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| Concerto for Orchestra Orchestra Faber Music Limited
Composed by George Benjamin. Full Orchestra (Full Score); Performance Music En...(+)
Composed by George Benjamin.
Full Orchestra (Full Score);
Performance Music Ensemble.
20th Century; Adult
Contemporary. Score. Faber
Music #12-0571542530.
Published by Faber Music
$62.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ablaze Orchestra Alfred Publishing
Composed by Chris M. Bernotas. Part(s); Score; SmartMusic; String Orchestra. Sou...(+)
Composed by Chris M. Bernotas. Part(s); Score; SmartMusic; String Orchestra. Sound Innovations for String Orchestra. 148 pages. Published by Alfred Music (AP.41244).
$46.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Batman Orchestra [Score]
Second Edition. Composed by Danny Elfman. This edition: Paperback/Softcover. S...(+)
Second Edition. Composed by
Danny Elfman. This edition:
Paperback/Softcover. Sheet
music. Study score. Composed
1989. 392 pages. Omni Music
Publishing #OMNI 50797.
Published by Omni Music
Publishing
$106.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Overture Coriolan for Orchestra, op. 62 Orchestra Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This...(+)
Composed by Ludwig van
Beethoven (1770-1827). Edited
by Jonathan Del Mar. This
edition: urtext edition.
Stapled. Score. Opus 62.
Baerenreiter Verlag #BA11904.
Published by Baerenreiter
Verlag
$29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hanns Eisler Complete Edition (HEGA) Orchestra Breitkopf & Härtel
Serie IX (Schriften) Vol. 4.3: Briefe 1952-1956. Composed by Hanns Eisler ...(+)
Serie IX (Schriften) Vol.
4.3: Briefe 1952-1956.
Composed by Hanns Eisler
(1898-1962). Edited by Maren
Koster. Restless Times.
Breitkopf and Haertel #BV
350. Published by Breitkopf
and Haertel
$96.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Pegasus (Wings of Majesty) Orchestra [Sheet music + Audio access] - Easy Hal Leonard
Composed by Michael Sweeney. MusicWorks Grade 2. Concert. Score and parts (with ...(+)
Composed by Michael Sweeney. MusicWorks Grade 2. Concert. Score and parts (with online audio). Published by Hal Leonard
(4)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Larghetto for Orchestra and Other Works Orchestra [Study Score / Miniature] Boosey and Hawkes
Chamber Orchestra; Orchestra; String Orchestra (Study Score) SKU: HL.48024880...(+)
Chamber Orchestra; Orchestra; String Orchestra (Study Score) SKU: HL.48024880 Study Score. Composed by James Macmillan. Boosey & Hawkes Scores/Books. Classical. Softcover. 80 pages. Duration 900 seconds. Boosey & Hawkes #M060136009. Published by Boosey & Hawkes (HL.48024880). ISBN 9781784545154. UPC: 840126918670. 7.25x10.25x0.319 inches. This publication presents under one cover various short works for sundry orchestral scorings. Larghetto for Orchestra is MacMillan's orchestration (2017) of his celebrated Miserere for a cappella mixed choir (2009), a setting in Latin of Psalm 51, 'Have mercy upon me, O God, according to thy great mercy', the penitential text famously set in the 17th century by Gregorio Allegri. The Larghetto orchestration was commissioned by the Pittsburgh Symphony Orchestra in celebration of Manfred Honeck's 10th Anniversary as Music Director. Memoire imperiale is one of a number of variations on General John Reids march tune Old Gaul commissioned from Scottish composers to mark the centenary in 1994 of the Faculty of Music at Edinburgh University. The Faculty was established following a bequest by General Reid (1721-1807), a former law student at the University and a renowned flute player and composer of marches for the BritishArmy, and he asked that an annual concert be organised at which one or more of his compositions be played. Composed in 2012 for the Britten Sinfonia, One is a monody in which a single line is passed around the instruments, painting it with different colours as it emerges and develops. Lasting only a few minutes, its singularity is maintained until blossoming in the lastfew bars. For Sonny (2011, orch 2013) and Ein Lamplein verlosch (2018, orch 2019) are short, private memorial tributes originally for string quartet and here rescored for string orchestra. Hirta was composed in 2016 as part of Deccas The Lost Songs of St Kilda project. Nearly a century ago, the last 36 residents were evacuated from the most remote part of the British Isles, St Kilda, an isolated archipelago off the beautiful and rugged western coast of Scotland. After 86 years, the music of St Kilda was rediscovered, recorded in a Scottish care home by Trevor Morrison, an elderly man who had been taught piano by an inhabitant of St Kilda. The songs were 'reimagined' for the Decca album by various. $56.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hanns Eisler Complete Edition (HEGA) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-511 Orchestermusik. Composed by Hanns Eisler...(+)
Orchestra SKU: BR.SON-511 Orchestermusik. Composed by Hanns Eisler. Edited by Knud Breyer. Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 248 pages. Breitkopf and Haertel #SON 511. Published by Breitkopf and Haertel (BR.SON-511). ISBN 9790004803448. 10 x 12.5 inches. Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.
The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription. $330.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hanns Eisler Complete Edition (HEGA) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-506 Kammersymphonie op.69. Composed by Hanns...(+)
Orchestra SKU: BR.SON-506 Kammersymphonie op.69. Composed by Hanns Eisler. Edited by Tobias Fasshauer. Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 148 pages. Breitkopf and Haertel #SON 506. Published by Breitkopf and Haertel (BR.SON-506). ISBN 9790004802779. 10 x 12.5 inches. Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.
