer Richard Burchard selected a poem by Christina Rossetti that celebrates spring in a more pensive way. Speaking poetically of how spring passes ultimately into death Burchard's music is thoughtful and soothing. Accompanied by piano and French Horn the piece is primarily SAB with only slight TB divisions at the very end.

This setting of a text by George Herbert is written by Bob Chilcott for Unison and Divisi Upper Voices with Piano or Organ accompaniment. Part of the Oxford Upper Voices series (T125) the melody is simple and softly flowing suitable for amateur or younger choral groups.

Original pieces as well as new arrangements for upper voices of some of the most popular titles from John Tavener's outstandingly varied and extensive list of works for choir.Over the years we can trace a line from theexquisite simplicity of his setting of Blake's The Lamb to the monumental Veil Of The Temple.The arrangements are all for soprano and alto singers with a varying number of parts up to four sopranos and fouraltos (in Ikon Of Saint Hilda). An Organ or Piano accompaniment part is provided as applicable with an additional optional Cello solo in Song For Athene.

Great God And Just is a Penitential Hymn by Henry Purcell scored for Voice 3-Part Mixed Choir Basso Continuo and Organ (or Harpsichord) Accompaniment. The work is a setting of text by Jeremy Taylor.

Arranged for 3 part choir and organ. This work can be sung by either female or boys voices.