The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription. $206.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hanns Eisler Complete Edition (HEGA) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-508 Filmmusik zu The Grapes of Wrath/Hangmen Als...(+)
Orchestra SKU: BR.SON-508 Filmmusik zu The Grapes of Wrath/Hangmen Also Die. Composed by Hanns Eisler. Edited by Johannes C. Gall. Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 156 pages. Breitkopf and Haertel #SON 508. Published by Breitkopf and Haertel (BR.SON-508). ISBN 9790004803301. 10 x 12.5 inches. Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.
The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription. $206.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hanns Eisler Complete Edition (HEGA) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-509 Filmmusik zu Nuit et brouillard. Compose...(+)
Orchestra SKU: BR.SON-509 Filmmusik zu Nuit et brouillard. Composed by Hanns Eisler. Edited by Knud Breyer and Oliver Dahin. Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 156 pages. Breitkopf and Haertel #SON 509. Published by Breitkopf and Haertel (BR.SON-509). ISBN 9790004803318. 10 x 12.5 inches. Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.
The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription. $206.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Contextures: Riots - Decade '60 Orchestra Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S). UPC: 680160683208. Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death. $43.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Angel of Light (Symphony No. 7( Orchestra SATB, Orchestra Fennica Gehrman
Orchestra SKU: FG.55011-444-9 Composed by Einojuhani Rautavaara. Score (l...(+)
Orchestra SKU: FG.55011-444-9 Composed by Einojuhani Rautavaara. Score (large). Fennica Gehrman #55011-444-9. Published by Fennica Gehrman (FG.55011-444-9). ISBN 9790550114449. Einojuhani Rautavaara (1928-2016) was one of Finland's internationally most successful composers. He made his major breakthrough with the Symphony No. 7, Angel of Light, in the 1990s, but his output includes numerous classic operas, concertos, chamber music and choral works. Over his extensive career, he progressed from Neo-Classicism to strict dodecaphony to free-tonal Neo-Romanticism, combining modernism with mystical romanticism in his later works. According to the composer, the role of the composer is to be mediator, a midwife, who helps the music become alive on its own terms; Listen to what the music wants to tell you, he told his composition students, sense where it wants to go. Rautavaara rose to great international fame with the success of his Symphony No. 7, Angel of Light (1995) powered by the prize-winning recording (Helsinki Philharmonic, Segerstam, Ondine label) later the same year. Many high-profile international commissions followed, creating yet more prize-winning recordings. To mark the 25th anniversary of the work's premiere - in its original form as the Bloomington Symphony - by the Bloomington Symphony Orchestra and conductor David Pickett, Fennica Gehrman is publishing an entirely new edition of the symphony based on all available sources, including the composer's manuscript and his markings in various printed scores. This is a large-sized conductor score with extensive analysis of the work and its genesis. $93.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Symphonie a Major Hob. I:87 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489055 Orchestra Study Score. Co...(+)
Orchestra (Study Score) SKU: HL.51489055 Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Hiroshi Nakano. Study Score. Paperbound. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9055. Published by G. Henle (HL.51489055). ISBN 9790201890555. UPC: 888680950590. 7.0x9.0x0.25 inches. Preface: Ullrich Schneidler. Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge “Société Olympique†in Paris, which ran a large orchestra and organised regular concerts. These six works are notable for their artful motivic work and playful wit. Haydn here pays tribute both to the discerning taste of the Paris audience and to the excellent abilities of the musicians in the orchestra. These symphonies rapidly became famous and popular throughout Europe, thanks to editions published variously in Paris, Vienna and London. In this Symphony in A major, composed in 1785, Haydn provides the flute with concertante solo passages in the Adagio which was perhaps a nod to the instrument’s popularity in France at the time. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphonie D Major Hob. I:86 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489054 Orchestra Study Score. Co...(+)
Orchestra (Study Score) SKU: HL.51489054 Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Klaus Lippe and Sonja Gerlach. Study Score. Paperbound. Henle Study Scores. Classical. Softcover. 66 pages. G. Henle #HN9054. Published by G. Henle (HL.51489054). ISBN 9790201890548. UPC: 888680950606. 7.0x9.0x0.287 inches. Preface: Ullrich Schneidler. Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge “Société Olympique†in Paris, which ran a large orchestra and organised regular concerts. These six works are notable for their artful motivic work and playful wit. Haydn here pays tribute both to the discerning taste of the Paris audience and to the excellent abilities of the musicians in the orchestra. These symphonies rapidly became famous and popular throughout Europe, thanks to editions published variously in Paris, Vienna and London. In this D-major symphony, composed in 1786, the slow movement entitled “Capriccio†is very free in its form, and its introverted mood stands in marked contrast to the exuberance of the other movements. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphonie E-Flat Major Hob. I:84 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489052 Orchestra Study Score. Co...(+)
Orchestra (Study Score) SKU: HL.51489052 Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Klaus Lippe and Sonja Gerlach. Study Score. Clothbound. Henle Study Scores. Classical. Softcover. 60 pages. G. Henle #HN9052. Published by G. Henle (HL.51489052). ISBN 9790201890524. UPC: 888680950682. 7.0x9.0x0.238 inches. Preface: Ullrich Schneidler. Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge “Société Olympique†in Paris, which ran a large orchestra and organised regular concerts. These six works are notable for their artful motivic work and playful wit. Haydn here pays tribute both to the discerning taste of the Paris audience and to the excellent abilities of the musicians in the orchestra. These symphonies rapidly became famous and popular throughout Europe, thanks to editions published variously in Paris, Vienna and London. This E-flat major Symphony, composed in 1786, is notable for its colourful use of the woodwind, which are also allowed to come to the fore in solo passages. This study edition reproduces the musical text of the Haydn Complete Edition, which isa guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphonie C Major Hob. I:82 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489050 (L'ours) Orchestra Study Scor...(+)
Orchestra (Study Score) SKU: HL.51489050 (L'ours) Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Klaus Lippe and Sonja Gerlach. Study Score. Paperbound. Henle Study Scores. Classical. Softcover. 66 pages. G. Henle #HN9050. Published by G. Henle (HL.51489050). ISBN 9790201890500. UPC: 888680950699. 7.0x9.0x0.251 inches. Preface: Ullrich Schneidler. Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge “Société Olympique†in Paris, which ran a large orchestra and organised regular concerts. These six works are notable for their artful motivic work and playful wit. Haydn here pays tribute both to the discerning taste of the Paris audience and to the excellent abilities of the musicians in the orchestra. These symphonies rapidly became famous and popular throughout Europe, thanks to editions published variously in Paris, Vienna and London. The C-major symphony was composed in 1786. Its nickname “L'Ours†(“The bearâ€) derives from the bagpipe-like “drone†accompaniment in the final movement, which presumably made Haydn's contemporaries think of a dancing bear. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphonie B-Flat Major Hob. I:85 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489053 (La Reine) Orchestra Study Sc...(+)
Orchestra (Study Score) SKU: HL.51489053 (La Reine) Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Hiroshi Nakano. Study Score. Paperbound. Henle Study Scores. Classical. Softcover. 51 pages. G. Henle #HN9053. Published by G. Henle (HL.51489053). ISBN 9790201890531. UPC: 888680950651. 6.5x9.0x0.131 inches. Preface: Ullrich Schneidler. Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge “Société Olympique†in Paris, which ran a large orchestra and organised regular concerts. These six works are notable for their artful motivic work and playful wit. Haydn here pays tribute both to the discerning taste of the Paris audience and to the excellent abilities of the musicians in the orchestra. These symphonies rapidly became famous and popular throughout Europe, thanks to editions published variously in Paris, Vienna and London. It is a matter of debate whether or not this Symphony no. 85, “La Reine†(“The Queenâ€), was really given its nickname because it was the favorite symphony of Marie-Antoinette. The name certainly did not stem from Haydn, but it was nevertheless stated on the title page of the edition published by Imbault in Paris as early as 1788. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphonie G Minor Hob. I:83 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489051 (La Poule) Orchestra Study Sc...(+)
Orchestra (Study Score) SKU: HL.51489051 (La Poule) Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Hiroshi Nakano. Study Score. Paperbound. Henle Study Scores. Classical. Softcover. 50 pages. G. Henle #HN9051. Published by G. Henle (HL.51489051). ISBN 9790201890517. UPC: 888680950583. 6.5x9.5x0.202 inches. Preface: Ullrich Schneidler. Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge “Société Olympique†in Paris, which ran a large orchestra and organised regular concerts. These six works are notable for their artful motivic work and playful wit. Haydn here pays tribute both to the discerning taste of the Paris audience and to the excellent abilities of the musicians in the orchestra. These symphonies rapidly became famous and popular throughout Europe, thanks to editions published variously in Paris, Vienna and London. The Symphony no. 83 is the only Paris Symphony in a minor key. Its nickname “La Poule†(“The henâ€) was not coinedby Haydn. But it's almost impossible not to be reminded of the bird when listening to the oboe's “cluckings†in the second theme of the first movement. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finestscholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Overture "Egmont" for Orchestra, op. 84 Orchestra Barenreiter
(Orchestra) SKU: BA.BA11903 Composed by Ludwig van Beethoven. Edited by J...(+)
(Orchestra) SKU: BA.BA11903 Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Score. Opus 84. Baerenreiter Verlag #BA11903_00. Published by Baerenreiter Verlag (BA.BA11903). ISBN 9790006573783. 32.5 x 25.5 cm inches. Beethoven’s incidental music op. 84 was written in 1809 for a performance of Goethe’s drama “Egmont†at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe’s tragedy, several in collaboration with the author himself. The overture reflects the themes of the play through its expressive music, and over the last two hundred years it has become one of the most popular works by Beethoven conceived for the stage.
For this new edition, Beethoven specialist Jonathan Del Mar draws on various manuscript sources including a handwritten set of parts which has never been taken into account before. Thus, numerous discrepancies such as missing notes in the flute part or unclear bowing could be clarified for the first time.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$38.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christmas Fugue Orchestra Carl Fischer
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Compose...(+)
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Composed by Robert B. Brown. Condensed score. Carl Fischer Music #PO192S. Published by Carl Fischer Music (CF.PO192S). ISBN 9781491157367. UPC: 680160915927. Program note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  . Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. . $14.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Christmas Fugue Orchestra Carl Fischer
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Compose...(+)
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Composed by Robert B. Brown. Full score. Carl Fischer Music #PO192F. Published by Carl Fischer Music (CF.PO192F). ISBN 9781491157374. UPC: 680160915934. Program note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  . Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. . $18.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Joyful Holidays Orchestra - Easy Belwin
Orchestra - Grade 2.5 SKU: AP.41223 Composed by Various. Arranged by Jack...(+)
Orchestra - Grade 2.5 SKU: AP.41223 Composed by Various. Arranged by Jack Bullock. Full Orchestra; Performance Music Ensemble; Single Titles. Belwin Intermediate String/Full Orchestra. Christmas; Winter. Score and Part(s). 240 pages. Duration 5:40. Belwin Music #00-41223. Published by Belwin Music (AP.41223). UPC: 038081504728. English. Various. One suite provides ultimate flexibility! Select from Joy to the World, Deck the Hall, Chanukah, or Silent Night and perform any or all either as string orchestra, full orchestra, brass quintet, or woodwind quintet. All in one chart! Wow! (5:40). $63.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stars of Glory - Score and Parts plus CD with Printable Parts Orchestra Lorenz Publishing Company
Orchestra SKU: LO.30-3220L Composed by Thomas Fettke. Arranged by Thomas ...(+)
Orchestra SKU: LO.30-3220L Composed by Thomas Fettke. Arranged by Thomas Grassi. Choral, cantatas. Christmas. Score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3220L. Published by Lorenz Publishing Company (LO.30-3220L). UPC: 000308142389. Brimming with ancient Celtic flavor, Stars of Glory radiates the promise of the light of God’s salvation, fulfilled in the birth of Jesus Christ. Tom Fettke and Thomas Grassi have arranged a brilliant mix of eleven traditional carols for SATB choir, duet, optional solo, child’s solo, and women’s trio. Variously tender, introspective, joyous, and infectious, the selections in this work are connected by the common thread of their Celtic highlights, while Ken Bible’s readings beautifully illuminate the central theme—Jesus Christ, the Bright and Morning Star. Orchestration by Michael Lawrence for 2 Fl, Ob, 2 Cl, Bsn (sub Bass Cl), 2 Hn (sub 2 A Sax), 3 Tpt, 2 Tbn (sub 2 T Sax), Tuba, Perc, Timp, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital Strings. $399.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stars of Glory - Set of Parts Orchestra Lorenz Publishing Company
Orchestra SKU: LO.30-3218L Composed by Thomas Fettke. Arranged by Thomas ...(+)
Orchestra SKU: LO.30-3218L Composed by Thomas Fettke. Arranged by Thomas Grassi. Choral, cantatas. Christmas. Instrumental parts. Lorenz Publishing Company #30/3218L. Published by Lorenz Publishing Company (LO.30-3218L). UPC: 000308142365. Brimming with ancient Celtic flavor, Stars of Glory radiates the promise of the light of God’s salvation, fulfilled in the birth of Jesus Christ. Tom Fettke and Thomas Grassi have arranged a brilliant mix of eleven traditional carols for SATB choir, duet, optional solo, child’s solo, and women’s trio. Variously tender, introspective, joyous, and infectious, the selections in this work are connected by the common thread of their Celtic highlights, while Ken Bible’s readings beautifully illuminate the central theme—Jesus Christ, the Bright and Morning Star. Orchestration by Michael Lawrence for 2 Fl, Ob, 2 Cl, Bsn (sub Bass Cl), 2 Hn (sub 2 A Sax), 3 Tpt, 2 Tbn (sub 2 T Sax), Tuba, Perc, Timp, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital Strings. $249.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Holiday Short Cuts 1 Orchestra - Beginner Alfred Publishing
Orchestra - Grade 1.5 SKU: AP.43755S Featuring: Sleigh Ride / Rockin' ...(+)
Orchestra - Grade 1.5 SKU: AP.43755S Featuring: Sleigh Ride / Rockin' Around the Christmas Tree / Let It Snow! Let It Snow! Let It Snow! / Santa Claus Is Comin' to Town. Composed by Various. Arranged by Michael Story. Performance Music Ensemble; Single Titles; String Orchestra. Pop Beginning String Orchestra. Form: Medley. Christmas; Secular; Winter. Score. 16 pages. Duration 4:00. Alfred Music #00-43755S. Published by Alfred Music (AP.43755S). UPC: 038081496283. English. Various. Featuring a set of four arrangements that can be performed individually or as a complete program. Each piece reinforces specific musical objectives. (4:00). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A (Very) Short History of Music Orchestra - Beginner Belwin
Orchestra - Grade 1 SKU: AP.46680S Composed by Various. Arranged by Dougl...(+)
Orchestra - Grade 1 SKU: AP.46680S Composed by Various. Arranged by Douglas E. Wagner. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Light Concert; Masterwork Arrangement. Score. 12 pages. Belwin Music #00-46680S. Published by Belwin Music (AP.46680S). UPC: 038081533261. English. Various. A (Very) Short History of Music is an amazing grade 1 medley of a representative example from each major period of Western music using mostly half and quarter notes. Seamlessly presented by Douglas E. Wagner, players and audiences alike will experience approximately ten centuries of music history in two and a half minutes. This title is available in MakeMusic Cloud. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony) Orchestra Breitkopf & Härtel
Orchestra (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.PB-5581 ...(+)
Orchestra (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.PB-5581 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Schmidt. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphony; Romantic. Full score. 140 pages. Duration 30'. Breitkopf and Haertel #PB 5581. Published by Breitkopf and Haertel (BR.PB-5581). ISBN 9790004213919. 10 x 12.5 inches. A Programmatic Declaration of BeliefFelix Mendelssohn Bartholdy composed his Reformation Symphony for the celebrations marking the 300th anniversary of the Confessio Augustana, the Protestant declaration of faith. Owing to various and only partially explained reasons, there was no performance in 1830, the year in question; it was only two years later that the composer conducted the premiere of his work, now heavily revised, in Berlin. There was only one more performance in Mendelssohn's lifetime, this one conducted by Julius Rietz in Dusseldorf; the composer had since distanced himself from his opus.Conceived for the concert hall, the symphony formulates its theological references through the integration of various motives. This occurs in the finale, for example, in which Mendelssohn quotes the Luther chorale Ein feste Burg in the flute, from where it builds up to a triumphant principal theme. The strong extra-musical aspect must have been one of the reasons for the composer's later avoidance of this score, especially since Mendelssohn was becoming increasingly skeptical about explicitly programmatic music in the instrumental domain. Next to the Dusseldorf performance material of 1837, two scribal copies have been examined for the first time; they transmit the main stages of the version of 1830. $96.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony) Orchestra Breitkopf & Härtel
Orchestra (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.PB-5598-07(+)
Orchestra (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.PB-5598-07 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphony; Romantic. Study Score. 132 pages. Duration 30'. Breitkopf and Haertel #PB 5598-07. Published by Breitkopf and Haertel (BR.PB-5598-07). ISBN 9790004214954. 6.5 x 9 inches. A Programmatic Declaration of BeliefFelix Mendelssohn Bartholdy composed his Reformation Symphony for the celebrations marking the 300th anniversary of the Confessio Augustana, the Protestant declaration of faith. Owing to various and only partially explained reasons, there was no performance in 1830, the year in question; it was only two years later that the composer conducted the premiere of his work, now heavily revised, in Berlin. There was only one more performance in Mendelssohn's lifetime, this one conducted by Julius Rietz in Dusseldorf; the composer had since distanced himself from his opus.Conceived for the concert hall, the symphony formulates its theological references through the integration of various motives. This occurs in the finale, for example, in which Mendelssohn quotes the Luther chorale Ein feste Burg in the flute, from where it builds up to a triumphant principal theme. The strong extra-musical aspect must have been one of the reasons for the composer's later avoidance of this score, especially since Mendelssohn was becoming increasingly skeptical about explicitly programmatic music in the instrumental domain. Next to the Dusseldorf performance material of 1837, two scribal copies have been examined for the first time; they transmit the main stages of the version of 1830. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Overture (Suite) No. 3 in D Major, BWV 1068 Orchestra [Study Score / Miniature] Eulenburg
Study Score. By Johann Sebastian Bach. Arranged by Harry Newstone. (Study Score...(+)
Study Score. By Johann Sebastian Bach. Arranged by Harry Newstone. (Study Score). Schott. 60 pages. Published by Eulenburg.
$13.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Frank Naylor: Latin
Americana Naylor:
Orchestra: Score and
Parts Orchestra Bosworth
Latin-Americana is a collection of 5 famous melodies and rhythms by various comp...(+)
Latin-Americana is a collection of 5 famous melodies and rhythms by various composers arranged for orchestra by Frank Naylor. Each work has been inspired by Latin America in some way with the classic tunes Jarabe Tapatio La Cucaracha La Paloma Clelito Lindo and Ay Ay Ay all included.Frank Naylor has become known for creating high-quality arrangements of classical music ideal for school and college level orchestras. This selection of exotic pieces is no exception - it is perfect for any young ensemble looking to expand their repertoire and impress their audiences.
42.50 GBP - Sold by Musicroom UK | |
| Johann Pfeiffer: Concerto
in B-flat Major:
Orchestra: Score and
Parts Orchestra [Score and Parts] Metropolis Music Publishers
German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nurember...(+)
German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute(the part has been adapted from lute tablature to modern notation) and guitar (capotasto). German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute(the part has been adapted from lute tablature to modern notation) and guitar (capotasto).
15.70 GBP - Sold by Musicroom UK | |
| Johann Pfeiffer: Concerto
in B-flat Major:
Orchestra: Score and
Parts Orchestra [Score and Parts] Metropolis Music Publishers
German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nurember...(+)
German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
34.80 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Suite No 3 D Major BWV
1068: Orchestra:
Miniature Score Orchestra Eulenburg
From early in the 17th century until the form engaged the interest of Johann Seb...(+)
From early in the 17th century until the form engaged the interest of Johann Sebastian Bach various notable German composers - including Rosenmüller Fischer Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture' whose name betrays its French theatrical origins. From Bach himself only four such suites have survived thanks to the diligence of C.F.Penzel a student at the Thomasschule from 1751 who made copies of Bach's MSS which he found there. Thus neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in D major recent criticism suggests that it mayoriginally have been written for strings only and dates in its final form from around 1731. Penzel's copy of the suite includes significant variants to be played by a solo violin (marked Violino Concertato) which are included here in the Appendices.The score is newly-edited from the extant sources consisting of sets of parts (some in Bach's autograph) and copyist's scores are preserved in the Staastbibliothek zu Berlin - Preußischer Kulturbestitz Musikabteilung mit Mendelssohn-Archiv. This edition replaces the former Eulenburg miniature score edited by Wilhelm Altmann.
11.99 GBP - Sold by Musicroom UK | |
| The Symphony: From
Mannheim to Mahler Orchestra [Book] Faber Music Limited
Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guid...(+)
Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guide that considers the development of the symphony from a number of different perspectives: analytical, historical, and critical. Exploring important milestones, touchpoints, events, key works, and the composers that surround the genre, it also includes a composer timeline, detailed case studies and comprehensive music examples. This handy and informative book is ideal for GCSE, A-Level, and undergraduate music students, as well as anyone wanting to study and learn more about the genre. Christopher Tarrant is Lecturer in Music Analysis at Newcastle University. He received his PhD from Royal Holloway, University of London and now teaches and writes about concert music of the long nineteenth century with a special emphasis on theory of form and the Nordic symphony. Christopher is also a violinist and conductor. Natalie Wild is Director of Research and Deputy Director of Music at the Music in Secondary Schools Trust (MiSST). Her research focuses on the role a classical music education can play in breaking down social barriers. Natalie has taught both GCSE and A-Level Music for many years as Head of Music in various inner-city schools. / Date parution : 2022-05-17/ Livre / Orchestre
25.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Ouverture Egmont
(BEETHOVEN LUDWIG VAN) Orchestra [Score] Barenreiter
Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was writte...(+)
Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was written in 1809 for a performance of Goethe?s drama ?Egmont? at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe?s tragedy, several in collaboration with the author himself. The overture reflects the themes of the play through its expressive music, and over the last two hundred years it has become one of the most popular works by Beethoven conceived for the stage.
For this new edition, Beethoven specialist Jonathan Del Mar draws on various manuscript sources including a handwritten set of parts which has never been taken into account before. Thus, numerous discrepancies such as missing notes in the flute part or unclear bowing could be clarified for the first time. / Date parution : 2022-04-05/ Répertoire / Orchestre
36.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Simon Holt: A Table Of
Noises (Full Score):
Orchestra: Score Orchestra [Sheet music] Chester
Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchest...(+)
Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchestra and the Borletti-Buitoni Trust. First performance on 14th May 2008 at Symphony Hall Birmingham by Colin Currie (percussion) and the City ofBirmingham Symphony Orchestra conducted by Martyn Brabbins.NOTE FOR PERFORMANCEIn table top the unpitched solo percussion part in the 9th movement the scoring was initially left open. The present full score showsa suggested instrumentation which was devised by Colin Currie in conjunction with the composer. Soloists should attempt to match the timbres used but should not feel constrained by the exact choice ofinstruments.COMPOSER’S NOTEThe percussion instruments used in a table of noises in some ways represent the odd things that were on my great uncle Ash’s parlour table that fascinated me as a child. There is even abottle; there was always a milk bottle with the silver top pushed in surrounded by other essentials for his life. From birth he was quite severely handicapped in one of his legs and couldn’t walk too far without his trusty crutch.He kept everything he needed within arm’s length. In the list of instruments for the solo part there’s everything from deep log drum sounds to very high metallic chime sounds. Wood glass metal and a whistle. Mostlysmall-scale things with a large gong behind used sparingly. I think that we managed to keep below 30 instruments in all which I was keen to do. I didn’t want scores of things that are only played once they have to earn theirkeep. I didn’t want to use a marimba but thought that trying to make the xylophone sound in a more expressive way would be more of a challenge. The percussionist sits for much of the time on a Cajon a flamenco instrument which isessentially a wooden box. The player hits the front of the box in various ways rather as you play a conga. There are guitar strings inside and bells to add to the overall colour. I would like to thank Colin Currie for the
49.99 GBP - Sold by Musicroom UK | |
| Luís Tinoco: Incipit:
Orchestra: Score Português Orchestra University Of York Music Press
Lu s Tinoco's Incipit for symphony Orchestra. Conductor's score.?Incipit? includ...(+)
Lu s Tinoco's Incipit for symphony Orchestra. Conductor's score.?Incipit? includes various quotations of ?Audivi vocem de caelo? written by the Portuguese composer Duarte Lobo (?1565-1646) thought to have been born in the same year when the city of Rio de Janeiro was founded. Work commissioned by the OPART - S.Carlos Theatre to mark the city of Rio de Janeiro?s 450th anniversary and first performed by the Orquestra Sinfónica Brasileira conducted by Tito Muñoz Cidade das Artes and Theatro Municipal 10th and 11th of June 2015 Rio de Janeiro.
14.95 GBP - Sold by Musicroom UK | |
| George Dyson: Symphony In
G: Orchestra: Study Score Orchestra [Study Score / Miniature] Novello & Co Ltd.
The Symphony In G for Full Orchestra was written in 1937 and first published in...(+)
The Symphony In G for Full Orchestra was written in 1937 and first published in 1940. Lasting around 43 minutes it is often compared to Moeran’s Symphony of the same year as the two works are stylistically very similar.George Dyson (1883-1964) was a British composer organist and music teacher. He studied at the Royal College of Music under Charles Stanford and became a teacher at various public schools. He later became the Director of the RCM ensuring it stayed open during the Second World War. He is probably best remembered nowadays for his Anglican church music especially his settings of the canticles but he alsowrote a substantial amount of instrumental and secular choral music.
44.99 GBP - Sold by Musicroom UK | |
| BEETHOVEN L.V. - LEONORE
OUVERTURE N°3 - SCORE Orchestra Barenreiter
Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of t...(+)
Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of the ?Leonore? overtures- Based on the G. Henle Complete Edition of the ?Works of Ludwig van Beethoven?- Orchestral parts in an enlarged format (25.5 cm x 32.5 cm)Of the four overtures that Beethoven composed for his only opera, the ?Leonore Overture? No. 3 is the most popular. The first reviewer found fault with it for its ?incessant dissonances and overblown fluttering of the violins? (Wiener Theater-Zeitung, 1806), but it soon became famous as ?one of the most imposing, difficult, yet richest and strangest of compositions? (Allgemeine Musikalische Zeitung, 1810). This version of the ?Leonore Overture? quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.The editor has devoted herself to the complex genesis of the various ?Leonore Overture? versions, in particular the question whether the trumpet call in measures 272?277 and 294?299 should be played by one or two instruments. The edition is based on the Complete Edition of the ?Works of Ludwig van Beethoven? issued by the G. Henle publishing company. / Grand format / Barenreiter
46.95 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Ludwig van Beethoven:
Symphony No. 9 in D minor
Op. 125 Facsimile Score: Orchestra [Facsimile] Barenreiter
Symphony No. 9 in D minor Op. 125 Facsimile Score. With his ninth symphony, Beet...(+)
Symphony No. 9 in D minor Op. 125 Facsimile Score. With his ninth symphony, Beethoven ventured into new musical dimensions. In the final movement, soloists and choir join forces with the orchestra and Schiller?s ?Ode to Joy? becomes a global aspiration, a declaration: ?Alle Menschen werden Brüder ! / All mankind becomes brothers.?
In his commentary the great Beethoven scholar Lewis Lockwood describes the plea which Beethoven wanted to deliver at that time with this work and how views of this have changed over the centuries. Jonathan Del Mar, a renowned editor of Beethoven?s works, comments on noteworthy passages in the autograph manuscript and allows the reader to share in the composer?s working process.,br>Already the large-format paper which Beethoven used for some passages makes the large forces clear. Cuts, sometimes reversed later, show how he wrestled with the final version of the musical text and refined it right down to the last detail.
The history of the autograph manuscript reflects an episode in German history: after storage in various places because of the war, the major parts were returned to Berlin but were initially divided by the Berlin Wall and only reunited in 1990. Martina Rebmann who is the Director of the Music Department at the Staatsbibliothek zu Berlin traces this story.
In 1972 the main theme of the last movement was chosen by the Council of Europe as the European anthem and in 1985 it was adopted by the European Community as its official anthem. In 2001 the manuscript was listed in UNESCO?s Memory of the World Register. For the first time the facsimile presents all the parts of the manuscript including pages preserved in Bonn and Paris as well as the trombone and contrabassoon parts.
The first edition (2010) was awarded with the German Music Edition Prize ?Best Edition? 2011.
789.00 GBP - Sold by Musicroom UK | |
| Ernesto Lecuona:
Malaguena: Concert Band:
Score & Parts Orchestra Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...(+)
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
189.99 GBP - Sold by Musicroom UK | |
| Malaguena: Concert Band:
Score Orchestra Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...(+)
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
19.99 GBP - Sold by Musicroom UK | |
| Gabriel Fauré: Pelléas
Et Mélisande: Orchestra:
Score Orchestra Leduc, Alphonse
Musique de scène-“An enchanted dream” – these words from po...(+)
Musique de scène-“An enchanted dream” – these words from poet Charles Van Leberghe give an idea of the public’s enthusiasm for the first English language performance on June 21 1898 of Maurice Maeterlinck’s symbolist play. Staged at the Prince of Wales Theatre the play was translated by Jack W. Mackail with stage music composed by Gabriel Fauré. Occupied by various administrative tasks the composer asked his favourite student Charles Koechlin to orchestrate the score in May 1898. The London theatre’s limited instrumental staff corresponded perfectly to the apprentice musician’s ideals of clarity and transparency.Established by Roger Nichols and Otfrid Nies this trilingual edition (French – English – German) is based on signed manuscripts and distinguishes itself through a 60-page critical commentary that precisely retraces the birth of the work. The book presents for the first time the complete incidental music written for the London premiere of Pelléas et Mélisande with the aim of staying true to Koechlin’s original annotated version. Koechlin’s orchestration is equal to the work: a model of clarity and refinement.
47.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Philip Cashian: Mechanik:
Orchestra: Score and
Parts Orchestra Cadenza Music
Full score and parts for Philip Cashian's Mechanik composed for flexible ens...(+)
Full score and parts for Philip Cashian's Mechanik composed for flexible ensemble Score and 16 parts in various keys and clefs.
22.99 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Four Coronation Anthems:
Orchestra: Score Orchestra Oxford University Press
These four splendid anthems were composed for the coronation of George II in Oct...(+)
These four splendid anthems were composed for the coronation of George II in October 1727 and have since retained a position at the heart of the English choral tradition. The popular anthem Zadok the Priest has been performed at all subsequent coronations and Handel's other contributions to the royal occasion - Let thy hand be strengthened The King shall rejoice and My heart is inditing - have the same majestic grandeur with affecting contrasts between different sections of the sacred texts. The editor Clifford Bartlett has corrected various inconsistencies in Handel's score and completedetails of sources and editorial method additional performance notes and a critical commentary are included.
112.50 GBP - Sold by Musicroom UK | |
| Franz Joseph Haydn:
Symphony No. 100 In G:
Orchestra: Miniature
Score Orchestra Eulenburg
London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his secon...(+)
London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his second trip to England in 1794. This work is one of the still popular from the series of the so-called '12 London Symphonies' (Hob. 1/93 - Hob. 104).The work characterized by musical finesse and various sonic stimuli has the following four movements: I. Adagio - Allegro - II. Allegretto (C major) - III. Menuet: Moderato - IV. Presto. The somewhat unusual epithet 'military symphony' refers essentially to the second and the fourth movement ('Allegretto' and 'Presto') in which the instrumentation is enriched by timpani triangle cymbals and bass drum and thereby the evokes the impression of amilitary band. A 'trumpet signal' especially set in the second movement led to such a characterization. On the value and importance of this G major Symphony the following article from the Allgemeine Musikalische Zeitung of April 1799 reveals: 'It is a little less learned and easier to grasp than some of the other's newest works but new ones Ideas just as rich as they. Perhaps the surprise in music can not be furthered than it is here by the sudden collapse of full Janissary music in the minor of the second movement-since until then one has no suspicion that these Turkish instruments are attached to the symphony. But here too not only the inventive but also the prudent artist shows. Nevertheless the Andante is nevertheless a whole: for in all the pleasing and easy things that the composer in order to infer from the idea of his coup deceitfully brought it into the first part of it it is nevertheless arranged and worked in a march.' The 'Military Symphony' was premiered on March 31 1799 in London.
14.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Mozart W.a. - Eine
Kleine Nachtmusik Kv 525
- Facsimile Orchestra [Facsimile] - Easy Barenreiter
“Eine kleine Nachtmusik” “... written with ease, but skillfully refined”...(+)
“Eine kleine Nachtmusik” “... written with ease, but skillfully refined” “Eine kleine NachtMusick” is how Mozart entered the Serenade in G major in his personal catalogue of works on 10 August 1787. It was written without any known incentive or commission during the time that Mozart was composing “Don Giovanni”, a time when he was celebrating his greatest success as an opera composer. The work is one of the jewels of Mozart’s output, combining bright radiance and a natural simplicity with brilliant refinement. Similarly, the autograph manuscript of this perfect masterpiece is captivating because of its balanced clarity and beautiful handwriting. The manuscript was inaccessible to the public for almost half a century, but now Bärenreiter has received exclusive permission to produce a new facsimile of Mozart’s original. The edition reproduces the facsimile pages as individual sheets and leaves, reflecting the way the original copy has survived. These pages – in high-quality colour printing, each trimmed individually – are presented in a handsome box. This is accompanied by a booklet with an introductory text by Wolfgang Rehm including information on the genesis of the composition and the various aspects of the autograph manuscript. “The fact that it’s all over town does not alter anything in the quality of this occasional piece written with ease but skillfully refined.” (Wolfgang Hildesheimer) BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: - a facsimile in high-quality colour printing - scholarly commentary •Facsimile of the autograph score KV 525 •Introduction: •I. 1787: The work. Its background, genesis, significance and impact •II. The Autograph. Its clear, its twisted paths •Notes and References •Einführung: •I. 1787: Das Werk. Sein Umfeld, seine Entstehung, Bedeutung und Wirkung •II. Das Autograph. Seine eindeutigen, seine verschlungenen Pfade •Anmerkungen •Watermark No. 55 •Facsimile of the autograph fragment KV 525a Edition no.: BVK 2282 ISBN: 9783761822821 Volume / Series: Documenta musicologica II/46 / Bärenreiter Facsimile Editor: Rehm, Wolfgang Language(s) of work: German, English Product format: Facsimile Binding: in a case Pages / Format: 38 S. - 25,4 x 34,0 cm
235.30 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Georg Friedrich Händel:
Rodelinda Regina de'
Longobardi HWV 19: Mixed
Choir: Deutsch Orchestra [Sheet music] Barenreiter
Dramma per musica in thre acts-Rodelinda Regina de' Longobardi HWV 19; Opera in...(+)
Dramma per musica in thre acts-Rodelinda Regina de' Longobardi HWV 19; Opera in three acts. After Giulio Cesare and Tamerlano Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket London on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty. Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel operamovement. The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas. Handel returned to Rodelinda on two occasions in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers. For example Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance doubtless to accommodate the needs and wishes of the singers also improve the work’s dramatic substance. Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix. Urtext of the Halle Handel Edition.U47 Full score (BA4064) & vocal score (BA4064-90) available for sale. Performance material (BA4064-72) available for hire
330.00 GBP - Sold by Musicroom UK | |
| Ouverture Coriolan
(BEETHOVEN LUDWIG VAN) Orchestra [Score] Barenreiter
Op. 62. Par BEETHOVEN LUDWIG VAN. Beethoven?s ?Coriolan? overture was composed i...(+)
Op. 62. Par BEETHOVEN LUDWIG VAN. Beethoven?s ?Coriolan? overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed at the Palais Lobkowitz and it was the Lobkowitz family who played a decisive role in the transmission of the sources.
For this new edition, Beethoven specialist Jonathan Del Mar incorporates various manuscript sources, including a handwritten set of parts that has never been considered before. As a result, numerous discrepancies could be clarified. / Date parution : 2022-04-05/ Répertoire / Orchestre
31.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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